Melodrama, as seen throughout America during the 19th century, is characterized by its central structural aspects: an action-packed and thrilling plot, strong central conflict between the virtuous hero; the vindictive villain; and of course, the damsel in distress (W.B. Worthen, 991). In The Octoroon, Boucicault captures these stock characters of melodrama as represented in the play’s love triangle: George (the hero), M’Closky (the villain) and Zoe (the damsel). Boucicault, rather masterfully, deploys the convention of character stereotypes, so frequently seen in 19th century melodrama— some stereotypes being more offensive than others, like those white actors portraying black characters wearing blackface makeup. For instance, in the opening scene and stage directions of The Octoroon, white audiences of the time are offered a slice of southern plantation life— or as the play is alternately known as, Life in Louisiana. …show more content…
Worthen 994, lines 6-34) accompanied with a “theatrical negro drawl” (Strausbaugh, 59). The actor playing Pete, among all the other black characters of the play, is white and covered in blackface makeup (W.B. Worthen, 992). During this time in American theatre history, blackface was a commonly utilized theatrical convention. John Strausbaugh summarizes the blackface convention quite nicely in his description of T.D. Rice’s 1832 performance inspired by an old black slave he exhibited in the stables of Louisiana when he writes in his book Black like
More so, the purpose of this play was to illustrate the common bond between women, even in the face of the law. It proves that in hard times people of a common bond usually stick together, and written in the face of the up and coming women’s suffrage movement provides the reader with a real understanding of the motivation and the dedication these women put into their work.
Notably, one of the principal ideas presented in Glaspell’s work is the concept of gender roles, moreover, the notion of institutional misogyny present in 20th century America. These said ideas are fleshed out through the characters of the play. The play opens with the introduction of five characters: Sheriff Peters, Hale, County Attorney
Wolfe portrays the character of Miss Pat to the audience in a questionable manner. To elaborate, Wolf presents Miss Pat as a symbol of perfectionism, an African-American woman who is taking the charge of the slave ship as a flight-attendant and pretending as nothing has happened through her “little jokes” although she knows that the worst is yet to come. Moreover, Miss Pat walks the audiences through the history of African-American’s and their struggles to overcome white dominations. For example, she suggests the audiences abandon their “god” and “Worship a new one”. Meaning, they must lose their own self-identity in order to fit in. Although Miss Pat tries to act as a strong figure, just like rest of the audiences, she is also conflicted by her own “rehearsed” presentation. For example, throughout the play, Miss Pat speaks “reassuringly” in an attempt to clear up her own self-doubts in order to play her role better. Miss Pat’s character forces the audience to feel sympathetic towards African-Americans and guilty for overlooking their everyday struggles to fit into a society that often takes away their power and
Deception is present in Tennessee Williams’s drama ‘A Streetcar Named Desire’, William Shakespeare’s Tragedy ‘Othello’ and L. P. Hartley’s novel ‘The Go-Between’; the writers choose to use characterisation to explore the theme in depth. Often the protagonists of each text are the primary offenders of deceit, though some supporting characters mislead as well; although Iago is the antagonist of ‘Othello’, he is incomparably the most deceitful character in the entire play. Similarly, Williams uses Blanche to develop the plot by misleading the other characters and even herself at times, though arguably, unlike Iago, Blanche is presented as a character who lacks the motivation to hurt anyone. Conversely Leo, although the protagonist and narrator of the novel, is not the most deceitful character – Ted Burgess and Marian Maudsley not only coerce him into the deceit, but they themselves are presented as masters of the game they play, however, this essay will focus on Leo as he is a unique symbol of deceit; he is unaware of the consequences of his actions.
Although the black performing arts population had to take the road of survival to gain self satisfaction in the theater, it was not painless. For a long time, black people were not allowed on the stage; instead black actors were mocked by white actors in "black face." Black face was a technique where white actors would physically cover their face with black paint and act as a black character. It was from this misrepresentation of the "black actor" that the names tom, coon, mulatto, mammy and buck derived. According to Donald Bogle, none of the types were meant to do great harm, although...
