Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Transformation of character Macbeth
Shakespeare's portrayal of women
How the character of lady macbeth and macbeth change
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Transformation of character Macbeth
Macbeth and An Inspector Calls, both plays written by William Shakespeare and J.B Priestley. The pair embeds the aspect of guilt upon their characters. ‘Macbeth’, a play written in 1605, set in 11th century Scotland. Contrastingly ‘An Inspector Calls,’ written in 1945, set in the North Midlands during the post-war period. Despite the variation in setting, the impact of guilt on the characters were similarly approached.
Situated at the the start of the play, Shakespeare exposes Lady Macbeth’s masculinity through her dialogue. Lady Macbeth has just received the news that Macbeth has been named Thane of Cawdor, during in which she said, “Come you spirits...Unsex me here.” When Lady Macbeth uses the words, ‘unsex me’ she is exhibiting that she has no passion in acting like a normal woman of that medieval time. Alternatively she aspires to resemble a masculine personality. She assumes if she takes on the role of a man, she can convey the audacity to commit regicide. Relating to the theme of guilt, Lady Macbeth shows no real concern about killing and regicide, which demonstrates that she either has very little guilt or none at all. The audience of 1605 will presume that she is trying to go against nature and God. In 1605 most of the audience must have had very strong beliefs and conduct life in a way Christianity teaches them. When they encounter someone, like the character of Lady Macbeth they will assume she is going against God’s will. This generates negative vibes from the audience and leads to the audience disliking Lady Macbeth’s character.
Similarly Priestley illustrates the femininity of Sheila via her dialogue. Towards the middle of the play, Sheila is explaining her story to the Inspector, when Pries...
... middle of paper ...
...ts heavily impacted by her guilt. Priestley shows that Sheila has changed to a better person due to guilt. We see this when, “You might aswell tell him, because he is going to make you tell him.” By using ‘ Might as well’ Priestley is trying to display that Sheila has changed from a feminine and girly character to a more mature and well rounded person. Comparing Sheila to Lady Macbeth, we can interpret that guilt has done good to Sheila, as she learnt to use guilt to become a better person. However Lady Macbeth has been engulfed by the power of her guilt which has lead to death. Linking to Priestley’s views we can see that he has used social views that everyone is same, to aid his message. Initially Sheila was spoilt and different to everyone else but now she has changed and are more equal to everyone else.
The play Macbeth and the movie The Social Network each explore ideas around guilt and remorse. Both these works are from two different timelines and explore two completely different themes and ideas, but are both relatively similar in scope. Macbeth and The Social Network explore ideas around guilt and remorse, but at opposing angles. Both works depict the main character as someone who is easily influenced and who is driven by ambition, both capable and not capable of feeling guilt and remorse. Their ambitions cause those close to them to break ties, and their relationships deteriorate as they betray those closest to them while trying to attain what others have by any means possible.
In ‘An Inspector Calls’ Sheila Birling is presented by Priestley as a cheerful and rather selfish upper class Edwardian woman who comes from a prosperous family and seems to lack a sense of guilt and responsibility early on in the play. In the opening scenes Sheila’s relationship with her fiancé appears genuine, until we learn that Gerald has been away for the whole summer. Sheila’s curiosity and suspicion is shown when she remarks to Gerald that she sees him often “except for all last summer, when you never came near me.” Through what she has said we clearly see that there is a problem in their relationship which leaves the audience filled with curiosity and the knowledge that there are secrets that Gerald seems to keep from her, but as soon as Sheila tries to address to what Gerald said about being “awfully busy at the works the whole time” her mother Sybil attempts to put Sheila in her place in and points out that she has to deal with it as she is an Edwardian Woman. Mrs Birling says to Sheila that “When you’re married you’ll realize that men with important work to do sometimes have to spend all their time and energy on business.” Through this, we see the way Edwardian Women have to act. They are not supposed to bother their husbands with questions and demands. They are supposed to put up with it.
Two classical themes in literature are concealed guilt and confessed guilt and in many instances the reader sees the affects of these on individuals. In the examination and exploration of The Scarlet Letter and Macbeth the necessary comparison for both is provided. The guilt in The Scarlet Letter is seen in the minds and outward appearance of each main character, Hester Prynne and Arthur Dimmesdale. In Macbeth the readers sees an obvious guilt in the main character, Macbeth.
