Achebe's writing, "The Novelist as Teacher", serves as a request to African writers to take on the role of teacher in their works. After reading Achebe's "The Novelist as Teacher", I have identified two differences that Achebe observes in the orientation to literature of postcolonial and western writers. Firstly, Achebe expects that his audience will look to him as a teacher of the culture. Postcolonial readers will look to their writers for the reiteration of their culture and common concerns. Secondly, Achebe explains that racial inferiority plays a major role in the orientation to literature. Postcolonial writers must include affirmations in their works and remember to improve upon a state of repressed minds.
Achebe's describes European writers as "living on the fringe of society" and by no means "in charge of anything." In great contrast, post colonial writers are direct links to the society that they write about and serve as leaders in charge of spreading the cultural knowledge of their people. Rather than honored for their detachment, they are revered for their attachment and presence in a world of written literature that is void by comparison to that of the European writings.
Achebe goes on to explain that every society has different needs. He labels modern European song writer as a "divine administrator of vengeance" for writing a pop song entitled "I Ain't Gonna Wash for a Week." The African society's needs differ from those of the Western world with regard to the recentness of their bondage and constraints.
While their beliefs are strong, post colonialism has placed an inferiority complex upon the culture of the people. As opposed to highlighting their relatively new freedoms, Achebe speaks as if Africans let their beliefs serve as a shadow cast upon them in the high technology modern world that they are looking to find. Achebe wants to build a confidence in his people that makes them as proud of their culture as any other. He mentions "anti- racist racism" as a way to uplift the African people. With African writers implanting the positive power of ethnocentrism and acceptance, the people will gain the confidence to infuse their old ways with that of the new world.
In serving as teachers with advise about a society that they know and are very much a part of, they apply a much needed force to society giving them the power to link their cultural ideals with the modern ideals of the Western world.
Even though it appears that he sides with Africans and their cultural beliefs, Achebe uses things from outside their religion, such as biblical allusions. When the missionaries appear it says, “they were all sons of God. And [they] told them about this new God” (Achebe 126). It is interesting to note that Achebe capitalizes the “g” in God, which is proper especially if one claims to be a Christian. Another allusion could be interpreted when the locusts cover the land. It is phrased, “then quite suddenly a shadow fell on the world, and the sun seemed hidden behind a thick cloud” (49). There were so many, that this “cloud” could easily repre...
Nnoromele, Patrick C.. “The Plight of a Hero in Achebe’s Things Fall Apart.” Chinua Achebe's
Achebe writes Things Fall Apart to revise the history that has been misplaced. He writes to the European and Western culture. This fact is evident because the book is written in English and it shows us the side of the African culture we wouldn’t normally see. Achebe is constantly ...
Chinua Achebe is a renowned Nigeria novelist lauded for his work in literature. Chinua Achebe has been credited with numerous works of literature ranging from novels to journals. His work cuts across borders, making huge success and accepted globally in the world of literature. Even critics had to accept Chinua Achebe is the greatest our time, such was Charles H Rowell a literary critic issued in Callaloo a reputable magazine. There was no surprise when Chinua Achebe won the 1972 Commonwealth prize, he obviously deserved it, following his contribution to the world of literature. He has also been awarded an indefinite number of doctorates in various educational
Achebe shows us a culture that is on the verge of change. Within the story we find out how the reality of change is brought upon several characters, and what their actions follow. Just like how African’s resisted the white’s over taking their country in reality, Achebe implements the same idea with the use of several characters. Okonkwo, for example, is completely opposed to the new political and religious upbringing that has come upon his clan. He feels that a real man does not change his views and beliefs for another mans views and beliefs. He see’s it as a sign of weakness. As we see throughout the novel, Okonkwo’s fear of losing his title and status, drives him further away from the idea of changing and adapting to the new religion. Achebe shows us how there will always be those that fight against the change, but in the end the stronger religion will over take and turn the others. Unfortunately for him, Okonkwo finding out his clan is converting is heart aching and he finds complete weakness in his clan. Achebe ties both themes of change and masculinity very well, and both themes support each other in every way. In reality, many Africans resisted the colonizers trying to destroy their religion, but the colonization wasn’t as severe as Achebe presented in her novel. “Groups strongly resisted the coming of European
Achebe’s main point is as much of Joseph Conrad’s racism but more of Western society’s need for change. We need to look beyond the stereotypical image that which the West holds “to its heart.”[pg.8] We must look in today’s society, today’s media and books read in schools. We must realize that “offering bribes to the West in return for its good opinion of Africa” [pg.9] is preposterous. He sees now as the time for change. He doesn’t but blame of Conrad but on western society. “The victims of racist slander who for centuries have had to live with the inhumanity it makes them heir to have always known better than any casual visitor even when he comes loaded with the gifts of a Conrad.”[pg.9]
Achebe wrote Things Fall Apart to be an antithesis to much of European literature, and his characterization of Okonkwo as almost a tragic hero serves that purpose. Because Okonkwo has similarities to Oedipus and others, such as Thyestes or Hamlet, he shows Western readers that Africans and members of other marginalized cultures are not completely foreign. As a corollary, Okonkwo 's failures to meet some of the qualities of a tragic hero demonstrate the failure of the mainly Western archetype to represent universal standards, a main point for postcolonialist writers. However, just because Okonkwo is an inversion of the traditional tragic hero does not mean that the archetype cannot hold for cultures outside of Europe; instead, it merely means that archetypes can be modified to create more literary variety in the same way that novels written by Africans, Europeans, and other cultures introduce essential diversity into the literary
Achebe, Chinua. “An Image of Africa.” EXPLORING Novels. Online Detroit: Gale, 2003. Student Resource Center – Gold. Gale. Ascension Academy. 9 June 2008.
