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essays on traditional irish music
essays on traditional irish music
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Traditional Irish Music and its Revival:
When people think of a ‘folk music revival’, the one most often thought of (at least in America) is the American folk music revival, and some of the biggest figures in that revival: Joan Baez, Pete Seeger, The Kingston Trio, etc. However, the United States is not the only country where a folk music revival has occurred; England, a variety of Latin American countries (such as Argentina and Brazil), Australia, and even more countries have seen their traditional styles of music revived at some point. The focus of this paper is the Irish folk music revival of the 60’s and 70’s and the similarities it has to the American folk music revival of the same era.
Multiple bands and people were responsible for revitalizing
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It began as an oral tradition, as many forms of traditional music do, and unaccompanied vocal songs were called sean nós and described as being “highly ornamental where the voice is placed at the top of the range” (“Irish Traditional Music”, Wikipedia). In many cases, the melody is varied in each verse. There were also Caoineadh songs, which is Irish for a lament. This type of song is about sorrow and pain and were originally thought to be sung (for money) at funerals. Ireland is also known for its dancing music, which includes mostly reels and jigs but also hornpipes and some …show more content…
In Ireland, traditional Irish music aided to revive the country’s sense of self after years under the colonial power of Great Britain, and as mentioned previously, Irish folk music’s influence can be seen in a variety of different genres, particularly rock, pop, and country music. An interesting band with Irish influence is The Shamrock Wings, a band that combines Irish and Caribbean sounds.
Both the American and Irish folk music revivals came at interesting, tense times in both countries, and have many similarities; the often political sentiments expressed through the music influenced many socio-political movements at the time, and the revivals had far-reaching and widespread effects on the music and culture then and now. While the American folk music revival is better well-known (at least in the United States), it is interesting to learn about how folk music has been revived elsewhere and how the movements reviving the music share many
Thesis Statement: Originating in the 1920s, country music developed four distinct generations and it reflected American’s lives and values.
Howard, John Tasker. Our American Music. 1946. New York: Thomas Y. Crowell Company, 1954. 666. Print.
Music’s role on society has changed drastically through the course of its history as it has become ever so increasingly expansive. Many of the previous musical movements were only for the wealthy as entertainment
In the text book America’s Musical Landscape by Jean Ferris, the book takes us through the history of the evolution of American music. The book delves into the different time periods of America’s music beginning with early North American music all the way to today’s modern music. Additionally, the book also explains how music, theater and film intertwine to provide some spectacular art. Jean Ferris finishes the book by exploring America’s concert music. Let us now take a closer look into the different time periods brought out in the book.
For many Americans, country isn’t just a type of music. It’s a lifestyle. From sippin’ sweet tea on the porch, drinking beer at a tailgate or driving a pick up down the backroads, country music has made its way into the hearts and minds of many Americans. It is one of the only truly home grown American art forms. Its relatability and wide appeal has made country music one of the most commercially successful and popular genres in the United States. Using the work of scholars Tichi, Pecknold, and Ellison, I will show how country music grew from its rural southern roots into an integral part of American culture.
Finnegan's Wake is an old Irish tune, but these words were added later for music-hall use during the Victorian era. Some Irish people have objected to them as an English inspired stereotype, but I first heard this song sung by the Clancy Brothers and Tommy Makem, at the Gate of Horn in Chicago, in the late 50s. To me, no one was more Irish than they were. Here it is in honor of Saint Patrick's Day.
Folk Music." American Decades. Ed. Judith S. Baughman, et al. Vol. 7: 1960-1969. Detroit: Gale, 2001. Gale U.S. History In Context. Web. 25 Feb. 2011.
Throughout history, music have defined or depicted the culture and social events in America. Music has constantly played an important role in constituting American culture, where people have expressed themselves through music during flourishing and turbulent times. In the 1930’s, Swing music created a platform for audiences to vent their emotions in the midst of Great Depression and political unrest. Such strong relationship between music and culture can be seen throughout history, especially in the sixties.
...gers of the old folk music are referred to as “authentic”. The author uses the biographies and the personal experiences of true Appalachian folk musicians to portray what life in the Appalachians was like. The strong family values, the music, the legends.
After seven hundred years of British rule, and many uprisings that ended in failure, Ireland had reached a breakthrough. This breakthrough had an affect on many different people, especially Irish musicians. The series of uprisings and wars that led to the freedom of most of Ireland developed a new form of Irish music; the rebel songs.
Latinoamericanitas, 1976. Print. Vélez, Germám. Phone Interview. February 10th, 2011. Waterman, Richard Alan. Folk music of Puerto Rico . Washington: Library of Congress,
To start with, Irish people are known for their sense of humor, their hardworking, loyal, love tall tales, and especially the love of their family. There are also many stereotypical characteristics that we are given such as: all Irish people are drunks (now I can not totally argue with that because most Irish people do enjoy their alcohol), we all have red hair, that the way we speak is so beautiful and poetic when in all reality it is like “where the bloody hell are you?” There are many more stereotypical characteristics we are
According to The Nashville Sound, markers that include “rural origins, stylized sets, seemingly spontaneous performance, accessible performers, and heartfelt songs can characterize country music’s authenticity” (13). The foundations of what country music has originated from are incorporated within these markers and are used to separate the real from the fake. Early country music was a means of coping with a life of work and worries; it also brought communities of the impoverished together in fellowship. The establishment of these markers glimpses into the culture and realities of many country music artists before their fame. Take for instance a family sitting huddled together on a porch on a cool summer evening listening to a family member play the banjo while another sings along. Everyone is enjoying and living in that moment and all worries are far from mind. Country music made people feel at ease and comfortable, it brought people back to their memories of the good old days. This is the way country music sh...
It was once called “the people’s music”, and “the delight of children (Koenig).” America’s development of ragtime is no doubt a representation of the blending of different cultures and influences. Germanic instrument’s influence on ragtime was a result of the development of new instruments overtime, the availability of new musical instruments to African Americans, and America’s significant blending of diverse cultural sounds.
Powell, A. (2007). The Music of African Americans and its Impact on the American Culture in the 1960’s and the 1970’s. Miller African Centered Academy, 1. Retrieved from http://www.chatham.edu/pti/curriculum/units/2007/Powell.pdf