Twang music is a type of American roots music, and a related classification of blue grass music. Twang is accepted to have been affected by the music of Appalachia. It has blended roots in Irish, Scottish, Welsh, and English customary music.
Amid the eighteenth century, pioneers from the United Kingdom and Ireland touched base in Appalachia, and carried with them the musical conventions. These conventions comprised essentially of English and Scottish melodies. A few Appalachian twang ditties, for example, "Beautiful Saro", "Barbara Allen", and "Cuckoo Bird", originated from England and right up 'til today, still manage the English ditty custom.
Twang, as an unmistakable musical structure, created from components of old fashioned music and conventional music of the Appalachian locale of the United States. The Appalachian locale was the place numerous English outsiders settled, carrying with them the musical conventions of their countries. So the hints of dances and reels, particularly as played on the fiddle, were crucial to the creating style. Soul attributes were added to the blend, and made advancement that was critical to molding the twang sound. This prompted the acquaintance of the noteworthy banjo with the locale.
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The expression "twang" did not appear to portray the music until the late 1950s, and did not show up in Music Index until 1965. Music record had what was known not Bluegrass music, entered in as hillbilly music. This shocked no one in light of the fact that the term hillbilly basically portrayed the music innovation. Precisely when "twang" itself was embraced to mark this type of music is not sure, but rather is accepted to be in the late 1950s. It was gotten from the name of the fundamental Blue Grass Boys band, shaped in 1939 with Bill Monroe as its pioneer. Because of this heredity, Bill Monroe is much of the time alluded to as the "father of
Originating in the south, country music is a mix of folk songs and sounds brought over from England by Anglo-Celtic immigrants in the 1700's. (1) It was established in the Appalachians and back-woods around the time of the revolution. To cure loneliness and isolation, mountain dwellers would sing songs that reminded them of home, keeping up with traditions. According to B.A. Botkin, " the folk…group is one that has been cut off from progress and has retained beliefs, customs and expressions with limited acceptance and acquired new ones in kind." (1)
People were imagining and seeking a way out of the chaos. From this, came the singing cowboy idea into Hillbilly music. Fans adored the idea of the singing cowboy: the free feeling, being one’s own boss, no worries, and the vast country-side absent from the rest of the chaotic world. People saw that these cowboy artists had beautiful women, loved singing, played the guitar and were quickly becoming famous. The cowboy/western trend quickly spread across Hillbilly music. In Nashville, the industrial center for Southern music, the Grand Ole Opry was formed. The Opry’s vast broadcasting helped to disperse Hillbilly music to the nation. It stands as a monument to the original upbringing and tradition of country music still today. The Opry began using this cowboy/western trend to show fans that Hillbilly music was about the working-class family. They used hay bells, overalls, flannel clothing and boots in most of the performances. This gave fans, still mostly Southerners, a sense of pride and acceptance of who they were and what they stood for in society. They no longer had to feel any less than their Northern brothers and sisters. The Southern, lower-class people took on the role of certain pastimes and traditions that would last throughout American
Also, the “suspended” tones that characterize jazz music were devised from the influence of black folk singers who tended to slur or break the third and seventh notes of the musical scale (Haskins). In addition, many of the musicians that played either ragtime or blues were influenced by other musicians they heard. Because there was a lack of musicians and a large amount of work available, musicians who played one style of music often chose to perform other styles in order to make some extra money. In this way, all styles influenced each other and there was a blending of popular genres that influenced the way each style was performed. Although blues and ragtime are two very different styles of music, they emerged around the same time and had an influence on each other’s growth in popularity throughout America.
Country music originated in the Appalachian mountains of the Southern United States and has traditional folk roots that date from the early 20th century. The commercial history of country music began in the Southern United States in the 1920’s, during a ‘period of intense modernization’ (Ellison, 1995). It wasn’t until this time that country was considered a viable music genre. It was first identified as ‘hillbilly’ music in 1925 and later became known officially as ‘country’ by its designation on the Billboard Music charts (Shmoop, 2014). Widely considered the ‘Mother Church’ of country, the Grand Ole Opry in Nashville became the home of many emerging and already established artists (Tichi, 1994:21). Coupled with the rise of radio and barn dance programs, country’s popularity increased greatly. Ellison (1995) describes country’s evolution from ‘rustic radio programs’ to a genre with an ‘extensive national network of fans unparalled in other forms of popular music’. During the 1930’s, the Great Depression assisted in the spread of country music throughout the US, with many poor unemployed Southerners migrating north, t...
