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Twentieth century role in changes of women in literature
Depiction of women in literature
Depiction of women in literature
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Vonnegut's Changing Women
What follows is an argument to the effect that, in the novels written before 1973, Vonnegut's female characters generally are presented negatively, either as pro-authority anti-individualists or as helpless or male-manipulated victims who never "grow" in either a personal or literary sense. In addition I maintain that, in at least two of Vonnegut's later novels, certain female characters exercise individuality in their own existences and effect positively the awareness and attitudes of male characters.
From the beginning of Player Piano (1952) through Slaughterhouse Five (1969), Kurt Vonnegut describes the characters of his various worlds in terms of their victimization at the hands of a dehumanizing, or perhaps a better term might be "deindividualizing," technologically fixated, industrial/militaristic society. Time and time again in these novels the role of the individual is subsumed in the miasma that passes for "social responsibility." Like the real world in which every human being exists, Vonnegut's literary worlds feature nameless and faceless authorities (when such authorities are offered at all) who seem to be the masters in local, regional, global, and sometimes interstellar chess games. Often, as is the case in Vonnegut's 1951 "All the King's Men," these "manipulators" move their all-too-sentient pieces in what at times, for the victims, must seem to be diabolical--and what certainly are tragic--maneuvers.
In The Sirens of Titan (1959) and Slaughterhouse Five the "accidental" nature or intergalactic point of view of the authority that seems to be "in charge of things" serves to distance humans from personal responsibility for the results of such maneuvering--as such results are described in the novels. In Sirens, for example, the inappropriate and often asinine behaviors of Malachi Constant are shown to be products of the direct influence of the Tralfamadorians who for millennia have manipulated human societies simply to communicate with a mechanized messenger shipwrecked on Saturn's largest moon. The same excuse can be made for the ultimate human manipulator in the novel, Winston Niles Rumfoord, as it can for the actions and attitudes of Bee, Rumfoord's wife and the mother of Constant's son, Chrono. That the communications sent to Salo on Titan consist of such inane and, given the non-human nature of the receiver, unimportant content as, "Be patient. We haven't forgotten about you," and, "You will be on your way before you know it" (271), only makes more pathetic the fact that Tralfamadore has influenced directly the rise and fall of countless human civilizations in order to deliver such messages.
Kurt Vonnegut’s fictional novel “Cat’s Cradle”, indirectly explores issues that parallels into topics such as religion, scientific/technological advancements, political power and much more. Vonnegut’s novel is narrated by a character named Jonah (John). He, Jonah, sets out to write an anthropological book based off of what key people were doing on the day that the atomic bomb was dropped on Hiroshima. Throughout Vonnegut’s novel it can clearly represents how a writer can become a very destructive person to society. As for this novel, it shows through the uses of parallels that a writer can become a very destructive person to society, these parallels are reflects to real world issues throughout his novel to show this claim, that a writer too can be a destructive person to society.
Vonnegut and Jackson, through the use of well written short stories, have managed to address concerning issues in today’s societies. Through the use of Harrison Bergeron Kurt Vonnegut was able to address the growing issue of equality, this is a very important issue as many people in modern societies view the idea of equality to be incredible. Shirley Jackson through The Lottery addressed the concerning issue of societies blindly following religions and traditions due to superstitions and the unwillingness to change. These dystopian texts demonstrate the inevitable outcome these problems will eventually cause.
Meeter, Glenn. "Vonnegut's Formal and Moral Otherworldliness: Cat's Cradle and Slaughterhouse-Five," in Jerome Klinkowitz & John Somer (eds.), The Vonnegut Statement. USA: Delacourte Press/ Seymour Lawrence, 1973, 204-220.
What gives the reader the false idea of utopia in Vonnegut’s “Harrison Bergeron” is the deep social control in the form handicaps where individual’s abilities and competence and even appearance are neutralized and vilified as a form of inequality. The characteristics of equality chosen by Vonnegut; beauty, athleticism, and intelligence is important to the story’s message. The main focus of the story are the characteristics of equality that are subjective, the very same characteristics we are born with that makes us different and minimally states the objective ones, the ones that plague our society today. This not only satirizes the epitome of equality itself, but rather the people’s flawed ideals and belief of what total equality is supposed to be or should be.
Offit, Sidney, ed. Kurt Vonnegut: Novels & Stories 1950-1962. New York City: Library of America, 2012. Print.
Slaughterhouse Five is not a book that should be glanced over and discarded away like a dirty rag. Slaughterhouse Five is a book that should be carefully analyzed and be seen as an inspiration to further improve the well-being of mankind. Vonnegut makes it clear that an easy way to improve mankind is to see war not as a place where legends are born, but rather, an event to be avoided. Intelligent readers and critics alike should recognize Vonnegut’s work and see to it that they make an effort to understand the complexities behind the human condition that lead us to war.
