Young Frankenstein and One Flew over the Cuckoo’s Nest

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The films Young Frankenstein and One Flew over the Cuckoo’s Nest can be viewed as a critical analysis of society’s issues and dysfunctions in the form of satire and parody using humor. While Young Frankenstein, Mel Brooks cinematic version of the gothic novel, Mary Shelley’s Frankenstein, uses parody in the form of Horatian satire, which is achieved through gentle ridicule and using a tone that is indulgent, tolerant, amused and witty. The film One Flew over the Cuckoo’s Nest, the adaptation of the Ken Kesey novel, uses a form of satire called Juvenalian satire which is demonstrated in the form of attacks on vice and error with contempt and indignation. Horatian satire will produce a humor response from the reader instead of anger or indignation as Juvenalian satire. Juvenalian satire, in its realism and its harshness, is in strong contrast to Horatian satire (Kent and Drury). The female characters in Young Frankenstein and One Flew over the Cuckoo’s Nest are, stereotypically, satiric and parodic renditions of oppressed or emotionally unstable feminine personalities. The theme of the treatment of women is not only played out in the external relationships the women interact within but also in the basic mentality and roles they embody within their personality. The women of Young Frankenstein add a comical element to the film which a direct contrast to the insignificance of the female in Mary Shelley’s novel. The women of One Flew over the Cuckoo’s Nest are either almost terrifying when thinking of the potential evil lurking just beneath the surface or effectual props in the healing of those who need it. In Young Frankenstein, Mel Brooks’ aim was to expose underlying satirizing issues by bringing them into focus at th... ... middle of paper ... ...le dominance over female acquiescence. His goal is to ascertain that those qualities identified as feminine are used to undermine those qualities considered masculine. Kesey minimizes the mental suffering of the male patients while focusing on the inability of a woman to have control over men and keep it without resorting to emasculatory tactics. This is a social commentary on the representation of a woman or an institutional system that abuses power (Leach; Termpaperwarehouse.com). One Flew over the Cuckoo’s Nest uses Juvenalian satire to illustrate his message that women were beginning to achieve stature and control as they climbed up the proverbial corporate ladder and were making headway in other facets of society. For Kesey to get his point across, he used sexist language and exaggerated how the male characters in his novel viewed women (Kurkowski).

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