We only arrive at the Grand Budapest Hotel after passing through layers upon layers of story within story— a teenage girl in the present day reading a bookˌ the book’s author talking into a camera about the experienced he had while writing his book in the eightiesˌ the younger version of said author meeting a much aged Zero in the now decrepitˌ post-Soviet era Grand Budapest. Thus the new world of our adventure has not been lost to time but rather created by the lost timeˌ through a chain of nostalgic yearnings and imagination. The film diverts its audience's attention away from the dark, grim, realities of then Eastern Europe on the eve of fascism to dwell on just a fun fantasy. But I think this very diversion is the film’s true subject. Anderson’s …show more content…
There’s a certain but early in the film that illustrates this melancholy quite well: when The Author, as a Young Man, is first traveling to the dilapidated Grand Budapest in the sixtiesˌ he describes in νoiceoνer how the one great hotel has fallen on hard times over the years. The Grand Budapest Hotel is certainly Anderson’s most thought provoking film to dateˌ but it also might be his because of how much it repeals of itself over time. Anderson visually depicts this by panning across the fairytale-like Zubrowka region before stopping on a shot of the Hotel in its beautifulˌ immaculate prime before then quickly cutting to another shot of the hotel in its “current” stateˌ a run-down ruin. Though he provides a two-second glimpse of the Grand Budapest in all its gloryˌ the audience's first real introduction to the hotel is as a relic through the eyes of The Author. Anderson lets the audience see the hotel as a remnant of the past before they an see it as the towering institution it to portray the
Women are very important in this world but frequently they are not cared for. Their opinions, wants, and needs are ignored. In the book “Runaway” by Alice Munro there are three short stories “Runaway”, “Chance”, and “Passion” portray three women that over the surprises of life and the path that their decisions take them. Throughout these stories the reader can identify the three strong female characters that share similarities such as love, betrayals and surprises. Carla was finishing up summer to go back to school just in time for the fall, she met her husband, Clark. The love Carla has for her husband is the reason why she left college and her family “So, naturally Carla had to run away with Clark. The way her parents behaved they were practically
Speak, by Laurie Halse Anderson, is a story written in the first person about a young girl named Melinda Sordino. The title of the book, Speak, is ironically based on the fact that Melinda chooses not to speak. The book is written in the form of a monologue in the mind of Melinda, a teenage introvert. This story depicts the story of a very miserable freshman year of high school. Although there are several people in her high school, Melinda secludes herself from them all. There are several people in her school that used to be her friend in middle school, but not anymore. Not after what she did over the summer. What she did was call the cops on an end of summer party on of her friends was throwing. Although all her classmates think there was no reason to call, only Melinda knows the real reason. Even if they cared to know the real reason, there is no way she could tell them. A personal rape story is not something that flows freely off the tongue. Throughout the story Melinda describes the pain she is going through every day as a result of her rape. The rape of a teenage girl often leads to depression. Melinda is convinced that nobody understands her, nor would they even if they knew what happened that summer. Once a happy girl, Melinda is now depressed and withdrawn from the world. She hardly ever speaks, nor does she do well in school. She bites her lips and her nails until they bleed. Her parents seem to think she is just going through a faze, but little do they know, their daughter has undergone a life changing trauma that will affect her life forever.
Director John Hughes does it again. In Sixteen Candles, he captures the essence of high school from the views of the nerds to the jocks. Depicted in the daily lives of the main characters, he shows even back in 1984, there is a division by popularity and grade. The struggles and pressures students faced are the same as what students are faced with in today’s high schools. This movie relates to teens year after year, generation after generation. Just as the author William Zinsser states in College Pressures, “They are too young to be prisoners of their parents’ dreams and their classmates’ fears” (385). Hughes is able to capture this through the eyes of high school students and the pressures they feel.
Speak is a cleaver and an ironic title for a story in which the main character chooses not to speak. The story is written in first-person narration from the point of view of protagonist, Melinda Sordino. Speak is written like an interior monologue in the mind of an introverted teenage girl, like excerpts from her personal diary during her miserable freshman year of high school. Instead of blending in and finding her way through high school. She withdraws and secludes herself from the other students. She calls herself an "outcast." Melinda is so desperate to hide from the world; she turns an old janitor's closet at the high school into her safe haven. She cuts classes to hide in her closet. How lonely could this teenage girl be? All of these characteristics are common in assault victims. Melinda has been seriously disturbed by something traumatic and doesn't feel comfortable talking about it, nor does she really trust anyone. Teenage depression is a common
Daru, the schoolteacher in a remote area of Algeria, is torn between duty and what he believes is the right thing to do when he is suddenly forced in the middle of a situation he does not expect. He must escort an Arabic prisoner to the nearest town. It is not that Daru has much sympathy for the man; in fact, he does not, and actually finds himself disliking the Arab for disrupting so many lives. "Daru felt a sudden wrath against the man, against all men with their rotten spite, their tireless hates, their blood lust." Unfortunately, Daru loves his homeland, and cannot bear to think of leaving, despite the chaos that is raging around him between France and the Algerian natives. I believe that Daru makes the right choice in letting the prisoner choose his own fate. Daru has reaso...