...elligence and emotional strength to become a powerful atypical Edwardian girl who is in control of her situation and her role in society. It can be observed that the women’s attitudes to the ‘chain of events’ in each play are in stark contrast to each other; As William Cowper states, ‘Glory built on selfish principles, is shame and guilt’, and there can be no disputing that Lady Macbeth’s guilt was a result of her glory and subsequent corruption while Sheila’s glory was built by acknowledging her guilt and shame. Sheila accepted her guilt and as such mastered it; Lady Macbeth refused to accept any guilt for killing King Duncan, and succumbed to it. The only similarity between the two is that a great wrong is done by each, yet how each character chooses to handle these wrongs is a testament to their character, the way they are written, and the resulting differences.
In Macbeth, there are a lot of guilt and regrets felt by Macbeth and his wife Lady Macbeth. For example, Macbeth regrets killing King Duncan because now he is worried that if the people find out it was him, he would be executed. Also Macbeth starts to feel guilty about the people who he killed, but he likes to do it because he wants to be king. Lady Macbeth is starting to become worried about the people trying to come after for what she is encouraging Macbeth to do. Macbeth, a man driven by ambition, could not escape from guilt which haunted him.
In the beginning of the play, Shakespeare establishes Lady Macbeth as a woman who wants to take on stereotypical traits associated with men, such as acting cold - heartedly, manipulatively and being the dominant partner in her relationship. When Lady Macbeth realizes that her husband is not strong enough to kill King Duncan, Lady Macbeth tries to prove to herself and her husband that she can take on the dominant role in her relationship with Macbeth. This is best shown in one of Lady Macbeth’s soliloquies when she says, “... unsex me here, / And fill me from the crown to the toe top - full / of direst cruelty! Make thick my blood; / Stop up the access and passage to remorse…” (1.5.40-43). In this passage, the words “unsex me” refer to her desire to rid herself of all the qualities that make her a woman, which she believes impede her from performing acts of violence and cruelty. The word “blood” is used as a symbol for Lady Macbeth’s emotions, which she wants to ignore so that she does not feel any remorse. This request to erase all traces of femininity implies that men are more capable of malignity than women, which Lady Macbeth uses as her reason to take on masculine traits. Lady Macbeth is also expressed as being schemeful and dominant in her relationship with Macbeth, which are all features most commonly attributed to the typical man. Lady Macbeth acts connivingly when she mocks Macbeth’s mental and physical strength to carry out the killing of King Duncan, as she says that she would commit a crime against her own child if she were asked to do it. Lady Macbeth speaks cruelly and unladylike when she says, “I have given suck, and know / How tender ‘tis to love the babe that milks me: / I would, while it was smiling in my face, / ...
Guilt plays a strong role in motivating Macbeth, and causes Lady Macbeth to be driven over the edge of sanity - to her death. Throughout the story, there are many different types of guilty feelings that play a role in Macbeth’s fatal decisions and bring Lady Macbeth to commit suicide. Although there are many instances that show the power guilt has played on the main characters, there are three examples that show this the best. One is, just after the murder of the great King, Duncan. Guilt overcomes Macbeth where he can no longer think straight. A second example is soon after that, where all the guilt Macbeth feels at first, changes into hate after he decides that Banquo must be killed as well. The last example is just about at the end of the play, when we see Lady Macbeth sleepwalking, and then later committing suicide; this all because of the burden of her guilt. All of these examples build the proof that in this play, guilt plays a very large role in the characters’ lives.
Guilt has the potential to crumble even the most powerful of people. The Shakespearean tragedy Macbeth reveals the consequence of immoral action: guilt. William Shakespeare portrays the idea that the downfall of one may transpire as a result of this regret. Throughout the play, Macbeth and Lady Macbeth are negatively affected as they are overwhelmed by realization that they have violated their moral standards; this causes them guilt. The two attempt to conceal the remorse they experience but, despite this, their misdeeds take their toll. The affects most prominent throughout the play are the development of depression, paranoia, and emotional detachment. Ultimately, it becomes obvious that guilt is capable of bringing ruin to any individual.
