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Critical analysis on twelfth night
Twelfth night introduction
Critical analysis on twelfth night
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Blinded
The idea of unrequited love is a fear for many that oftentimes becomes true. No one wants to pour their heart out only to have their heart be broken in return. Why is love often unreciprocated? Love itself is often the answer to this question; many people fail to see someone loving them because they are madly in love with someone else. In William Shakespeare’s Twelfth Night, protagonist Viola has the unfortunate luck of falling in love with Duke Orsino who does not reciprocate this feeling of love for Viola because he is infatuated with Olivia. In Taylor Swift’s song “Invisible”, Swift sings about how she is in love with someone, but he is in love with someone else who does not love him back: “And I just wanna show you/She don’t even
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Viola quickly falls in love with Duke Orsino after meeting him, but she is not able to express her true feelings of love for two different reasons. First, Orsino is lusting after Olivia, so he is not open to the feelings of others. Orsino is so in love with Olivia’s beauty that he had built a wall of emotion around himself, and Viola was not able to penetrate this wall. More importantly, Viola is not Viola to Orsino; she is Cesario, who, disguised as a man, served Orsino as a eunuch. Although she greatly loves Orsino, Viola cannot openly express this love because she was invisible to him. If Viola does let the truth come out, Orsino will still not be able to love her because he is solely focused on gaining Olivia’s affection. Orsino does not love Viola because he does not see her as a woman in love with him but as a faithful servant, so Viola and her love for Orsino go unnoticed as Orsino delegates Viola to woo Olivia for himself. Viola, wishing she was the one whom Orsino loved, was deeply saddened by this: “I’ll do my best/To woo your lady: yet, a barful strife!/Whoe’er I woo, myself would be his wife” (Act I, Scene IV). Orsino made Viola his messenger to court Olivia, but Viola wishes she was the one whom Orsino was courting. Similarly to how Orsino is blinded by his infatuation with Olivia, the boy whom Swift is in love with is blinded by his love …show more content…
When Viola was talking to Orsino about Olivia, she attempts to tell him the truth of the situation: “But if she cannot love you, sir?” (Act II, Scene IV). She wants the best for Orsino, so she tries to imply that Olivia does not reciprocate his love in an attempt to break the news in the least painful way possible. Orsino does not believe this reality, and he is so conceited that he tells Viola he will not take no for an answer. As this method did not work, Viola then discreetly attempts to tell Orsino that she is actually a woman and is in love with him. When Orsino was commissioning her to woo Olivia, Viola said, “As it might be, perhaps, were I a woman/I should your lordship?” (Act II, Scene IV). Viola essentially told Orsino that she was a woman, and she was hoping that Orsino would catch her bait. However, Viola could not directly tell him that she was a woman because her disguise would be uncovered. In a similar way, Swift sees the boy whom she likes is in a hopeless love. So, she attempts to become visible: “And all I think about is how to make you think of me/And everything that we could be/I just wanna open your eyes/And make you realize” (“Invisible”). Swift is so desperately in love with him that she will do anything to be seen; her sole focus was on becoming
Viola's situation is precarious due to the liminality she has experienced throughout the play . She could live freely away from the society's authority behind her transformation, but the liminality she faced caused her troubles in expressing her true feelings. She is in between her femininity and her twin brother adopted masculinity. But soon as her disguised is discarded, she returns to her proper situation voluntarily accepting the role that the society imposes on her: the role of a wife.
Complications also arose when viola fell in love with her master, duke orsino, while at the same time had the love interest of orsino, the countess Olivia, trying to woo her. This placed viola in an extremely difficult and complex situation on one hand, she loved the duke and would have liked to do all she could to win his heart. But because she was his servant, she was obliged to serve him and help him win the hand of Olivia. What was a poor girl to do ?
Deceiving and irrational, love can be a challenging emotion to endure. It can be difficult to find happiness in love, and on the journey to find that happiness, love can influence one’s thought process. Shakespeare uses specific wording in his play, A Midsummer Night’s Dream, to poke fun while exploring the individual’s quest for love. The desire to find love and a happy ending with a lover is so strong in the foundation of mankind, that people will not accept a life without it. In fact, they would rather give up their attribute of rationality than their opportunity to find a significant other. The heart’s control of the mind can make a foolish man.
In Twelfth Night, by William Shakespeare, gender identity and alternative sexualities are highlighted through the depiction of different characters and personalities. In the play, Viola disguises herself as a man thereby raising a merry-go-around of relationships that are actually based on a lie rather than actual fact. Viola attracts the attention of Olivia since she thinks that Viola is a man but even more fascinating is the fact that Orsino is attracted to Viola although he thinks that she is a man. In another twist Viola is attracted to Orsino and has fell in love with him although their love cannot exist since Orsino thinks that Viola is a man.
The main example of this is the sad situation of Helena and Demetrius during the early stages of the play. Helena is madly in love with Demetrius and would give her life for just one kind word from him. In this play, A Midsummer Night’s Dream, true love plays a huge role in the play. Several relationships begin with true love such as Hermia and Lysander’s and Hypolyta and Thesus’ but some that did not begin with true love, end with true love such as Helena and Demetrius’. Helena and Demetrius, in my perspective, were meant to love each other so that everyone may be able to love each other in harmony.
