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Themes in whitman writing
Walt whitman impact on society essay
Analysis of walt whitmans works
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Walt Whitman was a nineteenth century poet who made a large impact on the world through his work. Though his poetry was not accepted in his time, today, he is quite revered for his visionary ideas explored in them. His most comprehensive work, Leaves of Grass, Whitman often discusses common themes of literature, such as death. On the subject of death, rather than examine it in a morbid, depressing manner, Whitman’s work conveys that death is a unifying part of life that needs to be accepted. He explains this from various angles in his poems The Sleepers and Out of the Cradle Endlessly Rocking. The Sleepers is an excellent example of Whitman’s views on death. It describes a world of people, all asleep in different places and having different dreams. The narrator, who is observing the sleepers, realizes that in sleep, “The diverse shall be no less diverse, but they shall flow and unite”(7). Sleeping is one of the few actions everyone has in common. Whitman goes on to compare sleep to death, as both are natural and coalescing …show more content…
This poem, in an unusual style for Whitman, tells the story of his younger self hearing the anguished song of a bird, who had lost his mate. The bird is upset over this lost mostly because he misses his mate, and fears she may be dead, and to the young Whitman was touched as he “pour’d forth the meaning which I of all men know.” Though a child, he sympathized with the bird, and began to understand for himself the pain of death and loss. This conveys how death is something that affects everyone, another way that it connects people. Whitman cites this as the moment when he realized his calling as a poet, as he learned something very important. Curious, he asks the bird to tell him of “the word final, superior to all,” to which the bird responds “death.” This poem adds to Whitman’s message of death being an inevitable part of life that binds all living
The plot in Whitman’s poem quickly takes a depressing turn. The beginning entices readers with a vague sense of excitement. The narrator, a girl,
Whitman then sees the "uttering tongues...[who]...do not come from the roofs of mouths for nothing." This grass, again, is purposed. It is trying to tell us something. It is telling us something. Whitman has painted, for me, a picture of opportunity. Life is whatever you make of it. It is there, purposed, forever new, forever fresh, and it is up to us to learn from it.
The speaker of this poem is sitting in a lecture-room listening to the astronomer discuss diagrams and charts of the stars. The speaker eventually leaves the lecture and goes to look at the stars outside. The stars in this poem symbolize both nature and isolation. The speaker states, “In the mystical moist night-air, and from time to time, / [I] Look’d up in perfect silence at the stars” (7-8). The speaker references the stars and night-air to create a calm atmosphere. The speaker also seems to be infatuated with the stars in their natural element, and not in diagrams and charts. The speaker also say, “I wander’d off by myself” (5). The speaker longs to be isolated with nature. This isolation allows for the speaker to come to his own realizations about the world, instead of it being determined by society’s view. Whitman utilizes this poem to explain how nature is beautiful on its own, and how charts can’t display its real beauty to the viewer. Whitman exercises the Romaticism themes of Isolation and Love of Nature in this poem by explaining how nature reveals its beauty to each individual in a different
The theme of Time to Come presents the mystery of life after death and calls attention to how vulnerable it’s victims are. Whitman begins his poem with the strong metaphor “ O, Death! a black and pierceless pall” (1). This bold statement allows the reader quickly realize that the work will somehow be connected to death, but in an insightful manner. The alliteration of “pierceless pall” emphasizes death’s ruthless approach. Whitman then describes death as a “mystery of fate” that " No eye may see, no mind may grasp” (3-4). This points out that death lingers in the future, essentially waiting to seize lives and nobody can know when th...
...man beseeches the multitudes of natural phenomena he already mentioned—the tide and waves, clouds, current and future ferry patrons, masts of Manhattan and hills of Brooklyn, the ships, and the sea birds to continue doing what they do best, their natural activities. This recapitulates the main themes of the poem and Whitman's own consciousness which both connects him to future generations and separates him from his present. Without being apart from the whole, Whitman would have no individual consciousness and no ability to seek out the complex connections he creates in his poetry. As he says in the last four lines:
His masterpiece Leaves of Grass is a collection of poems that are loosely connected, and each represents Whitman’s celebration of his philosophy of life and humanity. “Song of Myself” is one of them, which fully displayed the poet’s philosophy on the subjects of life and the universe. The poem is filled with life spirit, namely, the ontological essence of the whole universe, both material and spiritual, which is in motion permanently and can be comprehended only through first-hand experience, rather than metaphysical meditation or religious worship. This essay will analyze the life spirit in Whitman’s poems by interpreting the religious mysticism of “myself” and the reevaluation of the body, and how the all-powerful “I” who serves as a narrator is demonstrated as an embodiment of God.
