Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Sexuality in society details
Biology of sexuality and social construction of sexuality and gender
Biology of sexuality and social construction of sexuality and gender
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Sexuality in society details
This critical; analysis will define the theme of the “repressive hypothesis” of Michel Foucault’s analysis of the Victorian standards of sexuality in the 20th century. Foucault argues that the 19th century Victorian bourgeoisie has defined the moral and ethical values of sexuality through the restrictive confinement of marriage. In the 20th century, Foucault critiques the history of Victorian sexuality as an oppressive regime through a Marxist and Freudian analysis that confines sexual relations to marriage, while, at the same time, makes non-marital sex a deviant or an illegally immoral act. In this case, the issue of morality challenges the established notion that sex has become demonized outside of the institution of marriage, but Foucault …show more content…
Certainly, the patriarchal aspects of Victorian sexuality define a one-sided view of sexuality that is confined within the home. Certainly, the view of sex outside of marriage has been excessively promoted through Victorian oral standards as the “moral” approach to sex, but surely, there are many unmarried people that may not share this view of love and sex through the validation of the state or church: “But we must also ask why we burden ourselves today with so much guilt for having once made sex a sin” (Foucault 9). However, the institution of marriage does provide a gauge for intimacy (getting to know and love another person over time), as well as the notion of knowing the health history of the individuals that have become married. In this manner, the premise of Foucault’s argument against the institution of marriage as a conduct of bourgeoisie is correct in the institutional propaganda of the Victorian era, yet he does not define the benefits of marriage in terms of intimacy and the stability of long-term marital commitments as a practical means of sexual intimacy. In this manner, Foucault does not address the practical aspects of sexuality that define marriage as a long-term commitment to sexual relations, which go …show more content…
Of course, the intimacy of sexual relations does not always have to be based on trust or forethought, but the benefits of sex in a martial context would provide greater background information on the individuals in terms of disease and other sexual behaviors that obstruct healthy sexuality. In some ways, Foucault only argues through the class-based or cultural framework of sexuality through the institution of marriage, which does provide many forms of sexual repression (especially for women in a patriarchal society), but he does not address the benefits of marriage in terms of public health. For example, the perceived immorality of hiring a prostitute may be a form of liberation from the institution of marriage, but it certainly does not guarantee that the individual will not catch a contagious disease. Without prior knowledge of the prostitute's health status (or that of a causal sex partner), the issue of public health is an important factor in critiquing marriage. Marriage can also be beneficial to those individual that want transparency and trust in sexual relations, which provides a practical framework for marriage outside of Foucault’s Marxist and Freudian ideological analysis of class conflict and sexual repression. This is an important critique of Foucault’s argument on
Each chapter contains numerous sources which complement the aforementioned themes, to create a new study on cultural history in general but women specifically. Her approach is reminiscent of Foucault, with a poststructural outlook on social definitions and similar ideas on sexuality and agency. Power cannot be absolute and is difficult to control, however Victorian men and women were able to grasp command of the sexual narrative. She includes the inequalities of class and gender, incorporating socioeconomic rhetic into the
The 19th-Century was a period in which the expression of sexuality and sexual compulsion was firmly repressed. Charles E. Rosenberg explores the typical behaviors of the sexes, and how they related to the expression, or repression, of sexuality in “Sexuality, Class and Role in 19th-Century America.” Medical and biological literature tended to adopt very sex-negative attitudes, condemning sexual desires and activity. This literature was often ambivalent and self-contradicting. Initially, people viewed sex as a normal human behavior: they believed sexual excess was bad, but thought it was natural and necessary after puberty because horniness left unsatisfied and untreated could cause disease. However, in the 1830s, the previous sex-neutral attitude was quickly replaced by a harsher, more negative view of sexuality. “Quacks,” or charlatans, tried to instill people with a crippling fear of sex by warning them of
(Flynn 1996, 28) One important aspect of his analysis that distinguishes him from the predecessors is about power. According to Foucault, power is not one-centered, and one-sided which refers to a top to bottom imposition caused by political hierarchy. On the contrary, power is diffusive, which is assumed to be operate in micro-physics, should not be taken as a pejorative sense; contrarily it is a positive one as ‘every exercise of power is accompanied by or gives rise to resistance opens a space for possibility and freedom in any content’. (Flynn 1996, 35) Moreover, Foucault does not describe the power relation as one between the oppressor or the oppressed, rather he says that these power relations are interchangeable in different discourses. These power relations are infinite; therefore we cannot claim that there is an absolute oppressor or an absolute oppressed in these power relations.
Foucault, M. (1978). The History of Sexuality, Vol. 1: An Introduction. New York: Vintage Books.
Unlike sex, the history of sexuality is dependant upon society and limited by its language in order to be defined and understood.
In the article “An Anthropological Look at Human Sexuality” the authors, Patrick Gray and Linda Wolfe speak about how societies look at human sexuality. The core concept of anthology is the idea of culture, the systems of attitudes, beliefs, and behaviors people acquire as a member of society. The authors give an in depth analysis on how human sexuality is looked at in all different situations.
In response to the evident imbalance in the weight of sexuality between the sexes, Rowbotham laments, “This fear of pleasure was meant to make us moral and I loathed it and I still loathe it.” The enforcement of traditional ideas at St. Hilda’s is the breeding ground for Rowbotham’s dissent and the gradual upheaval of preceding dominant thought. In the antecedent statement, she embodies the growing objection to the limitation of sexual activity for procreative purposes and alludes to the developing desire for societal acceptance of casual sexual relations that is characteristic of the Sexual Revolution later in the decade.
