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Essay on arthur millers life
Short note on Arthur miller: a view from the bridge
Essay on arthur millers life
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Individuals explore their responses to conditions of internal and external conflicts throughout literature. Going in depth to a character allows the reader to better understand that character’s internal and external conflicts. Arthur Miller uses this technique in several of his plays, including Death of a Salesman. Miller portrays the character of Willy Loman in Death of a Salesman through his internal and external conflicts.
The internal conflict begins with Willy’s expectations for his sons and The Woman. Willy struggles throughout the play with having extremely high expectations for his sons, Happy and Biff. Happy and Willy get along well because they are most alike of the two sons. Happy has the same materialistic mindset as Willy. Miller shows this when Happy and Biff discuss having the apartment for themselves. Happy tells Biff:
I bet he’d back you. ‘Cause he thought highly of you, I mean, they all do. You’re well liked, Biff. That’s why I say to come back here and we both have the apartment. And I’m tellin’ you, Biff, any babe you want… (Miller 29)
Willy and Happy are very similar people. However Biff does not agree with the way Willy and Happy handle situations, which results in several conflicts between Biff and Willy throughout much of the play. Willy describes Biff as being lost saying, “Biff Loman is lost. In the greatest country in the world a young man with such – personal attractiveness gets lost,” (Miller 16). Even though Willy believes Biff is the lost one, in reality, Willy is lost throughout most of the play (Eisinger 2). Willy does not really know himself. Willy always puts on a show for others and does not be his true self, which portrays the feeling of being lost within himself.
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..., ensuing his external conflict.
Like countless characters in a play, Willy struggles to find who he is. Willy’s expectations for his sons and The Woman become too high for him to handle. Under the pressure to succeed in business, the appearance of things is always more important than the reality, including Willy’s death. The internal and external conflicts aid in developing the character Willy Loman in Arthur Miller’s Death of a Salesman.
Works Cited
Eisinger, Chester E. "Critical Readings: Focus on Arthur Miller's Death of a Salesman: The Wrong Dreams." Critical Insights: Death of a Salesman (2010): 93-105.
Kellman, Steven. Magill's Survey of American Literature: Volume 4. Pasadena: Salem Press, Inc., 2007.
Miller, Arthur. The Death of a Salesman. New York: Penguin Books, 1975.
Trudeau, Lawrence. Drama Criticism Volume 1. Detroit: Gale Research, Inc., 1991.
Willy Loman is not the only victim of his tragic flaw. The rest of the Loman family is also affected by Willy's problem. Willy's wife, Linda, is the only one who supports and understands Willy's tragic flaw completely. Linda supports every far-fetched claim her husband makes. She is even described as having “infinite patience” whenever she is conversing with Willy (Miller 99). Willy's two sons, Biff and Happy, are also affected by his flaw. Happy, when in the company of two ladies, claims that Willy is not even his father, and “just a guy” (Miller 91). Later in the play, Biff decides that he does not want to be in his father's life anymore. Biff's problems are simply too much for Willy to handle with his current state of being, even though Willy needs Biff in his life. After both internal and external conflict, Biff reveals to Willy that Willy had been lied to for a number of years, and that the life he lives is essentially a lie (Miller 104).
At the beginning of the play it is evident that he cannot determine the realities of life, and so he repeatedly contradicts himself to establish that his conclusion is correct and opinion accepted. These numerous contradictions demonstrate that Willy is perturbed of the possibility that negative judgements may come from others. Willy strongly believes that “personality always wins” and tells his sons that they should “be liked and (they) will never want”. In one of Willy’s flashbacks he recalls the time when his sons and him were outside cleaning their Chevy. Willy informs Biff and Happy the success of his business trips and how everyone residing in Boston adores him. He mentions that due to the admiration of people he does not even have to wait in lines. He ultimately teaches his sons that being liked by others is the way to fulfilling one’s life and removing your worries. These ideals, that one does not need to work for success, demonstrate Willy’s deluded belief of achieving a prosperous life from the admiration and acceptance of others. This ultimately proves to be a false ideology during his funeral, when an insufficient amount of people arrive. Willy constantly attempts to obtain other’s acceptance through his false tales that depict him as a strong, successful man. In the past, he attempts to lie to his wife, Linda, about the amount of wealth he has attained during his
Many dilemmas throughout the recent decades are repercussions of an individual's foibles. Arthur Miller represents this problem in society within the actions of Willy Loman in his modern play Death of a Salesman. In this controversial play, Willy is a despicable hero who imposes his false value system upon his family and himself because of his own rueful nature, which is akin to an everyman. This personality was described by Arthur Miller himself who "Believe[s] that the common man is as apt a subject for a tragedy in its highest sense as kings were" (Tragedy 1).
Willy, Linda, Biff and Happy are all characters that use self- deception as a way to mentally escape the terrible reality of their lives. As the play progresses, and ends Biff is truly the one and only character that becomes self- aware. At the end of the play Biff accepts the lies his family and him have been living in for years. Biff makes huge changes mentally at the end of the play, which cannot be said for the rest of the Loman family.
Foster, Richard J.Confusion and Tragedy: The Failure of Miller's `Salesman', in Two Modern American Tragedies: Reviews and Criticism of Death of a Salesman and A Streetcar NamedDesire, Edited by John D. Hurrell, Charles Scribner's Sons, 1961, Pp. 828.