Viola disguises herself as Cesario, a male eunuch, and goes to work for the Duke Orsino. Unaware that Cesario is not what he seems, the Duke Orsino becomes very friendly with Cesario after just three of having known each other. Unsuccessful in his pursuit of Olivia, Orsino sends Cesario to gain her affection for him because he thinks she will be taken in by Cesario's youth. Viola, dressed as Cesario, falls in love with the duke Orsino but ... ... middle of paper ... ...was but a toy, For the rain it raineth every day' There are other songs sung by Feste which reveal a darker side to the plot such as songs with lines: 'Come away, come away death, And in sad cypress let me be laid'.
to get involved in a scuffle, for which Viola is unjustly blamed. Finally Sebastian and Viola are reunited, but only after they have already caused a large amount of chaos and confused everyone. It is only then that everyone begins to discover the extent of Viola's trickery. More disorder is created when Olivia, who Orsino is hopelessly in love with. with, falls for Cesario, who is secretly in love with Orsino.
Viola, as Cesario, manages to win the favour of Orsino He truly believes that she is a he. Orsino, still convinced of my majesty, believes that he can win the love of a woman, via a proxy. By having Viola merely read the words he has prepared, he thinks that Olivia will fall immediately in love with him. But while Orsino had his head in the clouds about his love, Viola is attempting to conceal from him, her love for him.
Viola decides to conceal herself as a eunuch to manipulate Duke Orsino into believing Viola is really a eunuch. Viola has just discovered the place she arrived in is called Illyria, she had no idea where she was after the shipwreck. “Conceal me what I am, and be my aid for such disguise as haply shall become the form of my intent. I’ll serve this Duke; Thou shalt present me as an eunuch to him”(Shakespeare 1.2.53-56). Viola would like to work for countess Olivia but she is mourning over the death of her brother. Viola decides to disguise herself as a eunuch named Cesario, and work for the Duke. Viola has mixed emotions about her new look but she knows it is the right thing to do to be able to keep her true identity a secret. “Be you his eunuch,
We see this exaggerated one-sided love play out in many forms throughout the play. Viola, for example, says in this line, “I’ll do my best To woo your lady: Aside. Yet a barful strife! Whoe 'er I woo, myself would be his wife.” (1.4.44-46) This tells us that Viola, having just met Orsino a few days ago, has a desire to be wed to Orsino. This kind of desire that Viola has for Orsino can only be conjured up from a fairytale due to the sheer passion and irrationality of falling in love with an acquaintance. Shakespeare also uses diction in deceptive forms. This is evident when Orsino uses the word “violets” (1.1.6) in his speech and to display the deception that is played out in the play. The word “violets” comes from the comes from the latin word viola. Some readers would be deceived, as many might not even notice the hint that Orsino gives in his own speech. We know this deception to be true in the form of Viola when she disguises herself as a eunuch to Orsino in his own courts as evidence in this line, “For such disguise as haply shall become The form of my intent. I 'll serve this duke: Thou shall present me as an eunuch to him”
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
After Duke Orsino asks Cesario (disguised Viola) to make Olivia love him, although she had stated that she would not marry for seven years due to her sadness from her brother’s death, Cesario tells him “I’ll do my best to woo your lady.” Then Viola tells the audience “(Aside) yet, a barful strife—Whoe'er I woo, myself would be his wife,” meaning that she has to convince another woman to love the man she loves. The exchange of words in this scene exemplifies dramatic irony since the reader now knows that a love road that connects Duke Orsino, Viola, and Olivia has formed while Orsino is clueless about the situation. Situational irony can also be withdrawn from this conversation because it is shocking that Viola is in love with Orsino. Viola’s sudden love for Orsino illustrates a universal truth about life that sometimes people fall in love too quickly without thinking far ahead.
When the Count urges her, Viola agrees to try persuading Olivia of his love for her, but it is evident that she has feelings for Orsino herself when she says: "I'll do my best to woo your lady: [Aside] yet, a barful strife! Whoe'er I woo, myself would be his wife." This shows her devotion to him as she wants him to be happy, even if it is not with her. Viola's love is selfless and her feelings for Orsino are so strong that she will not leave when Olivia's servants tell her to. She is more determined than Orsino's previous messengers: "Make me a willow cabin at your gate and call upon my soul within the house, write loyal cantons of contemned love and sing them loud even in the dead of night...."
Viola/Ceasario's disguise hides most of her past: the shipwreck, her lost brother, and the fact that she is a woman. Her identity now as a man, is to move on in life and get a job. Her love for Orsino is hidden with her original identity, as though she works for him as his servant. She is a very strong character in the play. "I prithee (and I’ll pay thee bounteously)/ Conceal me what I am, and be my aid/ For such disguise as haply shall become/ The form of my intent. I’ll serve this duke." (1.2.52-55). After the shipwreck and the loss of her brother, Viola decides to move on using a disguise as her shield. Viola’s secret love for Orsino is different than the way Olivia loves Ceasario. Olivia is in lo...
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...