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Woman oppresion in literature
Portrayal of women in literature
Sociological perspectives on divorce
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Rose’s weakness and Waverly’s past wounding manifest problems in their marriages; however, addressing the root of their issues alongside their mothers, both women are able to solve their problems. Sharing a lack of sturdy fiber, or wood, with her mother, Rose has been told from a young age to stand beside An-mei or she will “grow crooked and weak” (191). Her rejection of this simple wisdom causes the forewarned weaknesses to bleed into her marriage where being a ‘pushover’ is a primary cause for her divorce. Lacking decision making experience, she is a child trying to make sense of the murky waters she has been thrown into - for the first time - without guidance. Comparatively, Waverly was a chess champion as a child who - after quitting in
Just as the title states; “Family Affair”, this story is about a family vacation, but there is someone that is not apart of the Carlton family, Joe Whitlock. Whitlock is not only an uninvited companion to their vacation, but also a criminal who escaped from jail and is on the run. He is a determined, suspicious and fearless man, that they only find out is an escaped prisoner thanks to their young son.
The angry tone of Wollstonecraft’s “Vindication of the Rights of Women” significantly contrasts with the cautionary tone of Austen’s “On Making an Agreeable Marriage,” seeking to reform society rather than guide people to live in that society. When Austen describes the drawbacks of loveless marriage, she writes that “Anything is to be preferred or endured rather than marrying without affection” (Austen 72-73). Austen uses “preferred” and “endured” to warn her niece against marrying too quickly, creating a cautionary tone. Moreover, “anything” emphasizes the miserableness of a marriage without affection, beseeching Austen’s niece to verify her love before diving headfirst into a marriage. In contrast, when demonizing the education system, Wollstonecraft
Francis Macomber is a middle age man that is good at court games such as: tennis or squash, competitions where there are set standards and rules for play. Also, there are confined areas of play for his games. He is quite wealthy and some say handsome which add to Francis masculinity. His wife on the other hand does not think that much of him and thinks of him as a coward. Margot on the other hand his “beautiful wife”, whom really does not like Francis but stays with him anyway. She cheats on him and despises, basically because he married her only for her looks. Margot on the other hand is part responsible for the same thing because she only married him for his money. They are both stuck in a situation because they both married for the wrong reasons. Their gender roles are sort of fighting against each other because she doesn’t care about the relationship and cheats; and he tries to prove that he is a man and yet fails because he tries too hard. Masculinity is something that Margot and others at the Safari think it is an aspect of manhood that Francis lacks.
Curley’s wife is a beautiful woman, whose blossoming with love, with big hopes for the future. She dreams of becoming a big actress n Hollywood. She wants to become rich and famous, and have nice cloths. She wants to make something from her life. Because of her beauty she was promised great things. But in reality her dreams never came true, the letters she awaited never came, the promises that were maid to her were never fulfilled. “Could’ve been in the movies, an’ had nice clothes”. She refused to stay where she would be a nobody. “Well, I wasn’t gonna stay no place where I couldn’t get nowhere or make something of my life”. So one night she meat Curley at the Riverside Dance Palace, and she married him, he became her ticket out from her desperate life. She never married him out of love and passion just of desperation. “I don’t like Curley. He aint a nice fella”.
Tan explained the feelings of Waverly through an important symbolic imaginary chess game as she wrote, “My white pieces screamed as they scurried and fell off the board one by one. As her men drew closer to my edge, I felt myself growing light” (508). This showed how Waverly felt about the relationship with her mother and how she was losing the battle. The conflicts were important especially to the theme, for the conflicts shown where the lack of understanding came from and how it can be resolved.
...ouse wives, and mothers who are fragile and insignificant. Instead, she is to remain in a “closed pot” (228), just as she is expected to do. As a result, she cries at the truth that she will always be reminded, that she is a “weak” and “useless” woman, which only increases her frustrations and dissatisfactions about her marriage (238).
Rose Mary is a selfish woman and decides not to go to school some mornings because she does not feel up to it. Jeannette takes the initiative in making sure that her mother is prepared for school each morning because she knows how much her family needs money. Even though Rose Mary starts to go to school every day, she does not do her job properly and thus the family suffers financially again. When Maureen’s birthday approaches, Jeannette takes it upon herself to find a gift for her because she does not think their parents will be able to provide her with one. Jeannette says, “at times I felt like I was failing Maureen, like I wasn’t keeping my promise that I’d protect her - the promise I’d made to her when I held her on the way home from the hospital after she’d been born. I couldn’t get her what she needed most- hot
A resistance to understanding others causes the residents of Cloudstreet to harbour grudges, drawing out the suffering of both parties. Rose’s bitter resentment of Dolly proves to be unwavering, having lasted for over a decade. This extreme dislike leads Rose to labelling her mother a “drunken slut” and ignoring her assertion that “[Rose] shouldn’t hate [her]”, the limited of empathy and and callous judgement compounding the misery of both Rose and Dolly, additionally shielding Rose from any hint of Dolly’s shameful family lineage. The inability of Rose to forgive her mother for stealing her “childhood” and “innocence”, sabotages any chance of Rose assuaging her torment, lengthening Rose’s period of anguish for her grim upbringing and further complicating the recovery from such distress. Cloudstreet conveys the difficulty of eliminating and resolving despair, particularly when the challenge of reconciliation is involved.