The Classical Hollywood style, according to David Bordwell remains “bound by rules that set stringent limits on individual innovation; that telling a story is the basic formal concern.” Every element of the film works in the service of the narrative, which should be ideally comprehensible and unambiguous to the audience. The typical Hollywood film revolves around a protagonist, whose struggle to achieve a specific goal or resolve a conflict becomes the foundation for the story. André Bazin, in his “On the politique des auteurs,” argues that this particular system of filmmaking, despite all its limitations and constrictions, represented a productive force creating commercial art. From the Hollywood film derived transnational and transcultural works of art that evoked spectatorial identification with its characters and emotional investment into its narrative. The Philadelphia Story, directed by George Cukor in 1940, is one of the many works of mass-produced art evolving out of the studio system. The film revolves around Tracy Lord who, on the eve of her second wedding, must confront the return of her ex-husband, two newspaper reporters entering into her home, and her own hubris. The opening sequence of The Philadelphia Story represents a microcosm of the dynamic between the two protagonists Tracy Lord and C.K. Dexter Haven, played by Katherine Hepburn and Cary Grant. Through the use of costume and music, the opening sequence operates as a means to aesthetically reveal narrative themes and character traits, while simultaneously setting up the disturbance that must be resolved.
The film begins with a title card sequence upon a static backdrop of shrubbery, mountains and distant clouds; a lingering sight that doesn’t truthfully establish forthcoming events in Vienna’s saloon. Her saloon may be quiet, but it is always occupied, and whilst the opening sequence, in which we are introduced to Johnny Guitar, is filled with a bravado of horns and orchestral accompaniment, the saloon itself is inversely populated by the sound of wind, tumbleweed, and stark silences - something perhaps more associated with the western expanse in which the story takes place. Yet for this dichotomy in sound, the initial visuals after the credit sequence foreshadow the destruction of locale, and the audience takes the place ...
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...
my life time up to the point that I feel I could single handedly go on
Home is about a Korean War veteran named Frank Money who needs to save his sister from dying. The story starts with Frank describing a scene from his childhood with his sister. They were in a field with horses he describes the horses being beautiful and brutal, but on the other side some men were burying a dead African American in a hole. When Frank becomes an adult he is soon committed to a mental hospital after his time in the war. Frank soon gets a letter stating that his sister was in danger and could die if he did not hurry to save her. Then he remembers his family being evicted and not being able to take any possessions. Frank then escapes the bastion of the hospital on his way to save his sister from the mysterious person. On his way Frank Money meets many different people who offer their assistance to him because he is not wealthy. Frank makes his way to Atlanta to continue the search for is sister but is attacked by gang of thugs, who steal his wallet and hit him with a pipe. After trying to find his sister he finds his sister being an experimental patient to Dr. Beau, a doctor who conducted experiments on colored civilians. After Frank saves his sister he takes her to some friends to help her get better from the experiments. While there his sister starts to make a quilt while she got better, which they eventually laid over the man’s bones, who was lynched, when they were kids. They nailed a sign to the tree as a sign of respect showing that someone was buried there beneath the tree. Finally, after nailing the sign, Frank looks at the tree for a while thinking of everything that has happened, then his sister Cee walks over and tells him it’...
Throughout many of Toni Morrison?s novels, the plot is built around some conflict for her characters to overcome. Paradise, in particular, uses the relationships between women as a means of reaching this desired end. Paradise, a novel centered around the destruction of a convent and the women in it, supports this idea by showing how this building serves as a haven for dejected women (Smith). The bulk of the novel takes place during and after WWII and focuses on an all black town in Oklahoma. It is through the course of the novel that we see Morrison weave the bonds of women into the text as a means of healing the scars inflicted upon her characters in their respective societies.
Nine patriarchs found a town. Four women flee a life. Only one paradise is attained. Toni Morrison's novel Paradise revolves around the concept of "paradise," and those who believe they have it and those who actually do. Morrison uses a town and a former convent, each with its own religious center, to tell her tale about finding solace in an oppressive world. Whether fleeing inter- and intra-racial conflict or emotional hurt, the characters travel a path of self-isolation and eventual redemption. In her novel Paradise, Toni Morrison uses the town of Ruby and four broken women to demonstrate how "paradise" can not be achieved through isolation, but rather only through understanding and acceptance.
There were many generational themes that came to light within this film, which dealt with a variety of issues that encompassed many paths that were taken. Each person in the film was dealing with very personal reasons that led them to coming to the Best Exotic Marigold Hotel. In the next several paragraphs, each of the issues will be discussed including exemplars from the film.
“The Great Dictator”, an elegant speech composed by the magnificent Charlie Chaplin, was a particularly moving one that has gained widespread recognition and praise since it was given back in the 1940s. On the surface, it appears as if Chaplin is directing soldiers to think for themselves and to break away from dictators’ indoctrination, as “dictators free themselves but they enslave the people!” is a line that is reprehended throughout the speech. Further analysis of Chaplin’s speech seems to reveal, however, that he rather wants the soldiers to break away from the deeper aspect of tyranny that has been embedded within them, essentially controlling them. Chaplin wants the audience to take action and think for themselves; to help one another and to save humanity from war using three key rhetorical tools: ethos, organization and pathos.
...director did not limit the film to its historical context but extended the same to romance and fantasy. From a different angle of view, the director made use of the theme to communicate with the viewers and the fictional characters can be considered as his tools. Besides, ample importance is given to historical and fictional characters. In short, the amalgamation of history, fantasy and romance constituted much to the film’s importance as a historical/fictional masterpiece.