One of the many intriguing aspects of Shakespeare's Sonnets is the identity of the principal characters within them, of which there are three:
- The Young Man
- The Dark Lady
- The Rival Poet
Nowhere in the Sonnets are these people explicitly identified and their anonymity has spawned much debate as to who these people could have been. The content of the Sonnets that refer to these people however, undoubtedly show that these were indeed real, living people and not imaginary inventions by the author for the sake of literary exercise.
Many poets of the Elizabethan and Jacobean age wrote verse to others and did not refrain from identifying who they were addressing. Some poems were clearly dedicated to the addressees, such as Spenser's Prothalamion which is dedicated "in honovr of the dovble marriage of the two Honorable & vertuous Ladies, the Ladie Elizabeth and the Ladie Katherine Somerset, Daughters to the Right Honourable the Earle of Worcester and espoused to the two worthie Gentlemen M. Henry Gilford, and M. William Peter Esquyers". And Spenser makes clear that the poem is about the Somerset ladies within the poem itself by punning on their names in the 4th. stanza:
"But rather Angels or of Angels breede:
Yet were they bred of Somers-heat they say".
Where poems were not explicitly dedicated to the addressee their identity could still be found in the poem's verse, such as in Sidney's Astrophel and Stella:
"Doth euen grow rich, meaning my Stellaes name" and
"Rich in all beauties which mans eye can see;
Beauties so farre from reach of words that we
Abase her praise saying she doth excell;
Rich in the treasure of deseru'd renowne,
Rich in the riches of a royall heart,
Rich in those gifts which giue th'eternall crowne;
Who, though most rich in these and eu'ry part
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From the very first word of the poem, there is a command coming from an unnamed speaker. This establishes a sense of authority and gives the speaker a dominant position where they are dictating the poem to the reader rather than a collaborative interacti...
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... in this scene. “Why look at my leg. I’m holes all over from their damned needles and pins,” she pulls up her dress, and now touches her stomach. “The jab your wife gave me’s not healed yet, y’know.” (Page. 2) This clearly shows that Abigail still has feelings for him, and she is willing to get rid of all the “hypocrites” to be with him. The million-dollar question is, if Abigail is so deeply in love with Proctor, then why Abigail does nothing to protect Proctor in Act Ⅲ when she is given multiple opportunities to confess? Apparently, the scene should be left out to prevent the readers from being misled.
The sonnet opens with a seemingly joyous and innocent tribute to the young friend who is vital to the poet's emotional well being. However, the poet quickly establishes the negative aspect of his dependence on his beloved, and the complimentary metaphor that the friend is food for his soul decays into ugly imagery of the poet alternating between starving and gorging himself on that food. The poet is disgusted and frightened by his dependence on the young friend. He is consumed by guilt over his passion. Words with implicit sexual meanings permeate the sonnet -- "enjoyer", "treasure", "pursuing", "possessing", "had" -- as do allusions to five of the seven "deadly" sins -- avarice (4), gluttony (9, 14), pride (5), lust (12), and envy (6).
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...r creator, and researchers have attempted to identify the persons who were the original or historical models for the persons the speaker refers to and addresses. The fact remains, however, that we do not know to what degree Shakespeare's personal experiences are reflected in his sonnets; nor do we know with any measure of certainty whether the persons depicted in these poems are based on specific individuals or are solely the product of Shakespeare's observation, imagination, and understanding of the human heart.
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has the gentle heart of a woman but is not inconsistent as is the way
The sonnets are similar in that the subject who which Shakespeare is writing is very dear to him. The most over looked difference, however, is who the subject actually is.
This Shakespearean sonnet consisting of 14 lines can be subdivided into 3 parts. In each part, the poet uses a different voice. He uses 1st person in the first part, 3rd person in the 2nd part and 2nd person in the last part. Each section of the poem has a different theme that contributes to the whole theme of the poem.
Shakespeare's Exploration in Sonnet 2 of the Themes of Age and Beauty. Look closely at the effects of language, imagery and handling of the sonnet form. Comment on ways in which the poem’s methods and concerns are characteristics of other Shakespeare sonnets you have studied. The second of Shakespeare’s sonnets conveys an argument the poet is. making somewhat implicitly to a subject whose identity is hazy and unknown to the reader, even in retrospect.
Another aspect of the duke’s character addressed in the poem is his condescending attitude. Two times in the poem the duke needlessly told the names of the artists who created the masterpieces that he owned (lines 3 & 56). He felt superiority over the emissary he was speaking to by dropping these names. The duke addressed the emissary as a “never read stranger'; (line 6). Not only was it patronizing for the duke to call him a stranger, but he called him unintelligent too.
William Shakespeare was an excellent writer, who throughout his life created well written pieces of literatures which are valued and learned about in modern times. One of his many works are 154 Sonnets, within these Sonnets there are several people Shakespeare “writes to”, such as fair youth, dark lady and rival poet. Sonnet 20 is written to fair youth, or in other words a young man. The idea of homosexuality appears in Sonnet 20 after the speaker admits his love towards the young man.
Much has been made (by those who have chosen to notice) of the fact that in Shakespeare's sonnets, the beloved is a young man. It is remarkable, from a historical point of view, and raises intriguing, though unanswerable, questions about the nature of Shakespeare's relationship to the young man who inspired these sonnets. Given 16th-Century England's censorious attitudes towards homosexuality, it might seem surprising that Will's beloved is male. However, in terms of the conventions of the poetry of idealized, courtly love, it makes surprisingly little difference whether Will's beloved is male or female; to put the matter more strongly, in some ways it makes more sense for the beloved to be male.