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I believe that family values play a very critical role in the relationship between Mina and Demetrius. Both of them come from different race and culture, which makes it hard for their relationship to be accepted by the people. Mina comes from a culture that really values their family tradition. So when their relationship was discovered, Mina’s family was against this idea. In the film, we can see how Indians preserve their Indian traditions and traditional weddings by practicing it even they are far away from their country of origin. For instance, during the wedding scene, the father says “Even though we are ten thousand miles away from India, we should not forget our roots, our culture, our traditions, our gods” (Feng, p. 228). This statement
In her essay on, “Athenian Women,” Sarah Ruden points out that Aristophanes in Lysistrata portray women as supportive of Athenian institutions and eager to save them. But she cautions, “To do this now they must flout law, religion, and every notion of public decency – and this is definitely no reflection on women’s attitudes, but mere satirical farce and fantasy” (Ruden 107). An important element of “satirical farce” in this spirit would be a heavy use of repetition to make people laugh at the weakness being satirized. One example would not be enough, and the audience might not be amused by less than three or four examples. So in important episodes that fill out the action of the play, we have 4 examples of women beating guards,
Gender plays a role in literature, often reflecting the culture at the time of their creation. In such cases, it is also easy to tell the expectations of men and women in society. Gender roles in the works The Odyssey and The Epic of Gilgamesh are similar to which there is an obscure line between the two genders. Although most women are presented as maternal figures in both works, they are mainly seen as tools at the disposal of men.
In the Greek society women were treated very differently than they are today. Women in ancient Greece were not allowed to own property, participate in politics, and they were under control of the man in their lives. The goddess Aphrodite did not adhere to these social norms and thus the reason the earthly women must comply with the societal structure that was set before them. Aphrodite did not have a father figure according to Hesiod, and therefore did not have a man in her life to tell her what to do. She was a serial adulteress and has many children with many men other than her husband. She was not the only goddess from the ancient Greek myths to cause doubt in the minds of men. Gaia and the Titan Rhea rise up against their husbands in order to protect their children. Pandora, another woman in the Greek myths, shows that all evil comes from woman. Aphrodite, Gaia, Rhea, and Pandora cause the ancient Greek men to be suspicious of women because of her mischievous and wild behavior.
Unlike other Greek city states, women played an integral role in Spartan society as they were the backbone of the Spartan economic system of inheritance and marriage dowry and they were relied upon to fulfill their main responsibility of producing Spartan warrior sons. These principle economic systems affected wealth distribution among Spartan citizens especially among the Spartan elite class. Spartan women led a completely different life than women in most other ancient Greek city states, as they were depended upon to maintain Spartan social systems. In a society where the state is more involved in home life women had freedom of movement and they were permitted to communicate with men who were not their husbands. Women had domestic responsibilities including the maintenance of homes and farms when the men were on campaign, while the typical Greek female responsibilities such as weaving were delegated to slaves. Girls were raised much like Spartan boys as they were made to go through physical training insuring their success in fulfilling their most important role in society, child-bearing. The few primary sources on Sparta and Spartiate women, namely Aristotle, Plutarch, Herodotus and Xenophon were historians who lived after the prominence of ancient Sparta; therefore, the facts regarding the women’s influence in social, economic and political issues must be carefully interpreted and analysed with help from secondary sources.
How much control do women have over their emotions in the Aeneid? In his poem, Virgil frequently shows women in situations where irrational thoughts lead to harmful choices. Specifically, Virgil presents women as being easily influenced by their emotions. Consequently, these characters make decisions that harm both themselves and those around them. Throughout Aeneas’s journey, divinities such as Juno and Venus are seen taking advantage of the emotions of different women, influencing these characters to act in ways that ignore important priorities. Not only does Virgil present women as completely vulnerable to their emotions, but he also shows the problems that arise when these women engage in decisions where they put their own feelings ahead of their people. Virgil explicitly shows women neglecting important responsibilities when he describes passages concerned with Dido’s affair and her death, the Trojan women burning their own ships, Queen Amata’s opposition to Latinus’s proposal and her tragic death.
In this essay I will examine the war-of the-sexes taking place in The Eumenides, the final play of The Oresteia. The plot of The Eumenides pits Orestes and Apollo (representing the male gods and, to a certain extent, male values in general) against the ghost of Clytemnestra and the Furies (equally representative of female values.) Of more vital importance, however, is whether Athene sides with the males or females throughout the play.
Throughout the Odyssey, there are many relationships that represent love between two people. These relationships show loyalty, compassion, and the wanting to be near one another. Two of these kinds of relationships are between Odysseus and Telemakhos, and Odysseus and Penelope.
