The Screaming Maggot
"Dreams are at once fruit & outcry against an atrophy of the senses.
Dreaming is no solution." This is an excerpt from the notebook of Jim
Morrison. Although not all of his poems are as proverbial as this,
they each have a hidden message. In the traditional style of beat
poets, this message is told through the vocabulary, the characters,
and the subject matter of the poem.
The vocabulary of Morrison is very formal. He uses a lot of metaphors
and big, fancy words (although some are made up). His poem, "America
as a Bullring Arena" includes phrases such as "the cosmic spinal bebop
in blue," "A young Witch from N.Y. is laying novice hexes on my
brain-pan," "projecting images of embryo development on my
psychology," "The screaming maggot group-grope called life," and
"Democracy of souls." These are all very metaphorical examples and
each one is written in a way that one would not speak in. They are
things that would be acceptable in a poem or byword, but not in a
casual conversation.
"Then contact your local pub-
lic accountant (he'll tell you
how to spread the seeds of doubt)"
Conversations are also usually not told from one side with the other
person as the main character or rather the receiver of information.
Jim Morrison's poems are written this way with, essentially, no solid
characters at all. The closest things to characters in them are
references to general people or types of people as in the poem
"Lessons on Becoming." This poem has a perfect example of a Morrison
(stereotype) "character" in this line.
This is really no character at all, but rather a mentioned person.
Morrison's poems are not stories, so they have no need for characters.
Although some proverbs do have them, they do not need them. This is
hard to say for stories.
It is true that proverbs don't need characters, but they all most
certainly do need subject matter. The poetry of Jim Morrison is no
exception.
one is a letter, to be read by a few, and the other is a speech, to be
Living in Los Angeles there are social issues such as race, gender, and geography that are still intact from the past. The main one of the social issues that we are still suffering from and living with is the representations of gender in Los Angeles. Gender representations in The Revolt of the Cockroach People by Oscar Zeta Acosta which he discusses about women figure highly but hardly acknowledge them in the midst of a “semi-autobiographical account” of the Chicano Power movement. According to Acosta, women are just the concubines, mourners, and supporters to their men. Acosta barely talks about the powerful women who had worked very hard behind the prospect to promote the case and those that are point out are only described in sexualized
Therefore, one can see that these poems although similar in their title and central image of the star differ in their themes, form and treatment of the author's ideas.
Insanity: “doing the same thing over and over again and expecting different results” a quote by Albert Einstein that helps sum up humanity’s love for horror movies. People go see horror movies all the time, each time the graphics are clearer and more intense than the last. Are people expecting them to change? If not then why would anyone in their right mind, make a conscious decision to go see the next horror movie knowing what they know, understanding that someone will get stabbed, beaten, shot, or killed? Its simple humans crave them, we enjoy horror but why? In this essay Stephen Kings thesis “I think we’re all mentally ill; those of us outside the asylums only hide it a little bit better” (405). In that statement he provides a twisted example of “Why we crave Horror Movies” claiming it’s mainly because of our mental state. King explains there are many reasons for going to see them, he says we go to have fun, we go to dare the nightmare and we go to re-establish our since of normalcy. All of which I find are strong arguments were he states his case. With his use of urbane humor, he says “the potential lyncher is in almost all of us”(406). King uses practical wisdom to lead his audience to believe that without horror films, humans are all ticking time bombs set to explode from buildup of pathos, just waiting to become another “funny farm crazy” or “Jack the ripper” to some degree or another.
they are all rhyming at once it adds to the connection of three and is
The words you choose and the form they take on paper are an important part of the writing. Some people say they appear like diamonds on paper (Kenn, 2011).
“You’ve just crossed over into The Twilight Zone” says Rod Serling before every episode of The Twilight Zone. A show that leaves it’s viewers in a macabre state. Instead of drawing a conclusion like most shows, the show usually ends mysteriously. It utilizes similar elements as other short half-hour shows, but goes about it in a different way. This outlandish style is seen in literature, more specifically short stories, as well. Even though other short stories employ the same literary devices, “The Beast In The Cave” by H.P. Lovecraft is uniquely mysterious because of the story’s suspenseful plot, compelling diction, and, most important, overshadowing theme.
What is a monster, really? Is it really a Creature that has three eyes instead of two, with pus seeping out of every crevice in his face and an abnormally large form? Or is it someone with a mind so corrupt it rivals that of Satan? Mary Shelley’s Frankenstein is a story within a story that centers on the tale of a man with an immense thirst of knowledge and a fetish to imitate the Creator. Mary Shelley’s Frankenstein is a lot like the Greek mythological tale of the Greek God, Prometheus, and his brother, Epimetheus, who were assigned the task of creating man. The story captivates the theme of monstrosity. Mary Shelley wrote the novel in a form so the reader’s opinions never stray far from sympathy for the monster and apathy for Victor Frankenstein. The novel looks at “Monstrosity” and “Humanity” in a deeply analytical way.
...ew paragraph every time someone new speaks. He uses phrases and words such as “Heavy Boots,” “Extremely,” and “I’m OK.” Oskar’s grandfather, one of the main characters, the renter, accounts often start with the title “Letters to my unborn son,” which allow you to see his deep sense of regret. He writes to express himself. Often he uses phrases such as, “Do you know what time it is?” and “I’m sorry I don’t speak.” He also uses big paragraphs, that show’s he has a lot he has not been able to say for years, and once he starts speaking it is very hard to stop him. Oskar’s grandmother’s chapters are titled,” My Feelings.” She loves puns, and phrases. Often she will speak in short sentences, and paragraphs. One gets the feeling that she is not used to sharing large details about her life, despite her self-consciousness she tries to tell her story and create her character.
There exists no power as inexplicable as that of love. Love cannot be described in a traditional fashion; it is something that must be experienced in order for one to truly grasp its full enormity. It is the one emotion that can lead human beings to perform acts they are not usually capable of and to make sacrifices with no thought of the outcome or repercussions. Though love is full of unanswered questions and indescribable emotions, one of the most mystifying aspects of love is its timeless nature. Love is the one emotion, unlike superficial sentiments such as lust or jealousy, which can survive for years, or even generations. In the novel The Gargoyle, the author, Andrew Davidson, explores the idea of eternal love between two people, a union that spans over centuries spent both together and apart. Davidson, through the use of flashbacks, intricate plot development and foreshadowing, and dynamic characterization, creates a story that challenges the reader’s preconceived notions regarding whether eternal love can survive even when time’s inevitable grasp separates the individuals in question.
From this quotation we can see that all the words at the end of the
Analyzing dialects can be difficult due to the fact that is it hard to transcribe the pronunciation of an individual dialect because English is not spelled the same way it is pronounced. Furthermore, one person’s interpretation of spelling a dialect might not match up with another’s, so the reader might not “hear” the dialect properly. Regardless, written versions of dialects are essential to discussing dialectical differences.
To be sure, readers from different backgrounds can "hear" different voices in a text. Readers who are initiated in a particular literary environment may find the prosodic features they hav...
The notion of writing has been defined in many different ways by writers. According to Byrne (1997), “writing is producing a sequence of sentences arranged in a particular order and linked together in certain ways”. In other words, a writing or a text includes sentences arranged in a coherent and grammatical way to connect the ideas together. In addition, writing is interpreted as the act of expressing ideas, thoughts, and feelings to other people in writing symbols so that readers can
and we find out this by the way they speak and the language they use.