The Passsge from Innocence to Experience in Songs of Innocence and Experience by William Blake

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The Passsge from Innocence to Experience in Songs of Innocence and Experience by William Blake

In this first essay, I will be dealing with poems from

William Blake's Songs of Innocence and Experience. More

precisely, I shall be dealing with the Introduction from

Songs of Innocence, as well as its counterparts Introduction

from Songs of Experience and Earth's Answer. For my thesis,

I shall attempt to demonstrate how Blake used the symbols of

the Piper and the Bard to represent the states of innocence

and of experience, and how he passes from one state to the

next through the use of these symbols.

Blake's Songs of Innocence and Experience are two

series of poems which complete one another. Each poem has a

counterpart in the opposite series. Many people tend to

misread or misinterpret these poems. In order to be able to

fully understand what Blake is saying, we must look at both

corresponding poems as one.

Let us examine the images of the Piper and the Bard.

The OED defines Bard as an "Ancient Celtic order of

minstrel-poets, whose primary function appears to have been

to compose and sing verses celebrating the achievements of

chiefs and warriors." In his poems, Blake's definition is

fundamentally the same, except that he utilizes the term to

mean someone "Who Present, Past, & Future sees". The Bard

is able to see through time and space. He is what Blake

defines as a Visionary. The Piper, on the other hand, is

not of this nature. He is a simple man who dwells in

innocence. He listens to the child he encounters without

thinking. In his mind, everyone is good, everyone is

honest. But while the Bard is living in a world of

experience, he sees without judging, he knows without

thin...

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.... One cannot exist without a mixture of both worlds.

It is important to remember that if we only look at one poem

from either series, it is not yet complete in as of itself.

It is also important to note that unless we examine the

poems with the knowledge of which series they are found in,

we may not necessarily be able to identify which state it

exemplifies.

Bibliography:

REFERENCES

Bloom, Harold. (1963). Blake's Apocalypse - A Study in

Poetic Argument. Ithaca, Cornell University Press.

443 p.

Gleckner, Robert F. (1959). The Piper and the Bard - a

study of William Blake. Detroit, Wayne State

University Press. 318 p.

Gleckner, Robert F. (1960). Point of View and Context in

Blake's Songs. In M.H. Abrams (Ed.). English Romantic

Poets - Modern Essays in Criticism. New York, Oxford

University Press. (pp. 68-75)

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