On the other hand, Lady Macbeth views on manhood are much different from her husband's and the other characters in the play. Unlike Macbeth, Lady Macbeth envisions a man to be opportunist, cruel and ruthless instead of honorable and loyal. When she receives the letter from Macbeth and learns of her chance to be queen, she prays that the spirits "that tend on mortal thoughts [would] unsex [her]", and that she will be "fill[ed] from the crown to the toe of direst cruelty", so that she would have the strength to murder Duncan. Believing the spirits would "unsex" her, she hopes that she wouldn't be bothered by a woman's kindness or remorse and thus would become a cruel killer, like a man.
Throughout the play, it is shown how many of the main characters have a traditional view of on masculinity. Lady Macbeth’s view on the correlation between cruelty and masculinity can be seen early on in the play, when she wishes to be unsexed so she will have the cruelty of a man that is necessary to kill King Duncan. She says
In Act 1 Scene 7 of “Macbeth”, Lady Macbeth uses persuasive language to bring Macbeth from a man full of trepidation, to a hardened killer, ready to commit regicide. She does this in a variety of ways. The play was extremely controversial at the time; this was because it effectively reversed the gender roles of society. These roles were imprinted into the very fabric of medieval community; women were seen as inferior to males, and were brutally oppressed by the largely patriarchal society. As a result, Shakespearean audiences would be shocked by the role reversal portrayed in Macbeth.
His comment about the witches’ beards not making them appear wholly female establishes the idea that the characters existing in the world of the mad are not entirely one gender or the other. This idea is reinforced later in the play by several characters, but none more so than Lady Macbeth. Her descent into madness begins when she resolves to kill Duncan, which only happens after she asks to be “unsexed” (1.5.39) so that she may have the strength of will to commit such a heinous act. By doing this, she is rejecting the suggested notion that women in the social world of this play are characterized by their lack of willingness to commit acts of violence. This subversion of gender roles appears once again in the line “When you durst do it, then you were a man” (1.7.49) when she chides Macbeth and questions his virility after he expresses an unwillingness to go through with her plan to kill Duncan. By shying away from the idea of committing a violent act, he is rejecting the suggested notion that men in the social world of this play are characterized by a proclivity toward violence. This chiastic movement of Macbeth and Lady Macbeth diminishes their respective virility and femininity and, in turn, makes each of them
Macbeth and An Inspector calls were plays written in different time periods. The central female character in An Inspector Calls is Sheila and the central female character in Macbeth is Lady Macbeth. Sheila Birling comes from a well-known, wealthy factory owner and Lady Macbeth is wife of a thane, named Macbeth. Both of the plays show a certainty of evil, but the central female characters in Macbeth and An Inspector Calls differ but are rarely shown as similar.
Both Lady Macbeth and Sheila feel guilt and responsibility, however they deal with it in contrasting ways. Macbeth, written in 1606 by William Shakespeare is set in medieval Scotland. The play is based on a moderately true story about the rise and downfall of Macbeth, who ascended the throne by killing the former King. On the other hand, An Inspector Calls, written in 1945 by J.B. Priestley, is set in 1912. This play is about a mysterious Inspector, who interrogates an archetypal middle-class family, to show how the actions they took led to the loss of a young woman’s life. Both characters are implicated in a death, possibly a murder, however whilst Lady Macbeth strives to ‘consider it not so deeply’, Sheila ‘felt rotten about it at the time’
Shakespeare is known for strong male heroes, but they are not laying around in this play, not that Macbeth is full of strong female heroines, either. The women in the play, Lady Macbeth and the witches have very uncommon gender belief, and act as inhumane as the men. While the men engage in direct violence, the women use manipulation to achieve their desires. As Lady Macbeth impels Macbeth to kill King Duncan, she indicated that she must take on some sort of masculine characteristic in order to process the murder. “Come, you spirits/ that tend on mortal thoughts, unsex me here, / and fill me from the crown to the toe top-full/ of direst cruelty.” (i v 31-34) This speech is made after she reads Macbeth’s letter. Macbeth, she has shown her desire to lose her feminine qualities and gain masculine ones. Lady Macbeth's seizure of the dominant role in the Macbeth's marriage, on many occasions, she rules her husband and dictates his actions. Her speeches in the first part of the book give the readers a clear impression. “You shall put this night’s great business into my dispatch, which shall […] gi...