The play Blackrock, written by Nick Enright that was inspired by the murder of Leigh Leigh, which took place in Stockton in 1989. During this essay the following questions will be analysed, what stereotypes of women are depicted in the text, how do the male characters treat the female characters and how do the male characters talk about the female characters. These questions are all taken from the feminist perspective. According to the oxford dictionary a stereotype is; a widely held but fixed and oversimplified image or idea of a particular type of person or thing. In the text there are two female stereotypes that are depicted. These stereotypes are, that the girls are sex objects and are only there for the males pleasure and use. The other is, that the older women are typical stay at home mothers, not having a job or a life. The first stereotype is what the play has been written about, the most predominant example is the gang rape of Tracy. This example shows exactly how the boys think of the girls as objects; another example is how Ricko only talks to Tiffany so he can have sex with her. Through …show more content…
The boys call the girl’s slags, bitch and slut through out the whole play, but it's not just the name-calling, it’s the way males talk about having sex with the female characters. It is evident that all the male characters think the females are there for their own personal use. In the play, Enright display’s how male characters talk to the females. In the play, the male characters tell the women to piss off throughout the whole play. This is no way to talk to women. The males in this play are always insinuating sex; for example Scott makes a sexual remark to Shana. Shana says you know why I wear it, so when it rings, Scott cuts her off, then says so you know when I’m coming. This is just one of the instances in the play when males disrespect the females in how they talk about
“Disrespect towards women” occurs many times during the play. In my opinion, women should not be disrespected just as much as men shouldn’t and especially not the way that they show this in the play. One case of disrespect
The female characters in Young Frankenstein and One Flew over the Cuckoo’s Nest are, stereotypically, satiric and parodic renditions of oppressed or emotionally unstable feminine personalities. The theme of the treatment of women is not only played out in the external relationships the women interact within but also in the basic mentality and roles they embody within their personality. The women of Young Frankenstein add a comical element to the film which a direct contrast to the insignificance of the female in Mary Shelley’s novel. The women of One Flew over the Cuckoo’s Nest are either almost terrifying when thinking of the potential evil lurking just beneath the surface or effectual props in the healing of those who need it.
Before starting, I think it will be a good idea to define what stereotype is because it has some effect in the movie. Stereotype is the thought or image of a particular person. In the case of black women some stereotypes are “overbearing, too outspoken, strong, angry, gold diggers, materialistic, oversexed, have lots of children, and unintelligent,” and even also “mammy stereotype.” Not all of these are the case for Delilah; she repr...
The relationship between male and females within literary works can be expressed in a variety of different ways. Often times, gender roles are solidified to present the man as a dominant and overpowering figure, where the woman is seen as nurturing and are many times objectified due to this nature. In “Poof”, the reader is presented with an example of a woman who is ‘too accepting’ and ‘too giving’ to her male spouse, where as in “Good and Gone”, a male protagonist shatters the dominating nature of the standardized gender roles by loving a woman based off of common interest, not based off of submissive nature. Comparing these two protagonists of both plays, the writers, EP3C and Lynn Nottage, present a duality of dramatic effects by either
Throughout the plays, the reader can visualize how men dismiss women as trivial and treat them like property, even though the lifestyles they are living in are very much in contrast. The playwrights, each in their own way, are addressing the issues that have negatively impacted the identity of women in society.
Breaking Gender Stereotypes in A Tale of Two Cities & nbsp; The men and the women of A Tale of Two Cites are violent, loving, cowardly, brave, and ruthless. Some people are weak and spoiled, while others are badly treated and vindictive. Many contrasts between men and women can be found within this story. & nbsp; A Tale of Two Cities clearly portrays very distinct divisions in the behavior of men. The aristocrats, or upperclassmen, rule and control all of France. The members of the aristocracy never have to undergo hardships; they always have everything presented to them on a silver platter. They do whatever they want with total disregard for the peasants. & created these horrible living conditions. This drives the peasants to revolution, and the decapitation of the aristocrats via the guillotine. They have a mob mentality and kill everyone who they believe is the enemy. Neither the aristocrats nor the peasants show any compassion toward the other social class. & nbsp; Some men in A Tale of Two Cities contrast greatly. Sydney Carton is a drunk who works for an unappreciative lawyer. He has no family; he is "a disappointed drudge who cares for no man on earth, and no man cares for him" (75). He is referred to as "the Jackal" who is necessary in society, but not welcomed or keep a life you love beside you" (138). She calls Sydney, "poor Mr. Carton" and feels sympathy for him (189). Charles Evrémonde, called Darnay, is loved by his wife Lucie and his daughter; he is "the object of sympathy and compassion" (74). Carton and Darnay both adore Lucie Manette, but they are two very different men.  & nbsp; The women in A Tale of Two Cites behave in extremely opposing ways. Lucie Manette is a frail young woman. She constantly becomes overwhelmed and faints at even the thought of danger. She has never been exposed to poverty nor suffered through severe hardships. Lucie is genteel; she is constantly pampered and described by Ms. Pross as "the wife of Lucifer" (336). She readily cuts off a man's head and "she never missed [an execution]" (342). Madame Defarge's sadistic nature is seen best during the execution of Foulon, an aristocrat. She tortures him, "as a cat might have done to a mouse" and his head is impaled "upon a pike & nbsp; Madame Defarge and Dr. Manette both despise the Evrémondes. Dr. Manette is imprisoned by the Evrémonde brothers in the Bastille for 18 years. "I, Alexandre Manette, unhappy prisoner, do this night of the year 1767, in my unbearable agony, denounce I denounce [The Evrémondes] to Heaven and to earth" (304). Madame Defarge's family was brutally slaughtered by the Evrémonde brothers. She tells her husband, "those dead are my dead, and that summons to answer for those things descends to me!" (312). She is adamant about avenging her family's deaths and refuses to quit until the last of the Evrémondes are eliminated. "Then tell wind and fire where to stop, but don't tell me" (312). She is even planning on murdering a small child due to her psychotic need for revenge. The Evrémondes destroy & nbsp; Madame Defarge's behavior is more typical of men. The oppressed male peasants join together to form a group of Jacques, or soldiers, to overthrow the aristocracy. The Jacques use The Defarge's wine-shop as a meeting place.  & nbsp; In A Tale of Two Cities, all gender stereotypes are broken. Women can be ruthless murderers and men can be passive cowards. La Guillotine is the sole authority in Paris, fueled by a mob mentality that recognizes class distinctions, not gender.
