Traumatic Memories

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To this point, I have focused on the verbalization of traumatic memories and spoken or written influences on group narratives and event narratives for disasters. However, not all contributions to the collective narrative exist in the realm of words. Humans express their emotion and memories in many ways, including art, body modification, and transformation of the landscape around them. Disasters, and the hazards that cause them, also leave physical reminders of their presence on the landscape and, too often, on the bodies of survivors. Narrative Objects: Mementos, Photos, Scars, & Tattoos The material aspect of a disaster involves more than lost houses and property; homes, physical locations imbued with memory and meaning, heirlooms, irreplaceable …show more content…

Positioning these items, deemed “biographical objects” (Hoskins 1998:7) between gifts and commodities, Hoskins notes that such objects are endowed with the personal characteristics of their owners,” (Hoskins 1998:7). So connected are these objects and their owners that Hoskins’ research discovered the impossibility of recording the history of an object separate from the life history of its owner. This approach builds on the work of Arjun Appadurai, particularly his introduction to The Social Life of Things: Commodities in Cultural Perspective, in which he asserts that the value of a commodity is not the product of raw materials, labor, and the economic law of supply and demand. Instead, Appadurai introduces the symbolic value of an object, cultural meaning and worth attributed to an object, into the other economic contributions to help explain the total value of a commodity with the politics of exchange and desirability of goods (Appadurai …show more content…

Morin differentiates between consumer objects which only serve the role of a tool or possession and biographical objects whose users create a relationship, through meaning and memory, to imbue the object with localized, particular, and individual identity (Morin 1969). The distinguishing characteristics of these objects, according to both Morin and Hoskins, are their relationships with “time, space, and the owner or consumer,” (Hoskins

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