There has been much discussion of Arthur Miller’s play Death Of A Salesman, in subsequent years since its release, arguing different perspectives of many aspects of the play. In B.S. Field Jr.’s article “Hamartia in Death of Salesman”, he puts forth his views detailing why he feels Willy Loman is adequately and justly punished for his many crimes against his family. By highlighting literary evidence, Field is able to detail a strong argument against Willy as an amoral human. Although Willy is justly punished for his crimes, Field fails to go into the depth of Willy’s crimes. The extent of Willy Loman’s corruption makes his crimes far more severe, for he has left his family in shambles and to continue to be his future conduits. Willy Loman’s addiction to his own delusions have made him curse his sons to the same amoral mind frame that he had put on himself, and continues to use against his wife, while still feeling convinced he is a well liked person that deserves to be treated better than he treats others.
Arthur Miller’s play Death of a Salesman follows protagonist Willy Loman in his search to better his and his family’s lives. Throughout Willy Loman’s career, his mind starts to wear down, causing predicaments between his wife, two sons and close friends. Willy’s descent into insanity is slowly but surely is taking its toll on him, his job and his family. They cannot understand why the man they have trusted for support all these years is suddenly losing his mind. Along with his slope into insanity, Willy’s actions become more aggressive and odd as the play goes on. Despite Willy and Biff’s “family feud”, his two sons Happy and Biff truly worry about their father’s transformation, Happy saying: “He just wants you to make good, that’s all. I wanted to talk to you about dad for a long time, Biff. Something’s – happening to him. He – talks to himself” (Miller 21). Willy, as a father, cares about his children but he wishes they would do better. He believes Biff should have been an athlete. According to Harrington, “Even figuratively, Willy is haunted, and particularly in Biff’s failure to achieve success as a sports figure” (108). This haunting is part of what led to Willy’s slow plunge into madness. As Willy’s career in sales fails, he also fails, even failing his family. Heyen adds: “He didn’t have anything of real value to give to his family, or if he did, he didn’t know what it was” (48). His debilitating flashbacks and delusional hallucinations with Uncle Ben cement his horrifying realizations that he has let down his family. Willy Loman blames the economy for his downfall in his career. In one of his more extreme outbursts he exclaims, “There’s more people! That’s what’s ruining this country! Population is getting out of control. ...
Miller, Arthur. Death of a Salesman. Eds. Alison Booth and Kelly J. Mays. New York: W.W. Norton & Company, 2010. 2128-2193. Print.
Willy is a multi-faceted character which Miller has portrayed a deep problem with sociological and psychological causes and done so with disturbing reality. In another time or another place Willy might have been successful and kept his Sanity, but as he grew up, society's values changed and he was left out in the cold. His foolish pride, bad judgment and his disloyalty are also at fault for his tragic end and the fact that he did not die the death of a salesman.
Miller, Arthur. Death of a Salesman. Literature: An Introduction to Fiction, Poetry, and Drama. Seventh Edition. X.J. Kennedy, and Dana Gioia. New York: Addison Wesley Longman, Inc., 1999. 1636-1707.
“Death of a Salesman” written by Arthur Miller in 1948 attempts to give the audience an unusual glimpse into the mind of Willy Loman, a mercurial 60-year-old salesman, who through his endeavor to be “worth something”, finds himself struggling to endure the competitive capitalist world in which he is engulfed. Arthur Miller uses various theatrical techniques to gradually strip the protagonist down one layer at a time, each layer revealing another truth about his distorted past. By doing this, Miller succeeds in finally exposing a reasonable justification for Willy’s current state of mind. These techniques are essential to the play, as it is only through this development that Willy can realistically be driven to motives of suicide. The very first section of the first scene, already defines the basis of Willy’s character for the rest of the play.
In the play, The Death of a Salesman by Arthur Miller,Willy Loman, an unsuccessful business man struggling to support his family is completely out of touch with reality throughout the plot line. Many characters throughout this play and their interactions with Willy have showed the audience his true colors and what he thinks is important in life. His constant lying and overwhelming ego certainly does not portray his life in factual terms, but rather in the false reality that he has convinced himself he lives in.
The first comlication which occurs in Act I, is when the reader acknowledges that Willy put his whole life into his sons, Biff and Happy, and they turned their backs on him. Willy always believed that biff would be this great, successful businessman and it turned out that Biff is still searching to find himself, which disappoints Willy in the worst way. The conflicts between Willy and Biff are rooted very deep. It all started when Biff was younger and he had failed his math class. He traveled to Boston to visit Willy, who was on a business trip. He had told that he had let Willy down and comes to find out that Willy is with another woman. Biff leaves and never takes that math class over. Willy felt guilty about this and believes that deep inside that he is responsible for Biff's choices in life and his failure to be successful. This conflict makes Willy weak and tremendously guilty, which stays with him as a reminder.
...s personal failure and betrayal of his soul and family through the meticulously constructed artifice of his life. He cannot grasp the true personal, emotional, spiritual understanding of himself as a literal “loman” or “low man.” Willy is too driven by his own “willy”-ness or perverse “willfulness” to recognize the slanted reality that his desperate mind has forged. Still, many critics, focusing on Willy’s entrenchment in a quagmire of lies, delusions, and self-deceptions, ignore the significant accomplishment of his partial self-realization. Willy’s failure to recognize the anguished love offered to him by his family is crucial to the climax of his torturous day, and the play presents this incapacity as the real tragedy. Despite this failure, Willy makes the extreme sacrifice in his attempt to leave an inheritance that will allow Biff to fulfill the American Dream.
Arthur Miller’s Death of a Salesman is a play that follows the troubles of a salesman named William “Willy” Loman, whose overzealous definition of true success inevitably leads to his suicide. I feel that a few of Willy’s unique characteristics contribute to his downfall, but that his unstable point of view and completely misconstrued concept of reality make the greatest contributions.