The Story of an Hour

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In the short story "The Story of an Hour," writer Kate Chopin shows how the main character, Louise Mallard, experiences a change in perception of her life. Throughout Louise's life, she has always been living in the shadow of her husband. She has never been able to decide for herself, and she has always been a slave to her own house. Chopin shows how Louise comes to realize these `downfalls' of he life and how she envisions her future before everything turns disastrous in the end.

Mrs. Mallard (Louise) has always lived in the shadow of her great husband, Brently Mallard. He is clearly an important figure in the community, as upon the news of a railroad disaster, "Brently Mallard's name [lead] the list of `killed' " (The Story of an Hour, para. 2). This does not allow her to be herself. She will always be the wife of Brently Mallard, never Louise Mallard. With his death, however, a new concept of freedom quickly reaches her: freedom. "She said it over and over under her breath: `free, free, free!" (para. 11) This change in perception of her life allows Louise to feel she finally has control of her life; anything could now be possible.

Being in the shadow of her husband meant not being able to decide for herself. She was always more of a possession rather than a person. The thought of freedom excites her, "and the cursing blood warmed and relaxed every inch of her body" (para. 11). This excitement shows how Louise is thinking of a promising future for herself. Having a sense of her own identity means "there would be no one to live fir her during [the] coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right o impose upon a fellow creature" (para. 14). This entices Louise to whisper, "Free! Body and soul free!" (para. 16) Her body is now free from the possession of her husband, and her soul is free from the house in which Bentley owned.

Throughout Louise's life, she has always been a slave to her house, and moreover, her room. Everything she knows is in her room; the room is her identity. Upon the news of Brently's death, she moves to her room alone to reflect upon the situation. There, she stands before an open window, gazing at "the tops of trees that were all aquiver with new spring life.

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