The Presentation of Willy Loman in Death of a Salesman by Arthur Miller

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The Presentation of Willy Loman in Death of a Salesman by Arthur Miller

Willy Loman is presented as both a tragic hero and an unconscious

victim in "Death of a Salesman". "Death of a Salesman" is very much

based upon the American Dream, and whether we are slaves or conquerors

of this dream. This is an idea that the playwright Arthur Miller has

very passionately pursued both through Willy's own eyes, and through

his interaction with the different characters in the play.

Firstly, the definitions of a hero and a victim very much influence

the way that Willy is viewed by the audience. Miller has not used the

play to suggest that Willy Loman is an ordinary hero, but more a

tragic hero. A tragic hero, simply by definition means that the reader

already begins to see Willy in a more sympathetic light. A tragic hero

is somebody who cannot forget his past, and so is destroyed by the

consequences of his own actions.

In order to picture Willy as a victim, again one cannot think of a

regular victim, but of an ignorant victim. This would mean that Willy

was completely unaware of his role as a victim in the play. It would

also imply that Willy was not in control of his own fate.

From the beginning of "Death of a Salesman" we see Willy playing the

very victimised role of the conformer. Near the end of the first

scene, as he speaks to his sons in one of his flashbacks he says: "the

man who makes an appearance in the business world, the man who creates

personal interest, is the man who gets ahead."

This sounds very much like a typical business ideal, and one cannot

help but feel at this stage that Willy is taking on ideas from other

people ...

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..., because he still

thinks that he can solve Biff's problems with money. On the other

hand, wrong answers do not, and should not disqualify a man from being

a tragic hero. If we see tragic heroes as being those ruled by lust,

ambition or jealousy, and fully respect these forces; why not neurotic

awareness? In some ways, don't we ourselves live by the rules of Willy

Loman - that "liked" is very different to "well-liked"? Every ordinary

person is a potential 'watered down' version of Willy. Arthur Miller

is neither blaming this solely on society, nor is he presenting a

pathetic creature who is the author of his own misfortunes.

Bibliography:

Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Seventh Edition. X.J. Kennedy, and Dana Gioia. New York: Addison Wesley Longman, Inc., 1999

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