Of all Shakespeare’s thirty-seven plays, perhaps the best known and loved is Hamlet, Prince of Denmark. Many people think that it is unforgettable because of its poetic language and style. But, while these are factors that mark the play as a classic, it remains timeless because it explores many of the issues that are still important to people today. These issues, including loyalty to family and country, protecting loved ones, and deception are still prevalent around the world, and are especially prominent in the United States government. Another play that addresses major issues that are still relevant to society, especially women, is Susan Glaspell’s Trifles. Because Glaspell’s play shows women that they are certainly just as capable as men of completing any task, it encourages women to take a stand against the supposed supremacy of their husbands. It also forces men to consider more seriously the opinions and concerns of women. While Mrs. Peters and Mrs. Hale in Trifles do this in a quiet manner, they still remain defiant against their husband’s beliefs that they are only competent enough to worry about “trifles” (Glaspell 1618). Therefore, Hamlet, Prince of Denmark and Trifles explore many issues that are still relevant to society today by questioning, supporting, and criticizing some of them, especially loyalty, gender roles, protecting loved ones, and deception.
In the opening of both the play and the novel we are introduced to the two main female characters which we see throughout both texts. The authors’ styles of writing effectively compare and contrast with one another, which enables the reader to see a distinct difference in characters, showing the constrictions that society has placed upon them.
Krasner, David. Resistance, Parody, and Double Consciousness in African American Theatre: 1895-1910. Basingstoke: MacMillan, 1997. Print. Mackay, Constance D'Arcy.
Hadomi, Leah. Fantasy and Reality: Dramatic Rhythm in Death of a Salesman. Thesis. 1988. N.p.: N.p., N.d. Gale. Web. 6 May 2014.
Georgia Douglas Johnson was a playwright of the Harlem Renaissance whose social commentary delved into the hardships of African Americans in the early 20th century. As an African American woman of the time, Johnson often brought to light the difficulties of her race and gender. In Johnson’s play Plumes she invites her audience into an everyday kitchen, with two hardworking early 20th century African American women trying navigate their way through a racially oppressive and patriarchal society. Johnson uses the characters’ desires to provide for those that they love, as an illustration to the adversity of everyday life of the African American in her time, particularly the African American woman. In this paper, I will explore the complications
In the 19th Century, women had different roles and treated differently compared to today’s women in American society. In the past, men expected women to carry out the duties of a homemaker, which consisted of cleaning and cooking. In earlier years, men did not allow women to have opinions or carry on a job outside of the household. As today’s societies, women leave the house to carry on jobs that allow them to speak their minds and carry on roles that men carried out in earlier years. In the 19th Century, men stereotyped women to be insignificant, not think with their minds about issues outside of the kitchen or home. In the play Trifles, written by Susan Glaspell, the writer portrays how women in earlier years have no rights and men treat women like dirt. Trifles is based on real life events of a murder that Susan Glaspell covered during her work as a newspaper reporter in Des Moines and the play is based off of Susan Glaspell’s earlier writing, “A Jury of Her Peers”. The play is about a wife of a farmer that appears to be cold and filled with silence. After many years of the husband treating the wife terrible, the farmer’s wife snaps and murders her husband. In addition, the play portrays how men and women may stick together in same sex roles in certain situations. The men in the play are busy looking for evidence of proof to show Mrs. Wright murdered her husband. As for the women in the play, they stick together by hiding evidence to prove Mrs. Wright murdered her husband. Although men felt they were smarter than women in the earlier days, the play describes how women are expected of too much in their roles, which could cause a woman to emotionally snap, but leads to women banding together to prove that women can be...
Table of Contents Page 1. A BRIEF CONVERSATION WITH OCTAVIA E. BUTLER Page 2 - 4. Biography Page 5 - 9. Synopsis Page 9 - 14. Analysis of Criticism Page 14 – 15.
Effiong, Philip U. In Search of a Model for African-American Drama: a Study of Selected Plays
Given the historic nature of the film, The Jazz Singer has been analyzed on many levels and in many ways, but it is most importantly noted for its conception of blackface. Many critics point to Al Jolson’s performance as an exploration of his identity. In a comparison to gender, some critics point to the blackface as a racial “cross-dressing” that allow Jack to experience the envied qualities of the other race. In this movie, Jack envies the ability of black expression on stage and also uses his blackface in the romancing of his girlfriend. More critical analysis called Jack’s use of blackface, “exclusionary emulation:” the idea that an ethnic group appropriates the image of different group to show the freedom that they have to “cross the social boundaries of
...ve been suffering mental abuse by their husband. This play presents the voice of feminism and tries to illustrate that the power of women is slightly different, but can be strong enough to influence the male dominated society. Although all women are being oppressed in the patriarchal society at that time, Glaspell uses this play as a feminist glory in a witty way to win over men. Mrs. Hale and Mrs. Peters solve the crime by reflecting on Minnie Wright’s unhappy marriage that leads her to murdering. Using the relationship between female and male characters throughout the play, Glaspell speaks up to emphasize how the patriarchal society underestimated women’s rights and restricted women’s desires.