...Slaughterhouse Five, serves as much more than a just a Sci-Fi element in a war novel; it is a portal into the nonsensical and destructive nature of war meant to invite the reader to adopt an active stance against war. The realities of war have long been tainted by history, retailing the brutal events as a saviour’s tale full of honour, glory and patriotism. However, the truth sits far away from the textbooks and scholars. Those who have marched, fought and survived that blood thirsty, chaotic development can testify to its destructiveness. However, the absurdity and trauma causes scars that lay in deep ravines logic cannot reach. Therefore, Vonnegut resources to a parallel planet, as his only means of explaining the unexplainable, in hopes of unveiling war's folly and shake his readers into action so that Earth does not become a planet full of futile toilet plungers.
The danger and the risk that comes with enforcing something, like total equality, is an idea Vonnegut presents as a picture-perfect proposition not worth striving for. Peter Reed, author of The Short Fiction of Kurt Vonnegut claims the time era in which Vonnegut wrote Harrison Bergeron was the time of the cold war,
Robert T. Tally Jr. uses the phrase “misanthropic humanism” to describe Vonnegut’s examination of the human condition. The term “misanthropic humanism” describes the idea that humanity’s desire for a utopia which is hindered by human nature’s flaws which prevent a true utopian society from flourishing. Vonnegut often explores the idea that humanity turns a utopian dream into a dystopian nightmare (Tally Jr. 18). Vonnegut writes about this theme most prominently in his novel Player Piano, in which human life is rendered meaningless because of manmade machines that bring about an era of mechanical reproduction which renders human life meaningless. In the novel, Humanity’s quest for improvement leads to its downfall
Kurt Vonnegut, a modern American writer, composed stories about fictional situations that occurred in futuristic versions of today’s world. His stories included violence, both upon oneself and one another, and characters who sought out revenge. In “2BR02B” and “Harrison Bergeron”, Vonnegut conveys physical violence most likely experienced while a prisoner of World War 2, as a way to show how war brings pain and destruction.
Most novels are not able to adequately present two distinct themes that oppose each other; Slaughterhouse-Five is not most novels. It is unique in almost every way, especially with respect to its themes. In Slaughterhouse-Five, Kurt Vonnegut develops, to the surprise of the reader, the themes of both the necessity of the concept of free will and its illusion. While these themes seem to contradict each other, they are also complimentary. Kurt Vonnegut’s unique writing style enables the reader to perceive both of these themes in the text.
Oscar Wilde, an acclaimed Irish Poet, novelist, dramatist and critic once aptly commented, “Men become old, but they never become good”. The philosophical aspect of this quote relies on the basis that human beings are inherently malevolent. Through his pessimistic perspective, Wilde clearly captures the ill-disposed mindset of mankind. Moreover, there are various deductive arguments that discredit the optimistic depiction of human nature. One of the prime examples can be found in Kurt Vonnegut’s literature. In Kurt Vonnegut’s Cat's Cradle, through the illustration of his characters, the author symbolizes the four elements of human fallibility.
Katherine Mansfield belongs to a group of female authors that have used their financial resources and social standing to critique the patriarchal status quo. Like Virginia Woolf, Mansfield was socioeconomically privileged enough to write influential texts that have been deemed as ‘proto-feminist’ before the initial feminist movements. The progressive era in which Mansfield writes proves to be especially problematic because, “[w]hile the Modernist tradition typically undermined middle-class values, women … did not have the recognized rights necessary to fully embrace the liberation from the[se] values” (Martin 69). Her short stories emphasized particular facets of female oppression, ranging from gendered social inequality to economic classism, and it is apparent that “[p]oor or rich, single or married, Mansfield’s women characters are all victims of their society” (Aihong 101). Mansfield’s short stories, “The Garden Party” and “Miss Brill”, represent the feminist struggle to identify traditional patriarchy as an inherent caste system in modernity. This notion is exemplified through the social bonds women create, the naïve innocence associated with the upper classes, and the purposeful dehumanization of women through oppressive patriarchal methods. By examining the female characters in “The Garden Party” and “Miss Brill”, it is evident that their relationships with other characters and themselves notify the reader of their encultured classist preconceptions, which is beneficial to analyze before discussing the sources of oppression.
The correlation between over-population and growing world hunger has become a controversial topic in today’s society. Concerns of population expansion, world starvation, and environment destruction are matters of debate and are of much concern for their outcomes affect everyone of society. The world is home to an estimated 6 billion people with more than 80 million additions every year. With this astonishing growing rate of population it is necessary to address the matter of world hunger before it is too late. The three main theories of world population and the correlation to world hunger are debatable; however, it is ultimately left to an individual to determine the truth/ answer to such theories of world hungers origin.
Hurston portrays women as independent and capable of infinite possibilities. Many aspects contribute to how an author, male or female, portrays his or her female characters. Fitzgerald, Hemingway, Steinbeck, Wharton, and Hurston all illustrate their own perception of women based upon personal experience and social acuity of their particular era. The portrayal of women in American Literature is based solely upon an author’s personal opinion and interpretation and does not necessarily symbolize the true spirit and quintessence of women as one. Bibliography:..