Homer wrote the classic epic The Odyssey more than 2,500 years ago. At that time in ancient Greek society, as well as in the whole of the ancient world, the dominant role was played by men. Society was organized, directed, and controlled by men, and it was accepted that women occupied a subservient and inferior position. Women, of course, were valued, but were expected to possess certain traits and perform certain tasks that men demanded of them. Does Homer's writing in The Odyssey support or refute the common belief of his time regarding women? Homer endorsed the dominating belief of his time concerning women by treating the female characters unequally and differently compared to the male characters in The Odyssey.
Feminism in Greece today reflects a gradual increase in the importance of the role of women in the Greek society and is similar to the status of women in most developed countries. Feminism in ancient Greece was much more complicated due to the perceived lower status of women vs. men. On the one hand, women were objects and possessions with no rights. But on the other hand, they were central to the actions of the men around and often carried great informal influence. They were the weaker gender, but were also seen as people who could easily persuade men. They often had to achieve a sort of balancing act between being an object and being an influencer. This contrasts with today, where women have gradually moved away from being an object and their
Coontz does not give much evidence or background on these cultures. It seems that she did not do much research to be able to back up what she says. Yes, Coontz gave us facts on the history of the marriage and love in these cultures but she never talks about modern marriage and how these cultures have evolved throughout time besides marriage in modern America. Coontz mentions Modern American marriage but never talks about the history of it whatsoever. This creates a little bit of frustration because she is trying to compare other cultures to the Modern American ways of marriage and love without any
The women in The Odyssey are a fair representation of women in ancient Greek culture. In his work, Homer brings forth women of different prestige. First there are the goddesses, then Penelope, and lastly the servant girls. Each of the three factions forms an important part of The Odyssey and helps us look into what women were like in ancient Greece.
Medea's first public statement, a sort of "protest speech," is one of the best parts of the play and demonstrates a complex, at times even contradictory, representation of gender. Medea's calm and reasoning tone, especially after her following out bursts of despair and hatred, provides the first display of her ability to gather herself together in the middle of crisis and pursue her hidden agenda with a great determination. This split in her personality is to a certain degree gender bias. The lack of emotional restraint is "typical" of women, and the strong attention to moral action is a common trait of heroes. Medea actually uses both of these traits so that her wild emotions fuel her ideals, thus producing a character that fails to fit into a clear mold.
Three Different Views Of Women In Greek Society The role of women in ancient Greek life was considered to be insignificant compared to that of Greek men. However, in tragedies, women were frequently written as main characters, revealing insights on how women were treated and thought of in society. Many famous Greek plays contain numerous well-written, multifaceted, female characters. Each female character takes upon herself, the role of villain, the role of victim, and the role of heroine. Euripides (485-406 BC) is considered to be the most socially critical of all the ancient Greek tragedians. The Trojan Women (415 BC) has long been considered a fresh artistic depiction of the Trojan War and a penetrating portrayal of the barbaric deeds of Euripides' own countrymen, the Athenians, towards the women and children of the people they conquered in war. Due to the fact of similarities between authors Aeschylus and Euripides, writing in the same place and time, one often make the mistake of presuming their stance are the same on the particular subject. It would be a mistake to expect Aeschylus’ Agamemnon and Euripides’ Medea to express identical views on the subject; each author had a distinctive way. The opinions of these two writers on this subject are in fact different. Aeschylus’ plays revolved around ethics, and usually he presented as impartially as possible, by asking the audience to judge the ethical questions for themselves. Agamemnon is not actually about Agamemnon as much as is about Clytemnestra, his wife. Aeschylus has created a woman, with whom his audience could sympathize, and whose pain felt real to them. This was no small attempt, bearing in mind the fact that in ancient Greece women were looked same as slaves. Euripid...
Its not very often do you see books that date back a thousand years that have a female character as an extremely important roll. This is not the case in the two wonderful books The Odyssey and Song of Solomon. Both books have many fairly important characters but only a few that could almost be considered the most important characters. One of those characters in The Odyssey is Athena and in Song of Solomon it is Pilate. Athena and Pilate have much more in common than it seems, They are more than just guides to the main characters of each book, they are also very important female rolls and outliers among their time.
I chose the story of Orpheus and Eurydice as the myth I will be analyzing. It is one of the earliest tales of a relationship ending tragically, and countless of modern stories have undoubtedly been inspired at least in part by it. There have been many artistic interpretations of the myth, and each lends its own unique perspective.