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Character analysis of winston in 1984
Character analysis of winston in 1984
Character analysis of winston in 1984
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Orwell uses imagery with elements of nature throughout the entirety of 1984. Nature is used in this novel often to convey a sort of tranquility, stemming from Winston’s desire to be free of the party. In Winston’s Golden Country, nature is used to signify the breaking of the party’s totalitarian ways; the Red Prole Woman representing his hope for a free future, and the Coral Paperweight representing his hope grasping a freer past. Winston’s and Julia’s meeting in the woods signifies breaking the totalitarian ways of the party. Here Winston feels free from observation, and gets a glimpse of the freedom that the party opposes. It is a place for lovemaking, a utter horrendous crime in their state. Here there are only Winston’s and Julia’s eyes, …show more content…
These bushes signify the Party’s need for observation and control; an unknowing person would pay no mind towards them, however they ironically are hiding a place free from the Party’s rule. Julia forces the bushes open, though there had seemed to be no opening. Through the bushes is a “natural clearing, a tiny grassy knoll surrounded by tall saplings that shut it in completely” and in this clearing, Julia and Winston are free from the watch of the party; shut in completely from the outside world with complete and utter freedom. Winston strangely recalls the place in which he meets Julia as the Golden Country recurring in his dreams, a place in which he describes with a sense of solitude. In his dream the …show more content…
The red-armed prole woman outside Mr. Charrington's shop is a huge symbol in the novel. She is described as a woman “roughened by work till it was coarse in the grain like an overripe turnip”, her body “like a block of granite”. In Chapter 10 Winston gazes upon her and has “the feeling that the sky had been washed too”, describing her hard work ethic. Winston suddenly comes to the realization that this woman is beautiful because she is free, working relentlessly with her tough but worn body and singing for the world. He sees her as the future of Oceania, as hope for freedom, her built body a catalyst for the future generations of rebelling proles. She “bore the same relation to the body of a girl as the rose-hip to the rose” and imaged “swollen like a fertilized fruit” when pregnant, in which Winston directly alludes to her ability of bearing children through the imagery of flowers. Winston asks himself this question “Why should the fruit be held inferior to the flower?” as well, showing Winston’s understanding that people are becoming more and more inferior than their previous generations because of the Party. The flower imagery here also is a symbol to her child bearing ability and with this imagery used with the context that generations are becoming more inferior, it cleverly alludes to Winston and Julia seeing her as a birthgiver of rebels. Afterwards he asks Julia if she remembers the thrush that
Diction: While George Orwell used fairly simple and uncomplicated diction to tell the story many of his words still have a very powerful diction. In the first chapter the protagonist Winston is attack by the smell of “boiled cabbage and old rag mats”. This is the first indication to the nature of the living conditions of our protagonist. However, Orwell also uses his diction to create the atmosphere of Oceania with lines like “the world looked cold. Down in the street little eddies of wind were whirling dust and torn paper into spirals, and though the sun was shining and the sky a harsh blue, there seemed to be no colour in anything”. These lines contain powerful words like cold, torn, and harsh and these worlds help paint the picture of what kind of story we are reading.
In “1984,” Orwell uses Winston to portray a single individual’s attempt to take action against a powerful government, culminating in his failure and subjugation. His individual efforts failed tremendously due to the overarching power of the Party to control every aspect of social life in Oceania. Orwell uses Winston’s deeply seated hatred of the Party to portray his views on power and social change. Winston’s actions show that even in the direst of situations ...
In the book Fahrenheit 451 by Ray Bradbury, there are many themes, symbols, and motifs that are found throughout the novel. For my journal response, I have chosen to discuss nature as a prevalent symbol in the book. The main character, Montag, lives in a society where technology is overwhelmingly popular, and nature is regarded as an unpredictable variable that should be avoided. Technology is used to repress the citizens, but the oppression is disguised as entertainment, like the TV parlour. On the opposite end of the spectrum, nature is viewed as boring and dull, but it is a way to escape the brainwashing that technology brings. People who enjoy nature are deemed insane and are forced to go into therapy. Clarisse says “My psychiatrist wants to know why I go out and hike around in the forests and watch the birds and collect butterflies,” (Bradbury 23) which shows she is a threat to the control that the government has put upon the people by enjoying nature.
