In Twelfth Night, Shakespeare portrays several characters in a controversial way. Some witty characters are portrayed as foolish, and some foolish characters are portrayed as witty. In the beginning of the play, Sir Andrew and Malvolio are presented as smart people; however, as the play progresses, the audience is exposed to their foolish sides. On the other hand, Sir Toby and Feste are portrayed as fools, but as the plot develops the audience acknowledges their wisdom. Malvolio and Sir Andrew’s foolish sides are exposed because of their gullible nature, while Feste and Sir Toby’s wisdom is revealed through their insightful remarks and brilliant prank ideas. The author uses convincing dialogue to illustrate Sir Andrew, and Malvolio as witty characters. With the same great expertise, he transforms those characters and exposes their foolishness to the viewers. Sir Andrew is one of the many thoughtless brains in Shakespeare’s Twelfth Night. In the beginning of the play, he was recognized for speaking “three or four languages word for word without book” but later on, Shakespeare unleashes Sir Andrew’s gullible nature (I.iii.24). For instance, when Sir Toby was going back and forth between Cesario and Sir Andrew, delivering false threats, Sir Andrew became extremely frightened and said “pox on ‘t! I’ll not meddle with him” (III. Iv.252). Malvolio impresses the audience with his presentable and well-mannered etiquette. He is described as the naive goody two shoes. However, the audience was able to view his gullible side, when he received a prank love letter, and transformed himself into an air-headed fool dressed up in yellow stockings. Despite his sharp and smart looks in the beginning, he turned out to be a complete chump. Even thoug... ... middle of paper ... ...ical scene. Situational irony and the love triangle give big laughs to the viewers. The audience becomes engrossed as they observe Violas transformation into Cesario, the Duke’s servant. Suspense is built as Viola begins to realize that she is falling in love with Duke Orisno, but in order for her to survive; she has to keep pretending to be a man and is unable to reveal her love. The irony settles in when Orisno, asks his close servant Cesario to go to Olivia and make her understand how deeply he loves her. Shakespeare shows her helplessness in this situation because she has to help her love, try to woo someone else. The irony builds into a love triangle as Olivia begins to fall in love with Cesario as “he” loved Orisno. Olivia’s love is confirmed when she says “Yet come again, for thou perhaps mayst move that heart, which now abhors, to like his love” (III.i.153).
Complications also arose when viola fell in love with her master, duke orsino, while at the same time had the love interest of orsino, the countess Olivia, trying to woo her. This placed viola in an extremely difficult and complex situation on one hand, she loved the duke and would have liked to do all she could to win his heart. But because she was his servant, she was obliged to serve him and help him win the hand of Olivia. What was a poor girl to do ?
Viola quickly falls in love with Duke Orsino after meeting him, but she is not able to express her true feelings of love for two different reasons. First, Orsino is lusting after Olivia, so he is not open to the feelings of others. Orsino is so in love with Olivia’s beauty that he had built a wall of emotion around himself, and Viola was not able to penetrate this wall. More importantly, Viola is not Viola to Orsino; she is Cesario, who, disguised as a man, served Orsino as a eunuch. Although she greatly loves Orsino, Viola cannot openly express this love because she was invisible to him. If Viola does let the truth come out, Orsino will still not be able to love her because he is solely focused on gaining Olivia’s affection. Orsino does not love Viola because he does not see her as a woman in love with him but as a faithful servant, so Viola and her love for Orsino go unnoticed as Orsino delegates Viola to woo Olivia for himself. Viola, wishing she was the one whom Orsino loved, was deeply saddened by this: “I’ll do my best/To woo your lady: yet, a barful strife!/Whoe’er I woo, myself would be his wife” (Act I, Scene IV). Orsino made Viola his messenger to court Olivia, but Viola wishes she was the one whom Orsino was courting. Similarly to how Orsino is blinded by his infatuation with Olivia, the boy whom Swift is in love with is blinded by his love
Shakespeare has a way of creating his characters so the audience can relate to them in a way. In his villains we see the negative characteristics that are in ourselves and others around us; things that often define the “natural man” such as greed or jealousy. With the entire terrible and treacherous thing that Shakespeare makes his villains do, he always manages to make them human in a way. As if he is meaning to display that no matter how twisted a person can be, they are still a person. In Shakespeare’s plays Othello, Hamlet, and A Midsummer Night’s Dream, the villains share the characteristics of greed, clever and conniving ways, and recklessness; however, they all bring their own features to the table.
People are not always whom they appear to be. Whether it’s that fierce tattooed muscle man or that sweet elderly lady smiling from a few seats away, what is perceived is not always what is true. Shakespeare’s Twelfth Night portrays many a character whose identities do not align with their inner character. Olivia’s polite ladylike demeanour, Sir Toby’s guise of nobility, and Feste’s job as a fool all demonstrate how social identities don’t always align with inner character.