The author zooms in on the religious tradition of marriage and its position in the household as a means through which to discuss morality and class structure in the familial domain. Rochester first travels to Jamaica in order to marry Bertha, an affluent and attractive Creole, but becomes distraught with his marriage due to the upset economic balance. When he finally comes into money, the power turns to his favor and they are able to return to England, much to his wife’s dismay and mental detriment. Indeed, Bertha becomes fully insane as a result of the economic and social inequalities between herself and her husband. Her previously fragile mind reveals itself to be truly cracked and irretrievable; she indefinitely traps Rochester in their marriage, and in turn he literally encases her in the attic, ultimately establishing her infamous position as the “madwoman in the attic.” Certainly, the trope of the fallen woman can be retraced to anxieties over class structure and the role of women in the household; in addition to lying about her wealth, Bertha’s cracked mind prevents her from completing her duties as a
Finally, one can conclude the argument by commenting on the duchess’ role in the above-mentioned scheme of things. The duchess heroically battles her brother’s incestuous rage by not only defying him in marrying below her rank but also by dying a heroic death. In her marrying below her station critics have read her forward-looking stance ‘that enables proto –bourgeois companionate marriage to begin hiving off its territory’- thereby, giving a solid rebuttal to the parochial notion of incest.
In the 19th Century, women had different roles and treated differently compared to today’s women in American society. In the past, men expected women to carry out the duties of a homemaker, which consisted of cleaning and cooking. In earlier years, men did not allow women to have opinions or carry on a job outside of the household. As today’s societies, women leave the house to carry on jobs that allow them to speak their minds and carry on roles that men carried out in earlier years. In the 19th Century, men stereotyped women to be insignificant, not think with their minds about issues outside of the kitchen or home. In the play Trifles, written by Susan Glaspell, the writer portrays how women in earlier years have no rights and men treat women like dirt. Trifles is based on real life events of a murder that Susan Glaspell covered during her work as a newspaper reporter in Des Moines and the play is based off of Susan Glaspell’s earlier writing, “A Jury of Her Peers”. The play is about a wife of a farmer that appears to be cold and filled with silence. After many years of the husband treating the wife terrible, the farmer’s wife snaps and murders her husband. In addition, the play portrays how men and women may stick together in same sex roles in certain situations. The men in the play are busy looking for evidence of proof to show Mrs. Wright murdered her husband. As for the women in the play, they stick together by hiding evidence to prove Mrs. Wright murdered her husband. Although men felt they were smarter than women in the earlier days, the play describes how women are expected of too much in their roles, which could cause a woman to emotionally snap, but leads to women banding together to prove that women can be...
Waverly, a young truthful girl who enforced her mother’s secret tactic of invisible strength into herself, but failed to control her temper with that strateg...
Marriage is a powerful union between two people who vow under oath to love each other for better, for worse, for richer, for poorer, in sickness and in health. This sacred bond is a complicated union; one that can culminate in absolute joy or in utter disarray. One factor that can differentiate between a journey of harmony or calamity is one’s motives. Jane Austen’s Pride and Prejudice is a novel of manners, where Elizabeth Bennet and her aristocratic suitor Mr. Darcy’s love unfolds as her prejudice and his pride abate. Anton Chekhov’s “Anna on the Neck” explores class distinction, as an impecunious young woman marries a wealthy man. Both Jane Austen’s Pride and Prejudice and Anton Chekhov’s “Anna on the Neck” utilize
Not attempting to hide, Mrs. Mallard knows that she will weep at her husbands funeral, however she can’t help this sudden feeling of seeing, “beyond [the] bitter moment [of] procession of years to come that would belong to her absolutely” (Chopin, 16). In an unloving marriage of this time, women were trapped in their roles until they were freed by the death of their husbands. Although Mrs. Mallard claims that her husband was kind and loving, she can’t help the sudden spark of joy of her new freedom. This is her view on the release of her oppression from her roles of being a dutiful wife to her husband. Altogether, Mrs. Mallard claims that, “there would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature” (Chopin, 16). This is the most important of Mrs. Mallard’s thoughts, as she never officially states a specific way when her husband oppressed her. However, the audience can clearly suggest that this is a hint towards marriage in general that it suffocates both men and women. Marriage is an equal partnership in which compromise and communication become the dominant ideals to make the marriage better. It is suggested that Mrs. Mallard also oppressed her husband just as much as he did to her when she sinks into the armchair and is, “pressed down by a physical exhaustion
In “Briar Rose,” Anne Sexton utilizes a classic fairy tale to inform the reader of her own childhood experiences with sexual abuse. Instead of simply retelling the story, she puts a new twist on it and transforms it into an elaborate metaphor: Sexton is the Briar Rose from her own story. Not so much a cry for help as a plea for awareness, Sexton uses carefully crafted words to depict Briar Rose’s and her own struggle to expose the perpetrator of sexual abuse. She also uses her adaptation of the story to address how cultures view claims of sexual violence (particularly incest), marriage, and the relationship between genders.