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The Use of Tone and Metaphors in Marks by Linda Pastan
Linda Pastan?s poem ?Marks? is unusual because it addresses the frustrations of a typical
housewife. Few people consider being a wife and mother a full-time job in itself, and it is not
uncommon for a woman who plays both of these roles to feel overworked and unappreciated.
What is unusual about Pastan?s poem is the way she effectively conveys these sentiments by the
use of metaphors, tone, and informal diction.
The speaker?s attitude is one of indifference, and this is made apparent by the metaphors she
uses to compare her family?s regard for her duties as a wife and mother to school grades. The
poem opens with, ?My husband gives me an A for last night?s supper, an incomplete for my
ironing, a B plus in bed. My son says I am average...?. There is no emotion used in these lines, as
if the speaker wishes to convey to the reader that she is so tired of serving others that she does
not have time to consider her own personal feelings. She may believe that she is constantly being
evaluated, and the fact th...
The poem is written in the style of free verse. The poet chooses not to separate the poem into stanzas, but only by punctuation. There is no rhyme scheme or individual rhyme present in the poem. The poems structure creates a personal feel for the reader. The reader can personally experience what the narrator is feeling while she experiences stereotyping.
The title of the short story, “Four Directions” is symbolic for Waverly’s inner misconceptions. As she goes about her life, she is pulled in different ways by her past and her present. She is torn between her Chinese heritage and her American life. She never thought that instead of being pulled in four directions, she could take all of her differences and combine them. In the end she realizes this with the help of her mother. “The three of us, leaving our differences behind...moving West to reach East” (184), thought Waverly. Her whole life she misconceived her mother’s intentions. Lindo never wanted Waverly to solely focus on her Chinese heritage, but rather combine it with her new American ways. The idea of being pulled in four
Tatiana de Rosnay used different literary tools to assist her writing in order to deepen the story, including figurative language, dramatic irony, and foreshadowing. The use of figurative language helps to clarify a description in order to place an image in the mind of the reader. Similes are the main type of figurative language used throughout Sarah’s Key, allowing the reader to see what is happening. Many images conjured up make comparisons as a child would make them, as much of the story concerns the innocence of a child, such as “[t]he oversized radiators were black with dirt, as scaly as a reptile” (Rosnay 10) and “[t]he bathtub has claws” (Rosnay 11). Other descriptions compare Sarah, and Zoe, to a puppy, a symbol of innocence, as children are known to be
Lastly, Alexie sets forth a particular structure and form in this poem. The stanzas are
She begins to speak directly to the reader, getting them to realize that even though they have read her thoughts, they do not quite understand them. She tells the reader they are
to the powerful imagery she weaves throughout the first half of the poem. In addition, Olds
This shows the reader the creativeness in how she put together her chapbook. She did not stay in the conventional mode and snuck a subtle final poem into her piece of art. There were many times as I read through her words that I would utter to myself sounds of astonishment as I was taken aback by the brashness
complication, In adapting to a new land. Julia create her poem in a outwardly form to point out
In her poem entitled “The Poet with His Face in His Hands,” Mary Oliver utilizes the voice of her work’s speaker to dismiss and belittle those poets who focus on their own misery in their writings. Although the poem models itself a scolding, Oliver wrote the work as a poem with the purpose of delivering an argument against the usage of depressing, personal subject matters for poetry. Oliver’s intention is to dissuade her fellow poets from promoting misery and personal mistakes in their works, and she accomplishes this task through her speaker’s diction and tone, the imagery, setting, and mood created within the content of the poem itself, and the incorporation of such persuasive structures as enjambment and juxtaposition to bolster the poem’s
I do not know how without being culpably particular I can give my Reader a more exact notion of the style in which I wished these poems to be written, than by informing him that I have at all times endeavored to look steadily at my subject; consequently, I hope that there is in these Poems little falsehood of description, and my ideas are expressed in language fitted to their respective importance. Something I must have gained by this practice, as it is friendly to one property of all good poetry, namely, good sense; but it has necessarily cut me off from a large portion of phrases and figures of speech which from father to son have long been regarded as the common inheritance of Poets.
The essence of this poem is the author’s mastery of sound and rhythm and his excellent use of figurative language. Richard Wilbur purposely chose words that have few a syllables and require little to no change in mouth size and tongue movements to appease to the reader when read aloud. There is an ABAB rhythm scheme
The speaker begins the poem an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite). Through her use of the words “dreamed”, “sweet women”, “blossoms” and
thinks that she has to stand up for herself all of the time and this
Linda Pastan and Larry Levis are both are fitting into the American literary tradition. Linda Pastan has also reputation determined upon the subject through short poems, such as family life, domesticity, motherhood, the women's experiences, death, aging, fear of loss and the loss of life and well-known vulnerabilities create a relationship (Linda Pastan poems), while Larry Levi’s poems are short and shaped by his own instincts or his imagist gesture of Surrealism (Wakoski). Levi's continues to develop and mature as a poet during the 1980s. He uses his poetry and imagination to find the symbol and this influences the lives of others (Wakoski). In selecting Larry Levis’s the poem “Winter Stars” and Linda Pastan’s the “The Obligation to be happy”,
are good. “Yes, I was swayed by duty and consideration for others; that was why I