The Relationship Between Electro And Rap

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Electro is a genre of electronic music and early hip hop directly influenced by the use of the Roland TR-808 drum machines, and funk. Records in the genre typically feature drum machines and heavy electronic sounds, usually without vocals, although if vocals are present they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. This is the main distinction between electro and previously prominent genres such as disco, in which the electronic sound was only part of the instrumentation. Following the decline of disco music in the United States, electro emerged as a fusion of funk and New York boogie. Early hip hop and rap combined with German and Japanese electropop influences such as Kraftwerk …show more content…

Through the use of samples, the Roland TR-808 remains popular in electro and other genres to the present day. Other electro instrumentation was generally electronic, favoring analog synthesis, programmed bass lines, sequenced or arpeggiated synthetic riffs, and atonal sound effects all created with synthesizers. Heavy use of effects such as reverbs, delays, chorus or phasers along with eerie synthetic ensemble strings or pad sounds emphasized the science fiction or futuristic themes of classic electro, represented in the lyrics and/or music. Electro hip hop group Warp 9's 1983 single, Light Years Away, produced and written by Lotti Golden and Richard Scher, exemplifies the Sci-Fi, afrofuturist aspect of electro, reflected in both the lyrics and instrumentation. Most electro is instrumental, but a common element is vocals processed through a vocoder. Early electro utilized rap. Male rap dominated the genre, however female rappers are an integral part of the electro tradition, whether featured in a group as in Warp 9 or as solo performers like Roxanne …show more content…

Early producers in the electro genre later featured prominently in the Latin Freestyle movement, along with Lotti Golden and Richard Scher fusing electro, funk, and hip hop with elements of Latin music. Detroit techno DJ Eddie Fowlkes shaped a style called electro-soul, which was characterized by a predominant bass line and a chopped up electro breakbeat contrasted with soulful male vocals. 151 Rock samples replaced synthesizers that had figured so prominently in electro, and rap styles and techniques evolved in tandem, anchoring rap to the changing hip hop culture. Although the early 1980s were electro's heyday in the mainstream, it enjoyed renewed popularity in the late 1990s with artists such as Anthony Rother and DJs such as Dave Clarke, and has made yet another comeback for a third wave of popularity in 2007. The continued interest in electro, though influenced to a great degree by Florida, Detroit, Miami, Los Angeles and New York styles, has primarily taken hold in Florida and Europe with electro club nights becoming commonplace

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