Pauline Hopkins’ novel “Of One Blood” was originally published serially in a magazine called Colored American, from 1902-03. Within this novel Hopkins discusses some of the prominent racial and gender oppressions suffered by African Americans during this time. Following the Emancipation Proclamation of 1849 which resulted in African American freedom from slavery, but unfortunately not freedom from oppression and suffering. One of the minor characters, and the only dominant female role, within the novel is Dianthe Lusk. Within the novel Dianthe has many identifiers, which limits not only the readers but Dianthe’s understanding of her identity. Some of these identifiers include: women or ghost, black or white, sister or wife, princess or slave, and African or American. However, the most prominent of these juxtapositions in the novel is the racial identity. This paper will argue that the suffrage of Dianthe through her experiences with racial identity and rape serve to locate racial identity as an agent of politics, rather than of one’s color. In the novel Dianthe can be seen as both a black and a white character. At the beginning of the novel Dianthe is a beautiful black women of fair complexion who sings in the African American choir. However, after her train accident and “reanimation” she suffers from retrograde amnesia, and forgets her identity. Upon her awakening Rauel and Aubrey are there to impose the identity of Felice Adams (a white women) upon her. After imposing this racial identity change Rauel and Aubrey observe Dianthe, “they noted her perfect manners, the ease and good breeding displayed in all her intercourse with those socially above the level to which they knew this girl was born. She accepted the luxury of her surrounding as one of the manner born.” Dianthe a black women who performs stereotypical black female activities through the example of choral
Post-emancipation life was just as bad for the people of “mixed blood” because they were more black than white, but not accepted by whites. In the story those with mixed blood often grouped together in societies, in hopes to raise their social standards so that there were more opportunities for...
According to Jacqueline Jones’ perspective of the treatment of African American women during the American Revolution in “The Mixed Legacy of the American Revolution for Black Women” in our early history there was an obvious status differentiation in black women’s
What defines an individual’s racial characteristics? Does an individual have the right to discriminate against those that are “different” in a specific way? In Octavia Butler’s works, which are mostly based on themes that correlate to one another, she influences the genre and fiction in ways that bring light to the problems of societies history. Through Kindred and the Parable of the Sower, Octavia Butler examines themes of community, racial identification, and racial oppression through the perspective of a black feminist. In each novel, values and historical perspective show the hardships that individuals unique to an alien world have to face. Through the use of fictional works, Butler is able to delve into historical themes and human conditions, and with majority of works under the category of science fiction, Butler is able to explore these themes through a variety of settings. This essay will discuss two of Butler’s popular works, Kindred and the Parable of Sower, and will interpret the themes of women, race, independence, and power throughout the two novels.
Laurence Hill’s novel, The Book of Negroes, uses first-person narrator to depict the whole life ofAminata Diallo, beginning with Bayo, a small village in West Africa, abducting from her family at eleven years old. She witnessed the death of her parents with her own eyes when she was stolen. She was then sent to America and began her slave life. She went through a lot: she lost her children and was informed that her husband was dead. At last she gained freedom again and became an abolitionist against the slave trade. This book uses slave narrative as its genre to present a powerful woman’s life.She was a slave, yes, but she was also an abolitionist. She always held hope in the heart, she resist her dehumanization.
Slavery in the eighteenth and nineteenth centuries consisted of brutal and completely unjust treatment of African-Americans. Africans were pulled from their families and forced to work for cruel masters under horrendous conditions, oceans away from their homes. While it cannot be denied that slavery everywhere was horrible, the conditions varied greatly and some slaves lived a much more tolerable life than others. Examples of these life styles are vividly depicted in the personal narratives of Olaudah Equiano and Mary Prince. The diversity of slave treatment and conditions was dependent on many different factors that affected a slave’s future. Mary Prince and Olaudah Equiano both faced similar challenges, but their conditions and life styles
In the case of Amanda America Dickson, “her personal identity was ultimately bounded by her sense of class solidarity with her father, that is, by her socialization as David Dickson’s daughter, her gender role as a lady, and her racial definition as a person to whom racial categories did not apply.”1 This may mean that her freedom was less proscribed by race because she was not a male seeking political advantage. Some people of mixed-race in the nineteenth century South managed to create a personal identity and
Zora Neale Hurston’s “Sweat” is a distressing tale of human struggle as it relates to women. The story commences with a hardworking black washwoman named Delia contently and peacefully folds laundry in her quiet home. Her placidity doesn’t last long when her abusive husband, Sykes, emerges just in time to put her back in her ill-treated place. Delia has been taken by this abuse for some fifteen years. She has lived with relentless beatings, adultery, even six-foot long venomous snakes put in places she requires to get to. Her husband’s vindictive acts of torment and the way he has selfishly utilized her can only be defined as malignant. In the end of this leaves the hardworking woman no choice but to make the most arduous decision of her life. That is, to either stand up for herself and let her husband expire or to continue to serve as a victim. "Sweat,” reflects the plight of women during the 1920s through 30s, as the African American culture was undergoing a shift in domestic dynamics. In times of slavery, women generally led African American families and assumed the role as the adherent of the family, taking up domestic responsibilities. On the other hand, the males, slaves at the time, were emasculated by their obligations and treatment by white masters. Emancipation and Reconstruction brought change to these dynamics as African American men commenced working at paying jobs and women were abandoned at home. African American women were assimilated only on the most superficial of calibers into a subcategory of human existence defined by gender-predicated discrimination. (Chambliss) In accordance to this story, Delia was the bread victor fortifying herself and Sykes. Zora Neale Hurston’s 1926 “Sweat” demonstrates the vigor as wel...