Cajun music has a folk-like beat that places the accordion at the center of the rhythm. Cajun music originated from the United States of America but more specifically, the state of Louisiana. This music came to Louisiana through the French-speaking immigrants that settled there. These immigrants once called the Acadians, or Cajuns, found a new home in Louisiana after being expelled from Nova Scotia (Ancelet). Due to their harsh exile from Nova Scotia, much of Cajun music describes death and desperation. Soon after arriving in Louisiana, the Cajuns began incorporating the sounds of the surrounding cultures into their music (Edmondson, 173). Acculturation contributed greatly to the origin and development of Cajun music due to its borrowing of sounds and instruments from a variety of different cultures. They started incorporating the Native American’s singing style as well as the Spanish guitar into their own original music (Ancelet). This created the unique sounds of Cajun music that we know and listen to today. Paired with their music, the Cajun culture also created their own unique Cajun dance style. Their dances incorporated waltzes, and
Jumping ahead several years to 1981, George hit the big time and signed with MCA Records Nashville. Since then, his name has become synonymous with “real country,” as he has stuck close to his Native Texas roots, drawing from both honky tonk and swing traditions, in both music and attire (Dickinson). George always performs in his unadorned Texas rancher’s clothes - cowboy hat, western shirt, and blue jeans (Dickinson), and sticks close to his roots with the traditional themes found in country music for decades.
Hip-Hop: from the live performances to the lyrics this here brought up many thoughts in my head. I attended a concert on April 2016 and several other old school concerts at the Queen Mary, front row VIP area which included; Debbie deb, Cover girls, Vanilla ice and so on. Going to an old school/hip-hop concert the songs and experiences as a whole are different with every time. New school hip-hop is narrative and with this you can receive the same lyrical experience every time, as for the concert the experience is the same as the next. I am not saying that an old school concert isn’t different in its own way but I do think their not so far apart performance wise. Example going to a “Drake” concert is more narrative compared to an old school
In the 1950’s country rock was an unknown genre to many mainstream audiences and with the emergence of rockabilly artists in the late 1960’s country rock grew and continued to grow in popularity during the 1970’s through the 1990’s because of style, sound, and the new way country rock audiences perceived it. Country rock from the 1950’s to the 1990’s has been perceived similarly and differently by its audiences over time because of it’s original country sound and its similar rock sound.
In conclusion, Appalachian music can be defined as old time music, Appalachian folk music, country music, back woods country music and American Folk Music, but this type of music is and has been a staple in our society and has survived decades and with the beauty of the music it will hopefully continue for all time.
It should be brief but comprehensive, as it may also be the introduction of the music to teachers as a study guide before or after an in-school presentation, or they may include this information in a history of social studies discussion if a program presentation is not possible. Bluegrass Music: The Roots. The street balladry of the people who began migrating to America in the early 1600s is considered to be the roots of traditional American music. As the early Jamestown settlers began to spread out into the Carolinas, Tennessee, Kentucky and the Virginias, they composed new songs about day to day experiences in the new land. Since most of these people lived in rural areas, the songs reflected life on the farm or in the hills and this type of music was called "mountain music" or "country music." The invention of the phonograph and the onset of the radio in the early 1900s brought this old-time music out of the rural Southern mountains to people all over the United States.
"Crude with a tang of the Indian wilderness, strong with the strength of the mountains, yet, in a way, mellowed with the flavor of Chaucer's time--surely this is folk-song of a high order. May it not one day give birth to a music that shall take a high place among the world's great schools of expression?" (47)
Country music was brought over by the first European settlers. In medieval times, storytelling was a tradition that allowed history to be recorded when few were able to read and write. When the first British settlers came to America, they brought this tradition with them, along with songs that they had learned in Europe. The people who settled the Appalachian Mountains and the West did not have an easy life and their music gave them an outlet to express their hardships.
1. Country music went to a crossroad in the mid-1950s that a new style called rockabilly emerged. Rockabilly was a style combining rock and roll and country music. According to “Country Music” published by “World Book” in Ebsco Host, “many early stars of rock and rockabilly had country roots, including Everly Brother and Elvis Presley”. As rock and roll thrived, the traditional western cowboy music declined in the 1960s, but another style, countrypolitan, which aimed at mainstream market, kept growing in the late 1960s.
When people think of a ‘folk music revival’, the one most often thought of (at least in America) is the American folk music revival, and some of the biggest figures in that revival: Joan Baez, Pete Seeger, The Kingston Trio, etc. However, the United States is not the only country where a folk music revival has occurred; England, a variety of Latin American countries (such as Argentina and Brazil), Australia, and even more countries have seen their traditional styles of music revived at some point. The focus of this paper is the Irish folk music revival of the 60’s and 70’s and the similarities it has to the American folk music revival of the same era.
The term rockabilly has been used to describe a type of music that was very unique and without a doubt one of the most influential genres of music on the development of rock and roll. Dating back to the 1950’s, Rockabilly was a new and interesting form of music. It combined a multitude of styles such as western, country and rhythm and blues. They coined the term “rockabilly” by combining “rock” with “hillbilly”, because it described the tone and group of people who were performing in this approach of music at the time. This group included artists such as Johnny Cash, Bill Haley, Buddy Holly, Elvis Presley, Carl Perkins, and Jerry Lee Lewis. With their extraordinary rhythm and hard twang in their voice they were able to produce the most distinctive and pivotal sound the world has ever known.