The emotional vulnerability that progressively increases shows that Vivian has undergone major self-reflection that has led to a change in her psyche which is important because it shows her development as a person and her effort to redeem herself in her last moments. Vivian herself states that she had “ruthlessly denied her simpering students the touch of human kindness she now seeks” (59). She then experiences a memory of the past in great vividity about a previous student who had come to her in his time of vulnerability to ask her for an extension on the paper, however, Vivian dismisses him by telling him “the paper is due when it is due” (63). After the memory fades, Vivian reflects on the scene of her past and she appears to experience
As we near the end of the book, however, we see a change in Vivian. “One day, to everyone’s shock and amazement except Molly’s, Vivian announces that she wants to get a computer” (Kline 263). This quote shows a little about Vivian opening up to the new world and she is no longer isolating herself.
emotions onto the paper she was able to find a sort of peace with her
As we near the end of the book, however, we see a change in Vivian. “One day, to everyone’s shock and amazement except Molly’s, Vivian announces that she wants to get a computer” (Kline 263). This quote shows a little about how Vivian is opening up to the new world and no longer isolating herself. As we know, Vivian gave up her only biological child and she jokes lightly in the book by saying, “I suppose this is why people have children, isn’t it? So somebody will care about the stuff they leave behind” (Kline 52). However, later on, Vivian gives to Molly one of her prized possessions, the book Anne of Green Gables. This is a very important moment in their relationship because Vivian is passing on a piece of herself to Molly and it shows that Vivian is starting to see Molly as more than a random girl. She may even see her as a pseudo daughter as in the end of the book she lets Molly stay with her instead of going to another foster home. Vivian has opened up greatly throughout the story, but she only did so in reflection to Molly’s
This essay relies more on pathos because she shows her emotions towards the students who have suffered because of
...en-year-old girl”. She has now changed mentally into “someone much older”. The loss of her beloved brother means “nothing [will] ever be the same again, for her, for her family, for her brother”. She is losing her “happy” character, and now has a “viole[nt]” personality, that “[is] new to her”. A child losing its family causes a loss of innocence.
Though, acceptance of trauma can allow hindered development, eventually allowing full self-acceptance. Bernice, a once strong woman has been verbally, emotionally and physically abused since her childhood. Resulting in a loss of her sense of being. Within the beginning of the novel, when she is reflecting on her past memories, it becomes clear to the reader that in order for her to be able to accept herself, she needs to surface her past traumas. Bernice explains that, “In the tendrils, Bernice realizes there is remorse in her body and she is trying to kick it out. Her shell rejects remorse. Shame. Feeling bad over feeling good” (49). This mindset is negative and expresses her inability to share her emotions due to previous emotional abuse from her family and the many men that have taken advantage of her. This idea of disallowing happiness hinders her ability to accept herself and her past actions. However, through more time of self-reflection (over 200 hundred pages of her lying in bed with the author switching perspectives, confusing the hell out of me lol) Bernice realizes that she must learn to cope with these traumas and attempt to have a positive outlook on life. As Bernice is accepting the damaged part of herself, she comes to the realization that, “She can feel her body now, its loose and stiff at the same time. Her head, though will be the hard part. Part of her lost for so long that it is hard to enunciate what, exactly, she has found” (228). In comparison to when Bernice was unable to acknowledge her feelings and thoughts, it is now clear that she is slowly learning to manage her issues. By Bernice discovering that she is beginning to acknowledge her thoughts, this is the first step to being able to accept one’s self. In Total, It is shown that Bernice is deeply affected by the trauma within her life, however she is able to
Viola Hastings is not your average conflicted teenager; she comes from an affluent family and has had a rather privileged upbringing, however, her conflict is very unconventional. Her preliminary issue seems to rise when the school she attends, Cornwall, cuts her soccer team, and she is forced to devise a plan to get back on the field. Her brother, Sebastian runs off to London and asks Viola to cover for him while he is away, which allows Viola the platform for her master plan. This is an example of biosocial development because adolescents make the transition to becoming emerging adults by taking risks. (Berger, 2014) According to the text, “A theory of human development that holds that irrational, unconscious drives and motives, often originating in childhood, underlie human behavior.” (Berger, 2014) Viola is a proclaimed tomboy, is very outgoing and exudes an immense amount of courage and conviction. She is not afraid of fighting for what she believes in and what she feels she deserves. (Gilbert, 2014) Her lack of femininity does not deter her dedication to girl-power and hatred toward sexism, because her premise surrounds the idea that girls can in fact beat boys. Regarding theories of human development
Primarily, while Vivian does not truly come out and state if she is religious or not, she makes supply hints though out the play that she may not be religious and she truly fears the unknown journey of death. Numerous critics may argue that Vivian’s real struggle is against the cancer, nevertheless instead her real struggle is against what her past student Jason, calls the theme of “salvation anxiety” in the poetry of John Donne. Vivian’s anxiety resides precisely with the relationship, or God, that might finally carry her past death and into eternal life.
