“Frailty, thy name is woman” (I.ii.150). The most significant reason for Hamlet’s first soliloquy is based on how he feels about “woman”, mostly referring to his mother. Hamlet shows no respect towards his mother. Shakespeare tries to show Hamlet and other male characters as assertive men. However, in Shakespeare different plays women play a variety of roles. Throughout the play Hamlet, Shakespeare demonstrated brutal treatment towards women by the male characters in the play, whether it be verbally or with emotional abuse. Not only were the women manipulated by the male characters, but they were also controlled by their beloved ones.
One of the main relationships in which there is great deal of control and manipulation is between Hamlet and Ophelia. Ophelia is the only lady in her family. Her family includes her father Polonius and brother Laertes. Ophelia is an obedient lady who views the men in her life as her only reference in life’s dilemmas. However, there is irony from the advice that her family gives her to prevent her from being with Hamlet. Laertes mentions to Ophelia, “Then, if he says he loves you,/ It fits your wisdom so far to believe it/ As he in his particular act and place/ May give his saying deed, which is no further/ Than the main voice of Denmark goes withal./ Then weigh what loss your honor may sustain”(I.iii.41). Laertes tries to protect Ophelia by telling her to be wise enough on believing Hamlet’s words. Laertes does not only approve of Ophelia’s love for Hamlet because he does not want his sister to be hurt. Ophelia as the obedient lady she is, tells Laertes that she will take his words of wisdom close to her mind. The main example of Hamlet showing the act of being callous and over controlling is when...
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...on the men, which was part of Shakespeare’s play of writing.
Shakespeare shows how the women characters are not strong minded, but shows how their love and deception towards the male characters leads them to their behavior. Lead to their own demises due to the flaws such as dependence they have. The male characters bossed the women around and the women did as they were told. Shakespeare used Gertrude and Ophelia to show how the men seemed to do as they wished and women were forced to follow. It provides the power that the male towards the woman. The dependence of women on men may have traditionally been a factor in their lives; however, in today's ever-changing society, women have become more and more independent to overcome circumstances such as these. Not only were the women manipulated by the male characters, but they were also controlled by their beloved ones.
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
In the play, Hamlet is described as an intelligent, emotional, and grief-stricken protagonist but he is consumed by his own thoughts which make him a highly-indecisive individual; Hamlet’s inability to act on his father’s murder, his mother’s hasty remarriage, and his uncle assuming of the throne are all evidence that Hamlet does not know what is going on in his own life. Perhaps Hamlet wants to place the blame on someone else after he wreaks vengeance on King Claudius, or capture the attention of certain characters so that he may find out exactly what has gone “rotten in Denmark” (Act 1, Scene 5, Line 90). Throughout the play Hamlet is deeply hurt by his mother’s decision to remarry his uncle. As Hamlet says, “Frailty thy name is woman”, her actions cause Hamlet to curse women all together (Act 1, Scene 2, Line 146).
Heilbrun, Carolyn G. (2002). Hamlet's Mother and Other Women. 2nd ed. West Sussex: Columbia University Press.
Hamlet treats Ophelia like property and because he does not care for her. This is proven because he insults Ophelia, uses her to get his revenge on Claudius and uses her as a way to get attention. To begin with, Hamlet abuses Ophelia by accusing her of having impure motives. To him she “jig[s]… amble and …lisp” (3.1.145) to seduce other men. He also accuses her of being deceitful because she changes the “one face [that]…God hath given” to her by putting on cosmetics. Hamlet verbally abuses Ophelia because he believes that she is worthless. Hamlet is not concerned about the effect that these insult have on Ophelia’s psyche. In addition to verbally abusing Ophelia, Hamlet uses Ophelia as a pawn. Hamlet uses Ophelia as a way to get to Claudius by also physically abusing her. Ophelia description of Hamlet’s abuse exhibits Hamlet’s unruly behaviour towards her: “He took me by the wrist and held me hard; then goes he to the length of all his arm” (2.1.88-89). Hamlet physically abuses Ophelia because he knows that Ophelia will report it to her father who in turn will tell Claudius. By doing this, Claudius will think Hamlet is insane and will then lower his guard and will not suspect that Hamlet intents to kill him. Hamlet does not stop to consider what kind mental toll will take on Ophelia, all he cares about is to finishing what his father asked of him. It is apparent
Hamlet shows much anger and disrespect to the women in his life. Ophelia’s believing her father’s words breaks Hamlets heart, being the reason for his treatment towards not just her but his mother. Ophelia
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
In Elizabethan times, Ophelia is restricted as a woman. She is obedient to the commands of the men in her life although she often attempts to do the right thing. Polonius, Laertes, and Hamlet all have a grasp on Ophelia and who she is. She does not have the freedom to change her fate as Hamlet does. Shawna Maki states, “Ophelia’s life is determined by the whims of men who control her” (1). Polonius takes advantage of his relationship with Ophelia by using her to achieve a better relationship with Claudius. Polonius and Laertes teach Ophelia how to behave, therefore, abusing their power in allowing Ophelia to become who she wants to be (Brown 2).