Deconstructing Michel Foucault's The Perverse Implantation In The Perverse Implantation, Michel Foucault argues that while the majority of discourse on sexuality prior to the 18th century focused solely on marriage, discourses on sex increasingly became more concerned with those who were outside the bond of marriage, namely, children, homosexuals, the mentally ill etc. Foucault then points out three major arenas where the exercising of the power to make distinctions in sexuality are actually encouraging and proliferating sexual perversion, rather than repressing it. Throughout his argument, he explores questions such as “What is the purpose of codifying a sexual norm?” and illuminates the reader on why we ought to abandon the repressive hypothesis.
The late nineteenth century play, Salomé written by Oscar Wilde depicts the Biblical story of Salomé, the stepdaughter of Herod, Tetrarch of Judaea. Herod feared Jokanaan, the prophet knowing that he was just and holy and imprisoned him in a deep cistern as he had condemned his marriage to Herodias, wife of his brother Philip. Driven by her desire to touch and kiss Jokanaan who shuns her because she is Herodias’s daughter, Salomé yields to her stepfather’s wishes and dances the dance of the seven veils in return for Jokanaan’s head on a silver platter. Seeing Salomé kiss Jokanaan’s lips, Herod orders his soldiers to kill her. Nineteenth century Victorian concepts of sexuality and virginity of the play are examined through a Biblical context.
She goes on to claim that “What was most alarming to the fin de siècle was that sexuality and sex roles might no longer be contained within the neat and permanent borderlines of gender categories. Men and women were not as clearly identified and separated as they had been” (Sexual Anarchy 9). Female passion which is deemed unfeminine by the Victorian society “exorcises fears regarding female sexuality and women’s ability to procreate” (Gamble 253). Harriet Brandt is a “threateningly liminal subject” who is audacious enough to voice her sexual propensities (Hurley 199). Her sexually aberrant body challenges the dominant codes of normality and morality promoted by mainstream society and imperils the patriarchal hegemonic system which is deep-seated in the logic of binarism. Indeed, sexuality in its heterosexual form reveals the hierarchically constructed relationships between men and women and reinforces the binary opposition of male/female. In this respect, it is the cultural and social construction of sexuality that also defines the relationship between the oppressor and the oppressed. While sexuality displays the patriarchal ideology lying at the core of mainstream society through the relationships between men and women, it also constructs
Here, Rubin clearly and distinctly pronounces that sex is used as a political agent for the implementation of repression and dominance in the western society of today. She has minutely analyzed the stance of modern culture on sexuality, exposing the hypocrisy and subjugation that victimizes anyone with a different sexual orientation or inclination. Her work majorly focuses on sadism, homosexuals, women, children, pedophiles etc. Her argument is strengthened by the theory of Foucault about the discourse in sex and its institutionalization. She questioned the value system that the various groups attach to sexuality defining some behaviors as good/natural or bad/unnatural.
Since the arrival of the first fleet, Australia’s overall societal view on topics surrounding sex have become increasingly liberal and pre-marital sex has become the norm. However, in every society there is a large spectrum of attitudes and degrees of acceptance vary. People from different religions, backgrounds or experiences may have a variety of views on these topics and with Australia being home to religions ranging from Zoroastrianism to Catholicism, there is a lot of diversity. In the Catholic religion there are many teachings concerning pre-marital sex and chastity.
Foucault’s theory claims repression hypothesis to have been used for self-affirmation while Freud argued that humans are unable to clearly express disturbing thoughts for the fear of being judged and punished and hence they keep such desires at bay in order to keep themselves from being ashamed and humiliated. In addition, Freud repression hypothesis is explained from the psychological point of view and he believes that human’s mind is the main source of repression since only humans mind evaluates our desires and tells us what is right and what is wrong. In contrast, Foucault argues that the sexual repression arise in 19th century due to development of capitalism where society attempts to control and sanitize sexuality. If we compare the Sigmund’s theory of repression with Foucault, we can evaluate by the following quotation of both as Freud said in theory of repression, “We need to divulge the sexual secrets deep inside us that are causing us to be neurotic, in order to be healed.” On the other hand, Foucault argues in the History of sexuality “Sexuality is something that we ourselves create; it is our own creation and much more than the discovery of secret side of our desire”
... decades ago. This book is one that will allow the reader to view many aspects of sexuality from a social standpoint, and apply it to certain social attitudes in our society today, these attitudes can range from the acceptance of lesbian and gays, and the common sight of sex before marriage and women equality. The new era of sexuality has taken a definite "transformation" as Giddens puts it, and as a society we are living in the world of change in which we must adapt, by accepting our society as a changing society, and not be naive and think all the rules of sexuality from our parents time our still in existence now.
The Victorian era is one bound to morality. Morality is also defined through the traditional and religious standards that structure the way of life for many Victorians. Morality is defined as the proper principles and standards, in respect to right and wrong, which are to be practiced by all humanity. Ideally, these include obtaining decent careers, being sexually inactive prior marriage, and being faithful when married. Who defines proper behaviour for Victorians? Mainly, the idea of what is right or wrong is based upon the traditions practiced by one's forefathers, along with the religious upbringings they receive since childhood. Morality is held in such high regard by the Victorians that many of their works of literature are based upon the way one should morally live. These works that set out to instruct are called didactic. Following suit, Neo Victorian literature is written to exaggerate the morality presented in Victorian literature. Nonetheless, didactic literature of the past and present displays good morals with the intention to teach proper conduct either directly or obliquely to its readers; within Victorian novels this is done openly through oral preaching, whereas in Neo-Victorian novels this is accomplished implicitly by means of satire. Such Victorian novels as Jane Eyre by Charlotte Bronte and The Mill on the Floss by George Eliot, and Neo-Victorian works as The French Lieutenant's Woman by John Fowles, Possession by A.S Byatt and The Dress Lodger by Sheri Holman are essentially about how one should morally live. This is demonstrated by the issues of c...