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Maude and Harold analysis topic
Harold and maude movie analysis
Maude and Harold analysis topic
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The soundtrack of the dark comedy movie Harold and Maude (1971) directed by Hal Ashby asserts that even the most paradoxical and abstruse of circumstances can lead to an unimpeachable bond whether it be between two characters or music that leaves its listeners shackled into the story. Ashby exhibits this by playing upbeat, happy songs directly following a funeral scene with lines such as “Love is where we all belong” and this directly correlates with the relationship between Harold and Maude: two very disparate people who ended up improving each other’s lives for the better.
It is often people establish judgments of others based on a fragile perspective that will probably change once they actually get to know them. In Lucy Maude Montgomery's short story "A Fortunate Mistake", the Wallace sisters discover this when they thought Florrie Hamilton did not fit with them, only to find out that she is actually quite the charming girl. Their change of perspective is evident in Nan's impression of Florrie after her visit, and in Miss Braxton's girls' reactions after witnessing the blooming friendship, between Florrie and the Wallace sisters. In my experience, I have also naively based my opinions of others on what people had to say about them, which proved to be a foolish mistake that I no longer made. Although one may not be able to help but base judgments and opinions on limited perspective, it is through widening perspectives that an individual can reach a better understanding of those around.
The poem Sadie and Maud was written by Gwendolyn Brooks and is included in her first volume of poetry known as A Street in Bronzeville. Gwendolyn was born in Topeka, Kansas in 1917, but moved to Chicago at a young age. Her first poem was published when she was thirteen years old, and it was called Eventide. By the time Gwendolyn was seventeen, she was publishing poems for the Chicago Defender, a newspaper for the black population. After attending junior college, Gwendolyn began writing the poems that were included in her first collection, A Street in Bronzeville”, which was published in 1945. These poems focused on portraying the black urban poor. In the 1940s, when these
“All I know is, I sort of miss everybody I told you about. [….] Don’t ever tell anybody anything. If you do, you start missing everybody” (Salinger 277). Holden Caulfield comes in contact with many females throughout the novel. Some of them are for better, and some cause him to be more depressed. Holden is currently in a mental institution. He is telling a psychoanalyst everything that has happened to him a few weeks before last Christmas. In J.D. Salinger’s novel, The Catcher in the Rye the author demonstrates how two characters can help Holden hold his sanity or can make his whole world fall apart through the use of Sally and Phoebe to show that relationships can be difficult and confusing or the exact opposite.
Between the time period they took place in and the plots they tell, the film “Life Is Beautiful,” and the memoir “Night,” have a lot in common. The authors tell of similar events, yet they also manage to make their stories have numerous differences. Some of these differences vary around the way each of these stories are told. Others differences focus on the relationships between
We are born into this world with the realization that life is hard and that life is like a box of chocolates and it is hard to take it at face value. The majority of our time is spent trying to answer an endless stream of questions only to find the answers to be a complex path of even more questions. This film tells the story of Harold, a twenty year old lost in life and haunted by answerless questions. Harold is infatuated with death until he meets a good role model in Maude, an eighty year old woman that is obsessed with life and its avails. However, Maude does not answer all of Harold’s questions but she leads him to realize that there is a light at the end of everyone’s tunnel if you pursue it to utmost extremes by being whatever you want to be. Nevertheless, they are a highly unlikely match but they obviously help each other in many ways in the film.
Gaitskill’s “Tiny, Smiling Daddy” focuses on the father and his downward spiral of feeling further disconnected with his family, especially his lesbian daughter, whose article on father-daughter relationships stands as the catalyst for the father’s realization that he’d wronged his daughter and destroyed their relationship. Carver’s “What We Talk About When We Talk About Love” focuses on Mel and his attempt to define, compare, and contrast romantic love, while leaving him drunk and confused as he was before. While both of my stories explore how afflicted love traumatizes the psyche and seem to agree that love poses the greatest dilemma in life, and at the same time that it’s the most valued prospect of life, the two stories differ in that frustrated familial love causes Gaitskill's protagonist to become understandable and consequently evokes sympathy from the reader, but on the other hand frustrated romantic love does nothing for Carver's Protagonist, except keep him disconnected from his wife and leaving him unchanged, remaining static as a character and overall unlikable. In comparing “Tiny, Smiling Daddy” and “What We Talk About When We Talk About Love”, together they suggest that familial love is more important than romantic love, which we relentlessly strive to achieve often forgetting that we’ll forever feel alone without familial love, arguably the origin of love itself.
