Trickster Archetype

Many people, no matter their age or background, find the trickster figure to be intriguing. Karl Jung says archetypes surface in cultural and religious literature all over the world because of what he calls the collective unconsciousness, what connects all humans and cultures, so it is not surprising that the trickster is an archetype that surfaces in many stories. Even in our own culture we see depictions of the trickster in characters like Brier Rabbit and Wily Coyote. In this essay I will describe what a trickster is using the information I learned in class and discuss the role of the trickster in Raven and the African and African-American stories we discussed. Even though every trickster is unique to its culture, all tricksters share certain

All of these types of stories survived by being “performed in Africa, the West Indies, and the American South.” These tricksters cause disharmony, which is part of the audience’s enjoyment. The main characteristic of the trickster in these tales is “signifying,” the “ability to use cunning words to turn the powerful into dupes.” Usually, a trickster makes a contract with a dupe, but betrays him. He does this because he gets his strength by violating social boundaries. Other times, the trickster plays tricks and is caught, which leads to humiliation. Some of the stories in this section are “Why the Hare Runs Away,” “The Ant’s Burden,” and “Tricking All the Kings” In “Why the Hare Runs Away,” we know the trickster makes a contract when “it was decided” was said, and we know the trickster breaks that contract when we see “he refused.” The trickster is punished for breaking the contract by being captured by the other animals. In the story “The Ant’s Burden,” we see Anansi trying to make Kweku his dupe when “he wondered how he could fix the blame on someone else.” This tale also takes on the characteristic of a trickster’s contest because Anansi loses and, in return, is made the dupe, for which he “was condemned.” “Tricking All the Kings” is about outwitting a plantation master. Although the king seems to dominate at the beginning of the story, he is later made to be the dupe. We see him becoming the tricksters first dupe when Buh Nansi says “oh, Massa King, you mean to pitch me in that blue, blue sea…,” and we see the contract being made when the king says, “No, I wouldn’t, I’ll have you drowned.” In this story the trickster beats the dupe because the king couldn’t have done him a “better favor”