William Shakespeare is one of the most well-known authors in history. His works of literature have been studied for years. Shakespeare’s comedy, A Midsummer Night’s Dream, is one of seventeen. Shakespeare knew he was a fantastic author whose work would be admired much after he passed away. He used creative literary devices to add suspense and interest to his writings. One of those includes using a play within a play. Shakespeare uses a play within a play in A Midsummer Night’s Dream to add depth and elaboration to the comedy’s theme.
A Misummer Night’s Dream is a comedy play written by William Shakespeare. In this play there are multiple themes however the most evident theme is love. Why is love an evident theme? It is an evident theme because the play commences with two Greek mythology characters─ the Duke of Athens, Theseus and Amazon queen Hippolita planning their marriage. However as Theseus plans his marriage he has to help Egeus persuade his daughter Hermia to marry Demetrius. Unfortunately both the Duke and Egeus failed to persuade Hermia into marrying Demetrius so the fairies (another set of characters. The fairies in this play consisted of goddess of chastity and Queen of fairies, Titania and King of fairies Oberon and his assistance Robin Goodfellow) decide to resolve this issue by involving a “western flower” whose juice “ will make…man or woman madly dote upon the next live creature it sees…” Through each and every action of the characters Shakespeare implies that love is makes us crazy, but it moves the world. Love is something that needs to be felt with the heart and once someone feel it, their life can change forever.
If we look very closely we will see that the love is a not just
There is much to find in the play to makes us smile with lots of songs
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
Twelfth Night by William Shakespeare The idea of courtly love based in Shakespeare's 'Twelfth night' involved a woman being put on a pedestal and worshipped from a distance like she was goddess who could not be attained. Only by very long devotion and lots of trials could a man get this kind of woman. The woman quite often appeared to be both cruel and fair. Courtly love was a sexless kind of love and was more idealised.
“A Midsummer Night’s Dream” begins as many typical romantic stories. Two people are in love; in this case, Hermia and Lysander. But an obstacle stands in their way; in this case, Hermia’s father who wants Hermia to marry Demetrius. However, this is where this play begins to differ from all others. Shakespeare leads four crossed lovers, Hermia, Helena, Demetrius, and Lysander, through a winding path that somehow magically ends with everyone happily getting married. The pivotal aspect of this play is Shakespeare’s development of the different characters. In the drama enactment; a character’s appearance, personality, and character are used together to help unfold the story. Characters convey many different kinds of information through an art form called characterization. In the play, “A Midsummer Night’s Dream,” William Shakespeare does an exceptional job of describing each of the four young lovers. Each one of the characters was given personality, whether distinct or vague, that set them apart from the other characters in the play. Through the actions of the different antagonists, Shakespeare reveals to the audience the different and distinct aspects of each character, including each character’s physical appearances, personality, and specific traits. One aspect that causes the four characters to differ is their physical appearance. While the author Shakespeare makes the appearance of Lysander and Demetrius having virtually indistinguishable physical and monetary figures, he comparatively makes the appearances of Hermia and Helena quite distinguishable, their names being the only thing that is remotely being similar between the two of them. Hermia’s physical appearance is described as having “blessed and attractive eyes,” (ACT ...
After Duke Orsino asks Cesario (disguised Viola) to make Olivia love him, although she had stated that she would not marry for seven years due to her sadness from her brother’s death, Cesario tells him “I’ll do my best to woo your lady.” Then Viola tells the audience “(Aside) yet, a barful strife—Whoe'er I woo, myself would be his wife,” meaning that she has to convince another woman to love the man she loves. The exchange of words in this scene exemplifies dramatic irony since the reader now knows that a love road that connects Duke Orsino, Viola, and Olivia has formed while Orsino is clueless about the situation. Situational irony can also be withdrawn from this conversation because it is shocking that Viola is in love with Orsino. Viola’s sudden love for Orsino illustrates a universal truth about life that sometimes people fall in love too quickly without thinking far ahead.
This is a very different Oberon from which we see at the start of the
In Shakespeare’s play, Twelfth Night or What you Will, the characters are involved in a plot complete with trickery, disguise, and love. Each character is defined not by his or her gender or true identity, but by the role they are forced to take because of the complicated situation that arises. Unlike their gender, the speech the characters give an insight to their true personalities. In the Twelfth Night, the character Duke Orsino uses flowery and over-dramatic language, long poetic sentence structure, and melodramatic metaphors to display his overemotional romantic nature despite the different emotions in his various speeches.
Mistaken identity and disguise are important aspects of comedy in Twelfth Night that stand at the forefront of the play’s comedy. Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy genre. However, it can be suggested that certain elements of Twelfth Night are not interpreted to be purely comedic; Shakespeare has incorporated serious and controversial subjects such as the idea of genuine love, the patriarchy of the time and the cruel gulling of Malvolio. Therefore, disguise and mistaken identity are not solely for the purpose of comedy and it could be inferred that it even borders on the genre of tragedy.