The book, “In Cold Blood”, is a nonfiction story by Truman Capote. This book presents one of the worst murders in history. It was a best seller worldwide, and turned into a successful movie. As usual the movie does not stand up to the book. If you want more knowledge of the townspeople, victims and more insight into the trial, more background details of the murders, you should read the book. If you are interested in history and a good murder mystery all in the confines of a book cover, read In Cold Blood by Truman Capote.
While reading the book “In Cold Blood” you are introduced to the Clutter family one by one. You learn that Herb Clutter is the head of the house. He is well liked and respected by the townspeople. Mr. Clutter was a prosperous farmer. As the reader, you learn that Bonnie Clutter, Herb Clutter’s, wife is a recluse due to fainting spells. This caused her to stay close to home, inside a lot. Nancy is the daughter of Herb and Bonnie, and she is popular with her peers and liked throughout the town. The last of the Clutter family to be introduced to us is Kenyon, the son of Herb and Bonnie and Nancy’s brother. These are the victims of the awful murders. You get to know them all. In the movie they are humanized, but in the book you get to know them better.
The movie shows us a very disturbed Perry Smith and a cunning, want to get rich quick, Dick Hickock. While the book details Perry’s life in the juvenile detention center, his life in the convent, and the closeness he shared with his sister Barbara. The movie closely mirrored this, and you see great detail of Perry Smith’s childhood.
Mr. Capote sets the stage and the fill of the town nicely, by describing in detail the drive into town. He sets the ...
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Gindin, James. “Harvest of a Quiet Eye: The Novel of Compassion.” Contemporary Literaray Criticism. Vol. 3. Ed. Carolyn Riley. Detroit: Gale Research Company, 1975. 100.
Hollowell, John. “Truman Capote’s Nonfiction Novel.” Contemporary Literary Criticism. Vol. 19. Ed. Sharon R. Gunton. Detroit: Gale Research Company, 1975. 84.
“Literary Classics.” (Mar. 18, 1999): n. pag. Online. Available: http://www.bomc.com.
“Manaly Analysis: In Cold Blood”. (Mar. 18, 1999): n. pag. Online. Available: http://www.showcase.com.
Nance, William L. “The Worlds of Truman Capote.” Contemporary Literary Criticism. Vol. 13. Ed. Dedria Bryfonski. Detroit: Gale Research Company, 1975. 137-139.
Whittington-Egan Richard. “Needle-Pointed Penman.” Contemporary Literary Criticism. Vol. 8. Ed. Dedria Bryfonski. Detroit: Gale Research company, 1975. 133.
And finally, as the story concludes, you feel through Capote's careful presentation of the facts, that we are participants of the trial ourselves. We experience the witnesses testimony only when the jurors and spectators do so themselves. Having the author reserve vital information so that we learn only what the community learns, when they learn it, offers the opportunity for us to experience genuine emotions as the events unfold.
This lesson will examine the impact of Harper Lee on Truman Capote 's true-crime novel, 'In Cold Blood. ' Lee helped her childhood friend with much of the research for the book, although she was not credited when the book was published.
Truman Capote understood that using the right words and the right time can persuade readers to not only think as you think, but also make the audiences think deeper into the meanings of the words put in front of them. Using various rhetoric devices Capote sparked insight into Holcomb just by describing simple landmark buildings and the surroundings of the town. In one page the audience can completely grasp the concepts and emotions of the village.
Truman Capote establishes respect and trust in what he writes from with audience, ethos, through the use of an extensive variety of facts and statistics, logos. Capote uses so many dates, times, and other facts about the crime committed in the book and the subsequent investigation that the reader has to believe what the author is writing. The use of all these facts shows that Capote did his research and he interviewed, questioned, and obtained the opinions of every person that even slightly important to crime itself and the investigation/trial. The author is obviously very meticulous when it comes to dates and times; every important event in the book has a date and sometimes even a time of day to go with it. Some examples of dates included were the day of the murders (November 15th, 1959), dates of when Perry and Dick were here or there (December 31th, 1959- a small restaurant in Texas or noon on December 25th, 1959- beach in Miami Florida), date when the two criminals were apprehended (January 1st, 1960), dates when they were brought from this prison to that one and finally when they were brought to death’s row (April, 1960). Other small facts are also used by the author, like facts about the criminal’s early lives or experiences that they had, which could only have been obtained through extensive interviews with Perry and Dick. The use of all these logos by Capote establishes strong ethos, showing the reader that the author did more than enough research to show that he has the knowledge to write a whole book on the subject.
Print Garson, Helen S. "Truman Capote." Truman Capote. Helen S. Garson, Ph.D. Ungar, 1980. Rpt. in Contemporary Literary Criticism.
Capote's structure in In Cold Blood is a subject that deserves discussion. The book is told from two alternating perspectives, that of the Clutter family who are the victims, and that of the two murderers, Dick Hickock and Perry Smith. The different perspectives allow the reader to relive both sides of the story; Capote presents them without bias. Capote masterfully utilizes the third person omniscient point of view to express the two perspectives. The non-chronological sequencing of some events emphasizes key scenes.