“Desiree’s Baby” provides insight into the application of the hypodescent rule in plantation-era Louisiana, depicting individuals of mixed race who are marked and assigned to the subordinate social group. In her short story, “Desiree’s Baby,” Kate Chopin addresses the practice as it was applied to the “one-drop rule,” the notion that an individual with white complexion may be deemed black by society given the presence of any African ancestry. Desiree, the story’s protagonist, is eloquently placed at the intersection of the two races, victimized in order to highlight the flaws and inadequacies of the rule. Desiree’s ultimate removal from white society and possible death may indicate a text working to criticize racial prejudice; however, underhanded comments and character portrays on behalf of Chopin indicate that this is not the case. Chopin’s text contains racial descriptions of the characters allows for a critique of the method of racial assignment within the divided system it is meant to uphold, adding weight to its inadequacies. “Desiree’s Baby” carefully outlines a situation in which the prepositions of the one-drop rule are manipulated and followed logically to an absurd consequence, rendering the system of categorization ineffective.
Slavery in the eighteenth century was worst for African Americans. Observers of slaves suggested that slave characteristics like: clumsiness, untidiness, littleness, destructiveness, and inability to learn the white people were “better.” Despite white society's belief that slaves were nothing more than laborers when in fact they were a part of an elaborate and well defined social structure that gave them identity and sustained them in their silent protest.
Through her autobiography, Incidents in the Life of a Slave Girl, Harriet Jacobs, under the pseudonym Linda Brent, documents her story under slavery and her escape to freedom for her and her children and is addressed to the “people of the Free States” (Jacobs 3) who do not fully comprehend the evils of slavery. She makes appeals to expand their knowledge of the matter and states “only by experience can any one realize how deep, and dark, and foul is that pit of abominations” (Jacobs 3). As she recounts, Jacobs was born into slavery and after the death of her parents at a young age, and was raised by her free colored grandmother. Jacobs then spends the next twenty years under her mistress’s father, Dr.
On Being Young-A Woman-and Colored an essay by Marita Bonner addresses what it means to be black women in a world of white privilege. Bonner reflects about a time when she was younger, how simple her life was, but as she grows older she is forced to work hard to live a life better than those around her. Ultimately, she is a woman living with the roles that women of all colors have been constrained to. Critics, within the last 20 years, believe that Marita Bonners’ essay primarily focuses on the double consciousness ; while others believe that she is focusing on gender , class , “economic hardships, and discrimination” . I argue that Bonner is writing her essay about the historical context of oppression forcing women into intersectional oppression by explaining the naturality of racial discrimination between black and white, how time and money equate to the American Dream, and lastly how gender discrimination silences women, specifically black women.
Analyzing the narrative of Harriet Jacobs in the context of the writings of W.E.B. Du bois serves to demonstrate how slavery prompted the weary and self-denigrating attitudes of Negro Americans during the subsequent Reconstruction period. However, it is important to note that Harriet Jacobs does not embody the concept of double-consciousness because slavery effectively stripped away her sexuality and femininity, therefore reducing her to one identity--that of a
In the novel, the author proposes that the African American female slave’s need to overcome three obstacles was what unavoidably separated her from the rest of society; she was black, female, and a slave, in a white male dominating society. The novel “locates black women at the intersection of racial and sexual ideologies and politics (12).” White begins by illustrating the Europeans’ two major stereotypes o...
The issue of Slavery in the South was an unresolved issue in the United States during the seventeenth and eighteenth century. During these years, the south kept having slavery, even though most states had slavery abolished. Due to the fact that slaves were treated as inferior, they did not have the same rights and their chances of becoming an educated person were almost impossible. However, some information about slavery, from the slaves’ point of view, has been saved. In this essay, we are comparing two different books that show us what being a slave actually was. This will be seen with the help of two different characters: Linda Brent in Incidents in the Life of a Slave Girl and Frederick Douglass in The Narrative of the life of Frederick
In Harriet Jacobs Incidents in the Life of a Slave Girl, the author subjects the reader to a dystopian slave narrative based on a true story of a woman’s struggle for self-identity, self-preservation and freedom. This non-fictional personal account chronicles the journey of Harriet Jacobs (1813-1897) life of servitude and degradation in the state of North Carolina to the shackle-free promise land of liberty in the North. The reoccurring theme throughout that I strive to exploit is how the women’s sphere, known as the Cult of True Womanhood (Domesticity), is a corrupt concept that is full of white bias and privilege that has been compromised by the harsh oppression of slavery’s racial barrier. Women and the female race are falling for man’s