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Now and then character analysis
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With Boredom Comes Self-Entertainment and Life Changing Decisions
In John Updike’s fictional story A & P, the main character and protagonist of the story, 19 year old Sammy, is in a state of boredom during his developmental growth during his time at his dead-end job, The A & P, Such state of mind can be seen in three different main points within the story: judging the customers of the A & P through internal dialogue, Sammy’s observations of the young female customers, and Sammy ultimately leaving his job.
One example of how boredom is the central theme of this story is when Sammy starts judging customers through internal dialogue, such insults can be seen on the first paragraph of the story when Sammy is ringing up a customer, “I ring it
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She’s one of the cash register watchers, a witch in her fifties with rouge on her cheekbones and no eyebrows, and I know it made her day to trip me up. She’d been watching cash registers for fifty years and probably never seen a mistake before.” (Updike pg.32) Sammy begins by mentioning that she is a “cash register watcher[s]” meaning that this customer constantly tries to look for imperfections in the way that a cashier, in this case Sammy, goes about providing customer service. Sammy then continues by comparing the customer to “a witch in her fifties” and begins to describe her disfigured face. Sammy then goes on to describe her as someone who in fifty years of watching cashiers, her pent up aggression was let loose on the first cashier to slip up and make a mistake, which happened to be Sammy. Although the customer was not impressed by his service, Sammy doesn’t necessarily say how severe the encounter was and what “giving me hell” truly meant, thus leaving the possibility that it could have been a situation that was overdramatized in Sammy’s thoughts as a way to entertain himself from boredom. Another example of Sammy’s boredom induced judgements can be seen in the first sentence of the second …show more content…
Sammy then has an internal dialogue that takes sides with the girls and in a rebellion against the “policy” Lengel mentioned, regardless if the girls really had the same sort of rebellious spirit of Sammy or if they just stopped in to or from a beach and trying to avoid confrontation and hoping to leave soon. As the girls leave the convenience store Sammy yells “I quit” as if the girls symbolized freedom from his boring dead-end job, hoping that the girls will take him with them and help him run away from the day to day “cash register watcher” routine; feeling that he was too young to work that hard, too young to die that fast. While Sammy was preparing to leave the store “Lengel sighs and begins to look very patient and old and gray. He’s been a friend of my parents for years. ‘Sammy you don’t want to do this to your mom and dad,’ he tells me. It’s true, I don’t. But it seems to me that once you start a gesture, it’s fatal not to go through with it. I fold the apron, ‘Sammy’ stitched on the red pocket, and put it on the counter, and drop the bow tie on top of it.” (pg. 432) at this point Sammy is threatened by Lengel’s blackmail, but isn’t faced by it and proceeds to drop his uniform, symbolizing his growth from the small convenience store. As Sammy walks through the door of the A & P he turns around and sees Lengel’s face, “His face was dark gray
At first glance, Sammy, the first-person narrator of John Updike's "A & P," would seem to present us with a simple and plausible explanation as to why he quits his job at the grocery store mentioned in the title: he is standing up for the girls that his boss, Lengel, has insulted. He even tries to sell us on this explanation by mentioning how the girls' embarrassment at the hands of the manager makes him feel "scrunchy" inside and by referring to himself as their "unsuspected hero" after he goes through with his "gesture." Upon closer examination, though, it does not seem plausible that Sammy would have quit in defense of girls whom he quite evidently despises, despite the lustful desires they invoke, and that more likely explanations of his action lie in his boredom with his menial job and his desire to rebel against his parents.
Sammy’s point of view of conformity changes from passive to active which shows the growth of his character. Updike chooses a 19-year-old teenager as the first narrator. As a teenager, Sammy’s personal value is still developing and he is not fully shaped by the conformity, which suggests his quitting later in the story. Although Sammy’s perspective is unreliable since his thoughts are limited by his age, he gives readers a naiver perspective of the society. He simply considers the customers as “sheep” or followers when he works in A&P, such as: “The sheep pushing their carts down the aisle” (748). However, before he saw the girls, he was part of the conformity. He silently mocks the people being conservative, but does not show any rebuke against
He leaves, with a clean consciousness, but the burden of not knowing what the future has in store. This story represents a coming-of-age for Sammy. Though it takes place over the period of a few minutes, it represents a much larger process of maturation. From the time the girls enter the grocery store, to the moment they leave, you can see changes in Sammy. At first, he sees only the physicality of the girls: how they look and what they wear, seem to be his only observations.
The boss, Lengel, seems to think that he has authority over Sammy, which he kind of does being the boss and everything. Sammy knows that Lengel thinks he is the big man, Sammy says, “I forgot to say he thinks he’s going to be manager some sunny day, maybe in 1990 when it’s called the Great Alexandrov and Petooshki Tea Company or something”(371). This is where the story gets more complex; since Lengel thinks he is the big boss, he decides that he wants to say something to the girls about being in their bathing suits. The girls were only in the store to pick up one thing for “Queenie’s” mother, but from Sammy’s point of view, it seems as if Lengel just wanted to show that he is higher up than the other workers. Sammy thinks that Lengel disrespected the girls by telling them that they need to wear clothing the next time they came into the store, and this made Sammy mad; Sammy wanted to look like a hero of sorts to the girls and quits his job on the spot in hopes that the girls would hear him and know that he did it for
In his short story "A & P" John Updike utilizes a 19-year-old adolescent to show us how a boy gets one step closer to adulthood. Sammy, an A & P checkout clerk, talks to the reader with blunt first person observations setting the tone of the story from the outset. The setting of the story shows us Sammy's position in life and where he really wants to be. Through the characterization of Sammy, Updike employs a simple heroic gesture to teach us that actions have consequences and we are responsible for our own actions.