One line in this poem that describes the belief of an afterlife in the line about meeting again is the line, “I think we shall surely meet again,” (17-18). Walt Whitman is saying this after the solider has died and he believes that he and the comrade will meet again in death because he believes that death is not the end of eternal life. Walt Whitman also writes of death more realistically than Emily Dickinson even though his take on death is impersonal due to it being about the soldier’s death and not imagining his own death like Emily Dickinson. He describes death as he is mourning someone else’s death. He also seems to regret that grief of the death with the line, “But not a tear fell, not even a long-drawn sigh, long, long, I gazed,” (11). He is use to deaths by know because of the war. The Next poem by Walt Whitman that shows aspects of death is A Sight in Camp in the Daybreak Gray and
We all have a purpose here on earth. In this poem it teaches us that we need to treat nature with respect. “For all averred, I had killed the bird”. This is saying the man had killed the bird. It was a very innocent bird. We should leave nature alone. It hasn’t done any harm to you. We all need to realize this.” He who prayeth best, who lovest best both man and bird and beast”. This means that we need to turn to God for help. This will help us out a lot in life. This old man had told this story to the man went home after the story. When he woke up the next day he felt wiser and more sad. Why is this? The reason why I think that the man woke up wiser beasuse he knew something he didn’t know before. His story can be an inspiration to us because we can learn from his mistakes and not make the same
Whitman goes as far to directly confront a personified figure of mortality, stating: “And as to you Death, and you bitter hug of mortality, it is idle to try to/alarm me” (Whitman 1288-1289). Instead of traditional belief that human life is finite, Whitman follows the transcendentalist idea that existence is one cycle composed of life, death, and rebirth, where he is “of one phase and of all phases. ”(Whitman 458). Due to life being a perpetual, death is therefore only a stage. Whitman uses the
At the heart of this poem are the struggles Whitman himself had to face concerning mutually exclusive assumptions about the nature of identity. Whereas one part of Whitman wants to believe that the self is immortal and infinite, he also realizes that the self exists in nature and is thus as mortal and finite as the mate of the bird which must now forever remain a “singer solitary” (“Out of the Cradle Endlessly Rocking” line 150). Indeed, all of the subjects in the poem must confront the loneliness inherent in existence; in his discussion on “Out of the Cradle Endlessly Rocking,” Bauerlein states: “Whitman’s birth as a poet happens when he joins a procession of singers and listeners – mockingbird, boy, man, poet, reader – attending to the cries of lonesome love” (Bauerlein 2). However, the sea, personified as a “fierce old mother” (“Out of the Cradle Endlessly Rocking,” line 133), rocks her oceanic cradle of death and serves as consolation for the poetic subject as he comes to terms with the realities of life. The sea’s climactic utterance of the certainty of death and loneliness – “death, death, death, death, death” (“Out of the Cradle Endlessly Rocking,” line 173) – serves as an initiation into maturity for both the boy and the poet.
The speaker begins the poem by revealing that he is not satisfied about his name being received “with plaudits in the capitol” (1), nor satisfied when accomplishing his plans. It is not until he thinks about his dear friend and lover coming to see him that the speaker becomes truly happy. This suggests that Whitman cares more about the connections between people over materialism. The night that his friend finally arrives, the speaker becomes very descriptive: And that night while all was still I heard the waters roll slowly continually up the shores, I heard the hissing rustle of the liquid and sands as directed to me whispering to congratulate me,
Throughout Whitman's poetry, the reader can witness his own feelings of death changing and evolving. In "Out of the Cradle Endlessly Rocking" Whitman uses one of his other major themes, nature, and relates it to death. He is beginning to understand death and come to terms with it. This can be seen in the following passage.
The poem has set a certain theme and tone but no definite rhyme. In this poem, the poet explores into a thought of the self, the all-encompassing "I," sexuality, democracy, the human body, and what it means to live in the modern world. He addresses that the human body is sacred and every individual human is divine. Hence, Whitman was known for writing poems about individualism, democracy, nature, and war.
The poem starts by a description of a wonderful place. The images of a bright sun, and “wind stir[ing] through the springing grass”, and how the river flows, all show the design of a care-free, jubilant life in this peaceful place, that is just outside the bird’s reach. The speaker uses a simile to compare the river to a “stream of glass”, as the river was likely glistening perfectly in the bright sunlight. With the opening of the “first bud”, man indicates that spring is about to begin and that the bird sees life outside. The speaker uses a metaphor to
Perhaps the most complicated symbol within the poem "Out of the Cradle Endlessly Rocking" is that of the moon. Each time the moon appears, it appears in a way that is a striking reflection of the love of the bird.The most obvious object Whitman uses to communicate about love is the birds, the "feathered guests from Alabama". While the bird symbols in Lilacs and Cradle may seem very similar, the bird in Lilacs is a symbol of a transcendentalist view of death in the scheme of nature, and the bird in Cradle is a symbol of a much different view of deaththe personal, acute pain of a lover left to mourn. Although the birds love is significant, the boy is also an important theme and the relationship between the two may be key to understanding Whitman's intention. Another object of love is the boy in the poem, which the author's voice allows us to assume is Whitman himself.Another major factor affecting the communication of Whitman's ideas on death is the diction and tone of each poem. In Cradle, death is personal, grieving is acutely painful, and death is presented as an inevitable force oppressing ...