Truman Capote finds different ways to humanize the killers throughout his novel In Cold Blood. He begins this novel by explaining the town of Holcomb and the Clutter family. He makes them an honest, loving, wholesome family that play a central role in the town. They play a prominent role in everyone’s lives to create better well-being and opportunity. Capote ends his beginning explanation of the plot by saying, “The suffering. The horror. They were dead. A whole family. Gentle, kindly people, people I knew --- murdered. You had to believe it, because it was really true” (Capote 66). Despite their kindness to the town, someone had the mental drive to murder them. Only a monster could do such a thing --- a mindless beast. However,
Through the course of the book, Capote uses vivid descriptions to his advantage in order to place emphasis on more noteworthy parts of the story. Capote’s choice of imagery characterizes Perry as a person and gives an idea to who he is. Perry’s life prior to crime was normal for awhile, until his family situation crumbled: “in the ring, a lean Cherokee girl rode a wild horse, a ‘bucking bronc,’ and her loosened hair whipped back and forth, flew about like a flamenco dancer’s. Her name was Flo Buckskin, and she was a professional rodeo performer, a ‘champion bronc-rider.’ So was her husband, Tex John Smith; it was while touring the Western rodeo circuit that the handsome Indian girl and the homely-handsome Irish cowboy had met, married, and had the four children sitting in the grandstand. (And Perry could remember many another rodeo spectacle--see again his father skipping inside a circle of spinning lassos, or his mother, with silver and turquoise bangles jangling on her wrists, trick-riding at a desperado speed that thrilled her youngest child and caused crowds in towns from Texas to Oregon to ‘stand up and clap.’)” Perry’s troubles after his parents separation may very well have contributed to his becoming a murderer later on down the road. The abrupt change in his life at such a young age, clearly had a lasting impact on him and his lifestyle. His past altered the way he thought and the type of person he was. Capote quotes,
...ion...” (“Truman” 84). Capote creates a story that was based on true events while being able to evoke emotions out of the readers. The use of an objective writing style was a fundamental part in adding to the garnering of emotions to the story as well. Through In Cold Blood, Capote alerts the audience to “...Ambiguities of the American legal system and capital punishment” (“Truman” 84), stating that in the court of law in America there are some flaws and laws that are obscure in their purpose that one should be weary about. Capote wrote In Cold Blood in order to convey the idea that whenever a person or a group of people is murdered, vengeance is always sought upon the murderers. In a place where everyone knows everyone, it is hard for the community to adjust to the losses without proper compensation, and sometimes the only way is through punishing those by death.
In Cold Blood tells an exact story of the murder of the clutter family that occurred in Holcomb, Kansas in 1959. It consists of Mr. and Mrs. Clutter and their two teenage children, Kenyon and Nancy, and the events that lead the killers to murder. The family was brutally killed, without any apparent reasons, by Dick Hickock and Perry Smith. The family was found shot to death, with very little items missing from the home. Capote read about the crime in The New York Times real soon after it had happened, and before the killers were caught, he began his work in Kansas, interviewing the people of Holcomb and doing extensive research with the help of his friend Harper Lee. Dick and Perry got away with the murders, because of the lack of clues and no personal connections with the murdered family. Perry Smith is a loner, a psychic cripple, almost from birth an outcast from society. Capote insists the reader’s sympathy for Perry Smith from the outset: Comparing him to wounded animals; described as a frightened “creature” than as a human being responsible for his actions (Hollowell 82). So much suffering could be taken and given by a single youthful human...
Capote uses different voices to tell the story, creating an intimacy between the readers and the murders, the readers and the victims, and all the other players in this event—townspeople, investigators, friends of the family. This intimacy lead...
Perry Smith was a short man with a large torso. At first glance, “he seemed a more normal-sized man, a powerful man, with the shoulders, the arms, the thick, crouching torso of a weight lifter. [However] when he stood up he was no taller than a twelve-year old child” (15). What Smith lacked in stature, he made up in knowledge. Perry was “a dictionary buff, a devotee of obscure words” (22). As an adolescent, he craved literature and loved to gain insight of the imaginary worlds he escaped into, for Perry’s reality was nothing less than a living nightmare. “His mother [was] an alcoholic [and] had strangled to death on her own vomit” (110). Smith had two sisters and an older brother. His sister Fern had committed suicide by jumping out of a window and his brother Jimmy followed Fern’s suit and committed suicide the day after his wife had killed herself. Perry’s sister, Barbara, was the only normal one and had made a good life for herself. These traumatic events left Perry mentally unstable and ultimately landed him in jail, where he came into acquaintance with Dick Hickock, who was in jail for passing bad checks. Dick and Perry became friends and this new friendship changed the course of their lives forever. Hickock immediately made note of Perry’s odd personality and stated that there was “something wrong with Little Perry. Perry could be such a kid, always wetting his bed and crying in his sleep. And often [Dick] had seen him sit for hours just sucking his thumb. In some ways old Perry was spooky as hell. Take, for instance, that temper of his of his. He could slide into a fury quicker than ten drunk Indians. And yet you wouldn’t know it. He might be ready to kill you, but you’d never know it, not to look at it or listen to it” (108). Perry’s short fuse and dysfunctional background were the two pieces to Perry’s corrupt life puzzle that soured and tainted the final “picture”.
The main purpose of In Cold Blood by Truman Capote is to offer insight into the minds of the murderers of the Clutter family, Dick and Perry. However, asking an audience to be open-minded about men who have committed such heinous crimes is no easy task. Capote instead methodically and rather artfully combines imagery, parallel structure, and perspective in two separate passages found between pages 107-113 to contribute to his characterization of Perry and Dick where the former is deserving of sympathy and the latter, disgust.
Tucker, Martin. Moulton’s Library of Literary Criticism. Volume 4. Frederick Ungar Publishing Company. New York. 1967.
Gerald Clarke, ed. Too Brief a Treat: The Letters of Truman Capote. New York: Random House,