Lust makes people do crazy things. John Updike’s short story “A&P” provides a perfect example of how lust made a boy quit his job. In this short story, a boy, named Sammy, catches a glimpse of three under-dressed, attractive girls as they enter his workplace. The manager asks the three girls to leave. As a result, Sammy is outraged by the mistreatment of the girls and quits his job in protest. Sammy’s stand against the mistreatment of the girls makes him feel like a hero. Updike’s use of descriptive words and dramatic irony in “A&P” leads the reader to believe that Sammy’s heroic acts were not actions with rebellious intentions, but actions due to his lust for the three under-dressed girls.
The beginning of “A & P” starts with the main character, Sammy, at work when three girls in nothing but bathing suits walks in. According to Lawrence Dessner, the A & P check out counter showed Sammy a sample of insult and indignity of ordinary people (317). He may not have liked the people that shopped there, but he received insight of the real world. A woman that was currently at Sammy's counter was middle aged and brought Sammy no sympathy to the shoppers; he sometimes mention them as sheep. His names of the shoppers also include insight of Sammy's view of the ordinary shoppers; Sammy did not care much for others.
In, “A&P,” Updike depicts an unusual day for Sammy working in the A&P store. Sammy’s days are usually mundane but his day is changed when a group of scantily dressed girls walk into the store and they leave an everlasting influence on his life. Updike’s demonstrates these events through colloquial language and symbolism, allowing the reader to connect with Sammy and see his growth as a character.
On the other hand Sammy feels that Lengel was wrong for his actions and tells him that he is quitting. In this he is trying to take up for the girls.
John Updike’s “A&P” is a short story about a nineteen year old boy during the 1960’s that has a summer job at the local A&P grocery. The main character in the story, Sammy, realizes that life isn’t always fair and that sometimes a person makes decisions that he will regret. Sammy sees that life doesn’t always go as planned when three young girls in bathing suits walk in and his manager Lengel gives them a hard time, and he comes to term with that sometimes you make bad decisions.
Sammy is stuck in that difficult transition between childhood and adulthood. He is a nineteen-year-old cashier at an A&P, the protagonist in a story with the same name. John Updike, the author of "A&P," writes from Sammy's point of view, making him not only the main character but also the first person narrator. The tone of the story is set by Sammy's attitude, which is nonchalant but frank--he calls things as he sees them. There is a hint of sarcasm in Sammy's thoughts, for he tends to make crude references to everything he observes. Updike uses this motif to develop the character of Sammy, as many of these references relate to the idea of "play."
The story unfolds when, “Lengel, the store’s manager” (2191) confronts the girls because they are dressed inappropriately. To Sammy, it is a moment of embarrassment and in defiance he quits his job. The student suggests that in quitting, “Sammy challenges social inequality and is a person who is trying to
In John Updike’s short story, A&P the writer takes you on a youths memory that involves the choices and consequences that life can deal to anyone who has not had time to test a rash decision. The narrator is an immature nineteen-year-old cashier who is about to make a giant leap from adolescence to manhood. Sammy narrates with opinions of not only his life, but also the people in the town. Sammy opposes with the way these people live their lives, and is determined to set a different course for his future. The author uses characterization, symbolism, and setting to explain Sammy's life issues such as decision-making, result of action, and responsibility. The story illustrates that part of growing up is about making choices and a willingness to accept consequences of one’s own choices.
...p and you are not happy with where you are in life, and truly want a change. With Sammy he always wanted to quit but never had the guts to stand-up and go through with it, mostly cause he did not have that free thinking mentality like the girls. Even though when he finally did walk out of the store and the girls were not there, he had no idea what was next in life, but he did know that he was free to make his own decisions. Sammy no longer had to take Mr. Lengel’s nonsense, or stick around and watch Stocksie become manger. This was his time to stop being a push over and pave the path to his own future. His parents may have been upset, but this gave him an opportunity to stand up for his own actions and be confident in his choices he had made, regardless if they were for the right or for the wrong. Sammy was able to press forward and start a new chapter in his life.
John Updike's A&P provides numerous perspectives for critical interpretation. His descriptive metaphors and underlying sexual tones are just the tip of the iceberg. A gender analysis could be drawn from the initial outline of the story and Sammy's chauvinism towards the female. Further reading opens up a formalist and biographical perspective to the critic. After several readings I began seeing the Marxist perspective on the surreal environment of A&P. The economic and social differences are evident through Sammy's storytelling techniques and even further open up a biographical look at Updike's own view's and opinions. According to an essay posted on the internet Updike was a womanizer in his own era and displayed boyish immaturity into his adulthood. A second analysis of this story roots more from a reader-response/formalist view. Although Sammy centered his dramatization around three young females, more specifically the Queen of the trio, it was a poignant detailed head to toe description of scene. I'll touch on that later.