The one thing that Chinua Achebe believe is that cities, countries, or the whole world is ready to read a story about Africa and its people. Most people see Africa as one story, which is from the news on what they say about it. People does not even try to read about Africa, any authors just because one person says “Africa is barren and has cruel people.” Most Chinua Achebe’s novels have superstitious especially African people believes in supreme beings, spirits, and other divinities, use of magic, and traditional medicine. I think if people starts to read books about Africa, that there is more than cruel people and barren place but a beautiful cultures that have a lot to offer to the world.
In Chinua Achebe 's classic novel "Things Fall Apart," the development of European colonization 's lead to extreme cultural changes, leaving a lasting impact on the Igbo village of Umofia in West Africa. In the novel, Achebe displays the impacts of European colonization in both critical and sympathetic terms to provide the reader with both positive and negative factors of Imperialism to develop an unbiased understanding of what the Igbo culture and society went through. While addressing the hardship 's of life by showing the deterioration of Okonkwo 's character, the cultural and traditional changes of society, and the positive and negative impacts of imperialism, Achebe keeps touch on the overall theme of the novel, once a dramatic event
... middle of paper ... ... With Achebe?s words, we?re inclined to appreciate the Igbo culture in spite of it being different from our own. Achebe?s intention is not to justify western dominance over Africa, but to present Africa in such a way that we can respect it for its strengths and despite its weaknesses.
There has been notions and perceptions of the treatment or adaptation of African literature as a perception that Africa’s is a cultural body. It is referred by Chinua Achebe as a metaphysical landscape. This term refers to a geographical entity that has surpassed historical experiences. It is also this perception that also gave rise to Organisations of National Unity and also the African Union. Conferences such as the African Writers’ Conference that happened at the Makerere University in the year 1962 discuss the nature and argue the role played by African literature in the African context.
In 1958 Chinua Achebe published his first and most widely acclaimed novel, Things Fall Apart. This work-commonly acknowledged as the single most well known African novel in the world-depicts an image of Africa that humanizes both the continent and the people. Achebe once said, "Reading Heart of Darkness . . . I realized that I was one of those savages jumping up and down on the beach. Once that kind of enlightenment comes to you, you realize that someone has to write a different story" (Gikandi 8-9); Achebe openly admits that he wrote Things Fall Apart because of the horrible characterization of Africans in many European works, especially Heart of Darkness. In many ways, Chinua Achebe's Things Fall Apart can be seen as an Afrocentric rebuttal to the Eurocentric depi...
Postcolonial authors use their literature and poetry to solidify, through criticism and celebration, an emerging national identity, which they have taken on the responsibility of representing. Surely, the reevaluation of national identity is an eventual and essential result of a country gaining independence from a colonial power, or a country emerging from a fledgling settler colony. However, to claim to be representative of that entire identity is a huge undertaking for an author trying to convey a postcolonial message. Each nation, province, island, state, neighborhood and individual is its own unique amalgamation of history, culture, language and tradition. Only by understanding and embracing the idea of cultural hybridity when attempting to explore the concept of national identity can any one individual, or nation, truly hope to understand or communicate the lasting effects of the colonial process.
According to David Whittaker, Achebe’s work “proved to be an immensely influential work for African writers, becoming the progenitor of a whole movement of fiction, drama, and poetry, which focused on the revaluation of Africa’s history and cultures, and on representations of the culture conflicts that has their genesis in the colonial era.” This novel became a pivotal point of realization not only for Africa, but also for the world. All at once the world, afraid of what change may bring, pushed the same question to the back their mind: “What if we have it all wrong?” Suddenly, the culture of Africa was influencing the culture of America, Asia, Europe, Australia, etc. Achebe’s novel was a catalyst in the process of nationalist renewal and decolonization of African culture as a whole (Whittaker). A principle in this novel’s thematic course is the inter-generation conflict faced by not only the village as a whole, but also, on a microscopic level, in Okonkwo’s household. As the culture in Umuofia begins to shift, the predecessors of the current generation heavily rely on the cultural norms initiated by their father’s fathers. While tradition should be honored in a society, it should also be modified; this concept is not fully grasped by the older generations of