“Sometimes the Bible in the hand of one man is worse than a whisky bottle in the hand of [another]... There are just some kind of men who - who’re so busy worrying about the next world they’ve never learned to live in this one, and you can look down the street and see the results” (Lee 60).
Friendships and relationships often bring out the best in people, but they can also be painful and challenging; especially when a person has to end their relationship or friendship against their own desire. Rolf Carlé meets a young girl who causes him to recollect his miserable childhood memories. Rolf Carlé forms a special bond with this young girl because of their connection of helplessness they have both felt at one time or another, but his connection is broken when the young girl dies. Similar to Rolf Carlé, the princess from “The Lady or the Tiger” has someone whom she dearly loves forcibly taken away from her when her father finds out about their relationship. Rolf Carlé and the princess are relatable to one another because of their genuine love for someone that is taken away as their loved one is coerced into being separated from them.
In the novel, To Kill A Mockingbird, Harper Lee surreptitiously reveals the inequalities between two women with similar interests. Lee establishes a submerged message in her writing, which mysteriously disseminates the idea of conformity, which varies based on the social class of an individual. Miss Maudie and her nobility, genuinely provides a distinctions between two levels of conformity. Thus,In the novel, the life and characteristic of Miss Maudie, composes a contrast between Mayella Ewell the "white trash" and Maudie herself. Throughout the novel, Lee portrays some similar traits of personality to both of her minor characters but in different settings, which vigorously suggests the struggle between two different classes of women in a
John Kusch’s “Red Lily” seamlessly weaves together the arts of poetry, music, and imagery to concisely convey their respective meanings to his audience. By composing together these three forms of media Kusch creates a more compelling commentary on his subject of love and death than a work which would utilize only one. Primarily, the pain of lost love and love’s fleeting innocence have a greater impact on the audience when paired with the atmosphere musical and visual supplements bring.
“‘Mockingbirds don’t do one thing but make music for us to enjoy. They don’t do one thing but make music for us to enjoy. . . That’s why it’s a sin to kill a mockingbird’” (119), Miss Maudie explains to the Finch kids. The mockingbird is a metaphor for a kindhearted character who does no harm. A mockingbird could also be a character who is not involved with a situation but gets hurt by it nonetheless. Harper Lee’s historical fiction classic To Kill A Mockingbird tells the story of a young girl growing up in Segregation-Era Alabama. At the same time, the trial of a black man accused of raping a white woman is occurring. In the novel, the metaphor of mockingbirds is used throughout the text, manifesting both in conversation as well as playing
For this paper I decided to write about and present the song I’m Still Standing with music by Elton John and lyrics by Bernie Taupin, the song is a single from the Too Low for Zero album. The song I’m Still Standing is performed by Elton John, the album along with the songs is a reunion of both the song writer and musician after being apart for seven years from working with others. There is two ways to view this song and many audience listeners view the expression of this song to be pretty straightforward; it is about standing your ground in the face of adversity. Elton John who was a homosexual being the muse of this song and showing everyone that he is resilient and going to be just fine. Other listeners can view this song as overcoming a relationship and being ok in the end. Either way that listeners paint the picture the song is strong in its message of resilience and staying strong. While I’m Still Standing is one of the more well-known songs on the album, the whole album covers the context of overcoming life and love, as the Rolling Stone review says , “[Too L...
The theme of Gwendolyn Brooks's "Sadie and Maud" is that going against the grain of society is perfectly acceptable. Brooks conveys this message by depicting two contrasting sisters: Maud, who follows the rules of society, and Sadie, who does not allow social expectations to dictate her life. The poem explains how these women lead very different lives that reflect the choices they make.
Along with a patriotism kind of love, the heart-quenching portrayal of two siblings and their childhood love fo...
At the beginning and again at the end of "I Never Sang for My Father," we see a grainy snapshot of an old man and a middle-aged man, arms thrown about each other's shoulders, peering uncertainly into the camera as if they're not quite sure what drew them out into the sunshine to pose this day. And we hear Gene Hackman's voice: "Death ends a life. But it does not end a relationship."