Winston expresses his feelings towards Julia in such an extraordinary way, “He would flog her to death with a rubber truncheon. He would tie her naked to a stake and shoot her full of arrows.”(Orwell 15). When he is expressing these thoughts, he is actually talking about someone he was actrate to, Winston just had no way of expressing it besides anger. He sees this beautiful young girl, who has made this vow its remain pure and chaste and he just wants to kill her because of how frustrated about it. Although late in the book, who these same two people are alone in a place without worry, everything is different, for example “You are prepared, the two of you to separate and never see one another again. ‘No!’ broke in Julia….’No,’ he said finally.” (Orwell 173) This second moment gives us a definite second opinion about how he may actually feel towards Julia. When they are both in a safe place, and can freely state and do they things they wish to do, Winston does show that he cares for Julia, enough that he does not want to leave her. I believe that these two different feelings show us that even with the body trying to control how people feel, what they do, along with what they think they never get to have complete control of
Winston felt like sex was a rebellion. He is drawn to his lover Julia because
By removing the stimulus of sex, the Party members are then given more opportunities to devote their loyalties to Big Brother. This influence is made evident in Winston’s reactions to Julia. Her “white and smooth” body “aroused no desire in him” (32). The Party has trained its members to become unresponsive to romantic feeling. The stigma of sex has been altered to such a degree by the Party that Winston views sex as an almost political act since it has become so closely related to Big Brother. In order to ensure true devotion to the Party, romantic connections are forbidden because becoming involved in such a relationship would mean devotion to another person other than Big Brother, and is therefore considered a threat to the Party’s power. Despite Winston’s relationship with Julia, he ultimately abandons his ties to her over his ‘love’ of Big Brother - thus his connection with Big Brother replaces his romantic
However, he secretly harbours resentment toward these policies due to his desire to retain his individuality and character. This is evident when he goes against the law by purchasing a diary and writing the statement, “Down with Big Brother”, the person leading his government. In many parts of the book, he uses his diary to express his views on the flaws of his government. This reinforces his desire to be independent and attempt to maintain his character. Thus, it allows him to stray away from his responsibility of being a lawful citizen. Another instance of him attempting to retain his character and individuality is when he engages in sex with Julia on numerous occasions in the grove and in the room rented from Mr. Charrington. In the general, sex is a powerful symbol which represents the essence and vigour of humanity. It is tied with individuality since it allows a human being to experience pleasure and the emotions an individual experience make them unique. Thus this allows Winston and Julia to be different from their comrades. Therefore, this allows average individuals to attempt to maintain their independence and their
The totalitarian government in 1984, The Party, regards love and sex as, “a blow struck against the Party. It was a political act,” it is an act that aims to change the social order of the Party, which may eliminate Big Brother‘s influence. Therefore, during the torture of the rebel protagonist Winston, The Party forces him to betray his lover, Julia to eradicate feelings of love for anyone that is not Big Brother. Winston is threatened with his biggest fear - rats - and during the torture he pleads, “do it to Julia… I don’t care what you do to her.” Rats are significant because they could be a metaphor for The Party’s influence. O’Brien - Winston’s torturer, explains that rats will “strip [children] to the bone… They show astonishing
To accomplish this, Orwell utilizes the theme of individuality versus tyranny, foreshadowing, and irony, in order to fully extract all possible motives behind Winston’s actions.Many countries, such as the United States, are founded on principles of individuality reigning over tyranny, more specifically, the freedom of choice. However, in the futuristic Oceania, run by “Big Brother”, such freedom and individuality is, for the most part, completely suspended. To act impulsively, or choose to oppose Big Brother, is a “thoughtcrime” of dire consequence. This is the basis behind the Inner Party’s control of Oceania. Winston however, from the commencement of the novel, showed that he was not willing to conform to such a tyrannical society. From his writing “DOWN WITH BIG BROTHER” in his diary as the novel opened, to his relationship with Julia, which was considered sexcrime in Oceania, Winston proved his thoughts were antiparallel to those of the Inner Party.
From the beginning of this story, it is shown how important Julia, or the girl with dark hair, is going to be in the life of Winston Smith. Although his feelings towards her are less than friendly, he explains only one reason for really disliking her. It is stated, “He hated her because she was young and pretty and sexless, because he wanted to go to bed with her and
Love is an underlying theme in the novel. Love can be seen as nonexistence in this totalitarian society. The marriage between Winston and Katherine was a disastrous one because they were only married for fifteen months and they can n...
In the classic novel, 1984, George Orwell uses powerful symbolism in order to bring significant meaning to objects and phrases that reoccur throughout the novel. The telescreen, “Big Brother”, the glass paperweight, St. Clement Dane’s church, wine, and “the place where there is no darkness” are all symbols Orwell has constructed in order to prove his main point about the horrors of a totalitarian society, like Oceania.
In the novel Fahrenheit 451 by Ray Bradbury, the use of animal and nature imagery develops the theme that nature is always present and needed for the survival of humans, just as knowledge is a necessity to thrive as a society. Without knowledge, society cannot learn and develop.
In the 2nd part of 1984 Winston is meets a girl named Julia. At first Winston believes Julia will turn him in for committing Thought Crime. Then Julia passes Winston a note and they meet each other. The Party also does not allow association that is not goverernd. This is the start of an affair between the two, because they are not married and free love is not allowed. Winston is rebelling fully by his association with Julia. The 2nd section Winston fully rebels, he joins an underground resistance, and he believes that his life is better because The Party is no longer controlling him. At the end of this section Winston learns that he has been set-up and followed by the Thought Police the whole time. He and Julia believed that they were resisting and rebelling but had actually been entrapped by the Thought Police.
The coral paperweight Winston Smith purchases at Mr. Charrington’s junk shop serves as a dominant symbol in George Orwell’s 1984. At first, the coral paperweight simply acts as a useless object but eventually comes to represent a multitude of themes, characters, and relationships. The coral paperweight primarily symbolizes Winston’s past yet comes to foreshadow his future.