If women were the ones to have power over men, it would change the plot completely. Gertrude wouldn’t have even considered marrying Claudius, Hamlet would not seek revenge, and Ophelia would be the one playing with Hamlet's mind. In all, since this is a fictitious story, Shakespeare is to blame for this horrid portrayal of women. In reality, women weren’t as dependent on men as the play states. They were obedient, but they wouldn’t so insane and drown themselves if their father died.
Just like in society the men in Hamlet follow the rules for a patriarchal society. The three most masculine characters in Hamlet are Claudius, Polonius and Laertes. “Man is supposed to be strong, courageous, rational and sexually aggressive; while woman is weak, timid, emotional, and sexually passive” (De-Yan 1). The first identifiable masculine characters are Laertes and Polonius as they are introduced in the play conversing with Ophelia. In this scene they tell Ophelia what she is allowed to do and command to her to not be with Hamlet, “For Hamlet and the trifling of his favor, Hold it a fashion and a toy in blood, A violet in the youth of primy nature, Forward not permanent sweet, not lasting...” (1.3.5-9). After Laertes leaves, Polonius enters the scene and rebukes Ophelia for believing Hamlets words of affection. As in a patriarchal society the males of the household are the leaders. First in command is the father, and then the brother. Therefore just like in Act one scene three, Ophelia has to do what her father and brother tell her. Claudius is another masculine character in Hamlet. He shows this by murder...
In Shakespeare’s dramatic works there is no room for the heroic or the strong woman, and therefore many of his plays can be perceived as being antifeminist. Often he portrays women as weak, mad, sexual, and as even witches. Hamlet is no exception. The only women in the play, Ophelia and Queen Gertrude, are given confined and limited roles. These roles are from a male-dominated viewpoint and only add focus to the male characters instead of incorporating the insight and the impact of the women as well.
Despite Ophelia’s weak will, the male characters respond dramatically to her actions, proving that women indeed have a large impact in Hamlet. Her obedience is actually her downfall, because it allows the male characters to control and use her in their schemes. Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression. One way that her manipulation is key to Hamlet’s plot is when Polonius orders her “in plain terms, from this time forth/ Have you so slander any moment leisure/As to give words or talk with the Lord Hamlet,” (1.3.131-133). She complies with his wishes, agreeing to return any tokens of Hamlet’s love to him, verify t...
For many years in the past women played a small role socially, economically, and politically. As a result of this many works in literature were reflective of this diminutive role of women. In Elizabethan theatres small boys dressed and played the roles of women. In contrast to this trend, in Shakespeare's Hamlet the women in the play are driving factors for the actions of many other characters. Both Gertrude, Hamlet's mother, and Ophelia, Hamlet's love, affected many of the decisions and actions done by Hamlet.
Ophelia is manipulated by Hamlet to display to the King and the rest of the court that he is in fact mad. When Hamlet enters her room wearing disheveled clothing and acting quite strange towards her, he knows that Ophelia will tell her father and the King. Ophelia then reports this strange occurrence to her father, telling him about his strange composure of taking her “by the wrist and” holding her hard and then “shaking” when he was about to let go. (Act 2, Scene 1 Lines 86-91) The team of Polonius and the King also exploits Ophelia in order to dig deeper into Hamlet’s madness.
For many years, in the older eras, women had always been categorized as insignificant, and worthless. Because of this, women were forced to conform to the stereotype of depending on men, and were subjected to what the men said. William Shakespeare demonstrates this in the play Hamlet. The women are portrayed to deserve their fate because of their inability to be independent and their ability to be easily influenced. In the play, Shakespeare demonstrates that both Gertrude and Ophelia deserve their fate.
“Frailty thy name is woman.” (Hamlet, I.ii.146) is a line spoken by Hamlet, the main protagonist in the play Hamlet, a Shakespeare masterpiece from the 1600s. This line is said about Hamlet’s mother, Gertrude, when Hamlet is accusing her of adultery with the new king, Claudius. Gertrude’s character is portrayed as weak, and male dependent which plays into her role as a queen. In the 1600s, although the queen was perceived as almost omnipotent, she didn’t have say in big decisions and had very little power; the queen was therefore dependent on a male counterpart to make all of the decisions. Hamlet himself understood this which is made evident in his line that says;