...t happens and why the issues are ignored. I would present statistics of literary analyses that are relevant to feminist issues and draw a conclusion based on the data. Besides that, I would compare Onkey’s interpretation of the play with other critics’ interpretation and criticize them to strengthen Onkey’s point of view. In conclusion, Onkey’s disagreement about the lack of attention to women’s issues in most literary analyses especially of Brian Friel’s Translations is well grounded. Furthermore, I totally agree with her that Translations should not only be seen through the nationalistic point of view. Although it is obvious that British colonization of Ireland and cultural erosion inspire Friel to produce the play, the bigger theme in Translations appears to be the misinterpretation of woman as symbol of nation based on the magnitude and significance of the issue.
...the female and male gender across cultures. This role can cause problems when mistaking a male for a female much like Gallimard did in the play. Everyone from children, to the media, creates stereotypes. Stereotypes corrupt members of society, compelling them to view cultures and gender unfairly. Societies must eliminate the amount of stereotypes that are being distributed to various cultural around the world. Stereotypes are powerful, limiting, and discriminatory, and they prevent people from understanding other cultures fully. Without the demolition of stereotypical ideas, cultures that stereotype others will not see the differences between the stereotypical ideas and the real ideas of a culture.
Stereotype is a sweeping statement standardized image about a person or group with little or no evidence. The primary purpose is to hurt one’s feelings or to attack one’s character. Have you ever stereotyped someone or felt like you were being stereotyped against? How did being stereotyped affect you, or how did it make you feel once you got to know the person or persons? All kind of people make up our society. Within society, there are a massive amount of groups, most of which have been stereotyped in one way or another. We develop stereotypes when we are reluctant or incapable to obtain all information needed to make fair judgments about people or situations. In the absence of the unknown statistics, stereotyping allow us to “bridge the gaps.” Four of many different groups of people are the prime sources of stereotypes in our society are politicians, tattooed persons, feminists and senior citizens. If the thought of these groups of people mentioned directed some sort of negative icon within you then you are a protagonist of stereotype.
According to Oxford Dictionary, stereotype is a preconceived and oversimplified idea of the characteristics which typify a person or situation (Oxford). But in reality it is more like a subtle form of bias, such as those based on people's gender, race or occupation. For example, Americans are generally considered to be arrogant and materialistic while Asians, on the other hand, are expected to be shrewd but reserved. Obviously, not all Americans are arrogant and not all Asians are shrewd. So, if one just assumes what a person is like and don't look at each person as an individual, he or she is likely to make errors in estimates of a person's character. Such biases are easily ignored, yet are a fact of life. These biases can affect how people see others, as well as themselves, which may lead to unexpected consequences. Thus, stereotyping can influence the communication and understanding between people, usually in a negative way. To examine the side effect brought by stereotyping, I will go through Achebe’s Things Fall Apart and Duras’ The Lover and analyze the roles played by stereotype. The protagonists of both books are set in a background, to which they do not originally belong or where is colonized by foreign invaders. Therefore, stereotype becomes a mutual theme and plays an important role in these two books.
In the opening of both the play and the novel we are introduced to the two main female characters which we see throughout both texts. The authors’ styles of writing effectively compare and contrast with one another, which enables the reader to see a distinct difference in characters, showing the constrictions that society has placed upon them.
There are however some sexist elements in the story, but just because there are certain characteristics of sexism in a play does not mean the play in itself is sexist and demeaning towards women.
In this play, the men and women characters are separated even from their first entrance onto the stage. To the intuitive reader (or playgoer), the gender differences are immediately apparent when the men walk confidently into the room and over to the heater while the women timidly creep only through the door and stand huddled together. This separation between genders becomes more apparent when the characters proceed in investigating the murder. The men focus on means while the women focus on motive: action vs. emotion. While the men...
By placing an emphasis on the man who uses women as sex objects by titling her play after him; by having almost all the female characters in the play treated horribly, used, and manipulated; and having the female characters barely putting up a fight, Aphra Behn suggests the heavily patriarchic society that exists is too extensive and is dangerous for the women in it.
Stereotypes refers to the perception aspect of feeling targeted towards a given group of people. It is the image society captures in their minds about other people. The problem, is that sometime that picture is not an accurate depiction of reality. Stereotypes hold the notion that people of a certain community or group have to exhibit specific traits, which in general has a huge influence on their behavior. Stereotypes in relationship with gender, refers to a specific trait to which males and females are attached to, and such traits define and differentiate these genders. Positive and negative traits are the most common, and the consequences of such traits cannot be established based on face value. Gender stereotyping is an issue in the roots