She will come to view his work in a totally different light as she nears her death. She starts off very confident at the beginning of her treatment when she says “I know all about life and death. I am, after all, a scholar of Donne’s Holy Sonnets, which explore mortality…” (Edson 12). Unfortunately, she has no way to fully grasp what he means about fear, death, and salvation until each of those issues become painfully pertinent to her situation. Such difficult concepts as those cannot be fully comprehended until one comes face to face with them. Death has come to now confront Dr. Bearing and challenge everything that she used to be so sure about. Her cancer leads her to consider Donne in a new light, and she attempts to find comfort in his sonnets that used to bring her so much enjoyment. Although she quotes him and praises him, Donne’s words become painfully accurate. It is possible that she now wishes that she did not know so much about his anxieties about death, salvation, and forgiveness. All of these are now ideas that Vivian is running out of time to understand. Words here become a source of fear and a hindrance as her final day draws near. When it does reach those final moments, her old professor Dr. E.M. Ashford comes to visit her in the hospital, and Ashford offers to recite some Donne to Bearing to calm her, but adamantly refuses. So, the elderly Ashford reads a children’s tale about bunnies, which is more comforting to Vivian than the words of the man who the both of them devoted their lives to praising and understanding. Confusion is what Donne represented to Bearing, but the bunny story provided simplicity and assurance. She no longer wanted to feel fear. The children’s story brought her home to simpler times. This simple interaction with Ashford is something that Vivian wishes she could have had more of before it was too
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
From flashbacks in the play, it is easy to depict that Vivian lived the life characterized by an inhuman lack of empathy. As the play opens, flashbacks of Vivian interactions with students show her having a serious problem. She lashes at a student for his failure to give feedbacks to her questions and she also denies giving another student an extension for the assignment. After the student explains that her grandmother died, this is what she says to her “do what you will but the paper is due when it is due” (63). This lack of empathy and arrogance apparently is unsocial, but she adopts it while pretending/believing to be advocating for excellence from her students and would not take fabricated excuses. This portrays her as a cynical person, and one who only cares about the success of what she does, therefore, does not make necessary compromises for healthy relationships. She thus suffers a high level of rudeness and arrogance that makes it extremely d...
Empathy is not the ability to ask what is wanted, it is the chance of understanding what may be needed. In Margaret Edson’s “Wit,” Vivian Bearing is faced with the life-threatening illness of ovarian cancer. Throughout her battle, she encounters Jason Posner and Susie Monahan, characters tasked with caring for her during her illness. Undeniably as Vivian’s health deteriorates, Jason and Susie are affected. Through various scenes and interactions, these characters reveal how they empathize with one another. Empathy requires them to not only step outside of their comfort zone, but also view the world in a different light thanks to Vivian.
Signs of the depth of the narrator's mental illness are presented early in the story. The woman starts innocently enough with studying the patterns of the paper but soon starts to see grotesque images in it, "There is a recurrent spot where the pattern lolls like a...
Individuals may or may not go through a situation where they would enjoy nothing more than to yell, scream, or even fight another person for something that he or she said or did. It is challenging to hold back such intense emotions, but it is the wise thing to do in order to avoid further conflict. In Carolyn Kizer’s “Bitch”, the speaker demonstrates holding back her emotions in front of her ex-lover. It was tough for her to do so because she wanted him to understand how she felt. Overall, Kizer establishes the importance of being the better person by holding back one’s feelings in order to avoid further consequences. She illustrates this through portraying the speaker’s true emotions, revealing information of her ex-lover, and showing how the speaker carries herself on the outside.
Gilman shows through this theme that when one is forced to stay mentally inactive can only lead to mental self-destruction. The narrator is forced into a room and told to be passive, she is not allowed to have visitors, or write, or do much at all besides sleep. Her husband believes that a resting cure will rid her of her “slight hysterical tendency” (Gilman 478). Without the means to express herself or exercise her mind in anyway the narrator begins to delve deeper and deeper into her fantasies. The narrator begins to keep a secret journal, about which she states “And I know John would think it absurd. But I must say what I feel and think in some way - it is such a relief” (Gilman 483)! John tells his wife that she must control her imagination, lest it run away with her. In this way John has asserted full and complete dominance over his wife. The narrator, though an equal adult to her husband, is reduced to an infancy. In this state the narrator begins her slow descent into hysteria, for in her effort to understand herself she fully and completely loses herself.