Throughout the novel Their Eyes Were Watching God, main character Janie Crawford is forced to make many internal decisions that render into external actions. Zora Neale Hurston portrays these internal decisions with the sense of excitement, suspense, and the use of climax in order to create lasting and significant events.The decisions to leave her first husband, stand up to Joe, and ultimately end Tea Cake’s life are pushed by Janie’s own thoughts and actions.
Up until the time when Janie is married off to Logan Killicks, she does not get to make many of her own decisions. Her life is mainly dictated by her grandmother. Her first real decision is to leave Logan for Joe Starks. Many events lead up to this decision. Janie was never happy with her life with Logan, and was just looking for an excuse to leave. On page 27, Janie purposely jerks the water handle to get Joe’s attention. From that moment, Hurston creates a sense of excitement for the reader who does not know how the whole ordeal will turn out. Then, they began meeting every day in secret, which is exciting in itself. To top it off, Joe asks her to take off and get married with him. That is when the internal decision-making begins, “Janie debated the matter in bed that night.”(page 30) She wakes her husband, Logan, and asks, “S’posin Ah wuz to run off and leave yuh sometime.”(page 30), and after an argument that morning, her mind has been set; she will run away with Joe Starks. All of this is very exciting, it
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The most significant events, the deaths of two husbands and the leaving of another, are considered by Janie until an external action is forced upon. Even though the reader may not agree with these decisions and actions, they can respect them due to Hurston’s use of elements including suspense, climax, and
Janie does so by choosing her new found love with Joe of the security that Logan provides. Hurston demonstrates Janie's new found ‘independence’ by the immediate marriage of Joe and Janie. Janie mistakenly chooses the pursuit of love over her pursuit of happiness and by doing so gave her independence to Joe, a man who believes a woman is a mere object; a doll. By choosing love over her own happiness Janie silences her voice. The realization of Janie's new reality is first realized when Joe states, “...nah wife don’t know nothin’ ‘bout no speech-makin’. Ah never married her for nothin’ lak dat. She’s uh woman and her place is in de home()" Joe is undermining Janie, cutting short any chance for Janie to make herself heard. Joe continues to hide Janie away from society keeping her dependent and voiceless. As Janie matures, she continues to be submissive to her husband, “He wanted her submission and he’d keep on fighting until he felt he had it. So gradually, she pressed her teeth together and learned to hush (71).” Though Janie ‘learned to hush’, and suppress herself, Janie still urges for her voice. When the opportunity came for Janie to reclaim her voice, "But Ah ain’t goin’ outa here and Ah ain’t gointuh hush. Naw, you gointuh listen tuh me one time befo’ you die. Have yo’ way all yo’ life, trample and mash down and then die ruther than tuh let yo’self heah ‘bout
Oprah Winfrey mutilated the classic novel, Their Eyes Were Watching God written by Zora Neale Hurston by turning the movie into a story with no resemblance to the book. Throughout Janie Crawford’s life, love is a dream she wished to achieve. Oprah makes changes to Janie’s character, her marriages, and the differences of symbolism, the change of themes, and the significance of Janie’s childhood which will alter the entire moral of the story. Another difference is the way the townspeople gossip. Oprah changes the point of Janie’s life journey to find herself to a love story.
In Zora Neale Hurston’s novel, Their Eyes Were Watching God, the main character, Janie, struggles to find herself and her identity. Throughout the course of the novel she has many different people tell her who she should be and how she should behave, but none of these ideas quite fit Janie. The main people telling Janie who she should be is her grandmother and Janie’s 3 husbands. The people in Janie's life influence her search for identity by teaching her about marriage, hard work, class, society, love and happiness. Janie's outlook on life stems from the system of beliefs that her grandmother, Nanny, instils in her during her life.
In Zora Neale Hurston’s “Their Eyes Were Watching God” and “Sweat,” Hurston uses the characters Janie Crawford and Delia Jones to symbolize African-American women as the mules of the world and their only alternative were through their words, in order to illustrate the conditions women suffered and the actions they had to take to maintain or establish their self-esteem.
The author also vividly expresses that Janie has been through hard times and still managed to make it through because she is strong of mind and heart. Hurston’s sympathy seems to be coming out of admiration as well as affirmation.
The movie and the book of Their Eyes Were Watching God both tell the story of a young woman’s journey to finding love; however, the movie lacks the depth and meaning behind the importance of Janie’s desire for self-fulfillment. Oprah Winfrey’s version alters the idea from the book Zora Neale Hurston wrote, into a despairing love story for the movie. Winfrey changes Hurston’s story in various ways by omitting significant events and characters, which leads to a different theme than what the novel portrays. The symbolisms and metaphors emphasized throughout the book are almost non-existent in the movie, changing the overall essence of the story. While Zora Neale Hurston’s portrayal gives a more in depth view of Janie’s journey of self-discovery and need for fulfilling love, Oprah Winfrey’s version focuses mainly on a passionate love story between Janie and Tea Cake.
