Transformation of Reality as Portrayed in Don Quixote

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Transformation of Reality as Portrayed in Don Quixote Throughout his novel, Don Quixote, Miguel Cervantes effectively uses the transformation of reality to critique and reflect societal and literary norms. In three distinct scenes, Don Quixote or his partner, Sancho, transform reality. Often they are met with other’s discontent. It is through the innkeeper scene, the windmill scene, the Benedictine friar scene, and Quixote’s deathbed scene that Cervantes contemplates revolutionary philosophies and literary techniques. The theme of reality transformation does not even stop there. Sometimes the transformations of reality scenes act as mimetic devices. Ultimately, Miguel Cervantes’ use of transformative scenes acts as a creative backdrop for deeper observations and critiques on seventeenth-century Spanish society. When Don Quixote stumbles upon a modest inn shortly after beginning his journey, the reader is presented with the first of many transformations of reality. For Quixote, the inn is not a typical inn but a castle, and the innkeeper is a lord. Quixote states, “I expected nothing less of your great magnificence, my lord...Until that time, in the chapel of this castle, I will watch my armor” (Cervantes 2234). The mundane has become the extraordinary. The innkeeper, who himself admits he has not had the most noble past, is given a title of royalty. The prostitutes Quixote meets inside transform into ladies. Cervantes describes the girls as shocked to be referred to as anything other than prostitutes. He writes, “The girls looked at him, endeavoring to scan his face, which was half hidden by his ill-made visor. Never having heard women of their profession called damsels before, they were unable to restrain th... ... middle of paper ... ...n received no satisfaction from seeking out Don Quixote to change his view. Conclusively, throughout Don Quixote, Miguel Cervantes explores the transformation of reality. By doing this, he critiques and reflects conventional societal literary norms. In three distinct scenes, Don Quixote or his partner, Sancho, transform reality. Often they are met with other’s discontent. It is through the innkeeper scene, the windmill scene, the Benedictine friar scene, and Quixote’s deathbed scene that Cervantes contemplates revolutionary philosophies and literary techniques. The theme of reality transformation does not even stop there. Sometimes the transformations of reality scenes act as a mimetic devices. Ultimately, Miguel Cervantes use of transformative scenes acts as a creative backdrop for deeper observations and critiques on seventeenth-century Spanish society.

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