Janie finds her way out when Joe Starks appears. The first thing Joe does after asking for a drink of water is to name himself: "Joe Starks was the name, yeah Joe Starks from in and through Georgy" (47). Hurston's naming of Starks is ironic for several reasons. The word stark is often used as a synonym for barren, and Joe Starks and Janie never have any children. Hurston hints at sexual problems that develop between the pair because of their separate beds and Janie's eventual verbal "castration" of Joe in the store. Starks's name is also ironic because of his focus on capitalistic pursuits. Starks's wealth gives him a false sense of power because the townspeople resent him and the things he does to gain his wealth. Starks's name could also be seen as a comment on his desire to be a "big voice." As Janie eventually finds out, there is not much behind the big voice; it is a facade for the starkness inside Joe.
In Their Eyes Were Watching God, Zora Neale Hurston portrays the journey of Janie Crawford as an African American woman who grows and matures through the hardships and struggles of three different marriages. Although Janie is an African American, the main themes of the novel discusses the oppression of women by men, disregarding race. Janie gets married to three different men, aging from a young and naive girl to a mature and hardened women near the age of 40. Throughout the novel, Janie suffers through these relationships and learns to cope with life by blaming others and escaping her past by running away from it. These relationships are a result of Janie chasing her dreams of finding and experiencing true love, which she ultimately does in the end. Even through the suffering and happiness, Janie’s journey is a mixture of ups and downs, and at the end, she is ultimately content. Zora Neale Hurston utilizes Janie’s metaphorical thoughts and responses of blame and escape, as well as her actions towards success and fulfillment with her relationship with Tea Cake, to suggest that her journey
After the negative impact of Janie’s relationship with Logan, she ran off with Jody because he promised her that she would not have to work. These promises were not successful which caused Janie to regret her relationship with Jody. Hurston was able to change the relationship between Janie and Jody by using descriptive diction, imagery, and tone.
Though Janie had three marriages in total, each one drew her in for a different reason. She was married off to Logan Killicks by her Grandmother who wanted her to have protection and security. “Tain’t Logan Killicks Ah wants you to have baby, its protection.” (Hurston 15) says Janie’s grandmother when Janie said she did not want to marry Logan. Though Janie did not agree with her grandmother, she knew that she just wanted what’s best for her. Next, she married Joe Starks, Janie was unsatisfied with her marriage to Logan so Joe came in and swept her off her feet. Janie did not like the fact that Logan was trying to make her work, so Joe’s proposition, “You ain’t never knowed what it was to be treated like a lady and ah want to be de one tuh show yuh.” (Hurston 29) was too good to pass up, so she left Logan and married Joe. Janie’s last marriage was to Tea Cake. Fed up after having been treated poorly by Joe, Janie finally found someone who liked her for who she was. “Naw, ...
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
One of the underlying themes Zora Neale Hurston put in her book, Their Eyes Were Watching God was feminism. Hurston used each of Janie’s three marriages to represent Janie moving closer to her liberation and freedom from male dominance. She finally found her liberation and became truly independent after graduating from her final relationship with Tea Cake by killing him.
As the novel begins, Janie walks into her former hometown quietly and bravely. She is not the same woman who left; she is not afraid of judgment or envy. Full of “self-revelation”, she begins telling her tale to her best friend, Phoeby, by looking back at her former self with the kind of wistfulness everyone expresses when they remember a time of childlike naïveté. She tries to express her wonderment and innocence by describing a blossoming peach tree that she loved, and in doing so also reveals her blossoming sexuality. To deter Janie from any trouble she might find herself in, she was made to marry an older man named Logan Killicks at the age of 16. In her naïveté, she expected to feel love eventually for this man. Instead, however, his love for her fades and she beco...
With a second delve into Janie’s extensive journey, Hurston presents more than solely self-love’s value over partner-love. She also gushes over the notion of self-love being an expansive journey one must embark on. Instead of a fortune cookie reject to be smiled at and subsequently rebuffed, Hurston opts for Janie’s quest itself to scream an all-embracing expedition of foolish trial and often smashing error, an imperfect odyssey fundamentally designed to test and spurn failure more often than success, as loving oneself merely cannot be learnt instantly, rather gradually developed in bite-sized pieces over years, coming with both defeat and triumph alike. “You got tuh go there tuh know there”, (226) and every single story beat Janie painstakingly
Janie’s first attempt at love does not turn out quite like she hopes. Her grandmother forces her into marrying Logan Killicks. As the year passes, Janie grows unhappy and miserable. By pure fate, Janie meets Joe Starks and immediately lusts after him. With the knowledge of being wrong and expecting to be ridiculed, she leaves Logan and runs off with Joe to start a new marriage. This is the first time that Janie does what she wants in her search of happiness: “Even if Joe was not waiting for her, the change was bound to do her good…From now on until death she was going to have flower dust and springtime sprinkled over everything” (32). Janie’s new outlook on life, although somewhat shadowed by blind love, will keep her satisfied momentarily, but soon she will return to the loneliness she is running from.