“Desiree’s Baby” provides insight into the application of the hypodescent rule in plantation-era Louisiana, depicting individuals of mixed race who are marked and assigned to the subordinate social group. In her short story, “Desiree’s Baby,” Kate Chopin addresses the practice as it was applied to the “one-drop rule,” the notion that an individual with white complexion may be deemed black by society given the presence of any African ancestry. Desiree, the story’s protagonist, is eloquently placed at the intersection of the two races, victimized in order to highlight the flaws and inadequacies of the rule. Desiree’s ultimate removal from white society and possible death may indicate a text working to criticize racial prejudice; however, underhanded comments and character portrays on behalf of Chopin indicate that this is not the case. Chopin’s text contains racial descriptions of the characters allows for a critique of the method of racial assignment within the divided system it is meant to uphold, adding weight to its inadequacies. “Desiree’s Baby” carefully outlines a situation in which the prepositions of the one-drop rule are manipulated and followed logically to an absurd consequence, rendering the system of categorization ineffective. Constructing an environment in which the one-drop rule should theoretically thrive, Chopin places Desiree in a southern plantation where she can be made black easily, but more significantly, where blackness carries significant consequences. Despite Desiree’s ability to effortlessly assimilate into southern society, taking on the role of the “beautiful, gentle, affectionate and sincere” southern belle, the story never loses sight of her “obscure origin” (Chopin 440). As a result, Desiree is not... ... middle of paper ... ...gressive, the system’s failure stems from its inability to preserve the racial divide of the time. At the story’s end, the cruel black slave owner remains in power while the white southern belle is exiled, her status having been revoked. With this in mind, the one-drop rule is not only criticized through Desiree’s tragic end as its premise is disproven using reductio ad absurdum. Chopin tests the one-drop rule in the racist setting in which it should theoretically thrive, but manipulating two of the subjects with the concept of an “unknown origin,” the system of racial categorization ceases to function effectively. As the hierarchy meant to be preserved falls apart, the one-drop rule exhibits apparent and irreparable flaws. Questioning the stability of the one-drop rule, the text displays a clear desire for a more dependable system of racial categorization.
Ever since the abolition of slavery in the United States, America has been an ever-evolving nation, but it cannot permanently erase the imprint prejudice has left. The realities of a ‘post-race world’ include the acts of everyday racism – those off-handed remarks, glances, implied judgments –which flourish in a place where explicit acts of discrimination have been outlawed. It has become a wound that leaves a scar on every generation, where all have felt what Rankine had showcased the words in Ligon’s art, “I feel most colored when I am thrown against a sharp white background” (53). Furthermore, her book works in constant concert with itself as seen in the setting of the drugstore as a man cuts in front of the speaker saying, “Oh my god, I didn’t see you./ You must be in a hurry, you offer./ No, no, no, I really didn’t see you” (77). Particularly troublesome to the reader, as the man’s initial alarm, containing an assumed sense of fear, immediately changing tone to overtly insistent over what should be an accidental mistake. It is in these moments that meaning becomes complex and attention is heightened, illuminating everyday prejudice. Thus, her use of the second person instigates curiosity, ultimately reaching its motive of self-reflections, when juxtaposed with the other pieces in
Emancipation was a persistent issue in the twentieth century as was the problem of the color line. Many writers like DuBois argue that in both a conscious and sub conscious way the color line denotes limitations but also sets standards for African American people during this time. Through the use of the main characters and secondary characters as well as foreshadowing Chestnut in his book The Marrow of Tradition depicts the color line in Wilmington, North Carolina. The theory of the color-line refers fundamentally to the role of race and racism in history and civilization. Through the analysis of The Marrow of Tradition readers can recognize and understand the connection of race and class as both a type of supremacy and as an approach of confrontation on a domestic level during the twentieth century for African Americans.
In “Desiree Baby”, author, Chopin emphasizes racism by selecting certain words to symbolize the association between light and darkness, and the slaves on the plantation.
One example of gender criticism Chopin accounts in her writing is the love between the women in the novel which has been suppressed throughout history as “lesbian” encounters in order to uphold male power and privilege (LeBlanc 2). Edna’ friendships with Mademoiselle Reisz and Adele Ratignolle both act as different buffers into Edna’s sexual and personal “awakening.” Edna’s a...
This book touches on many different aspects of racial inequality by bringing together the works of many different African American authors, and discusses all of the major themes of “whiteness studies”. The author speaks of how whites attempt to maintain a neutral ground by focusing on extreme acts of white supremacy, which blinds the main steam to the problem of white dominance as a whole. They also discuss how there are differences in the wages between whites and blacks. One of the chapters discusses how there are whites who are committed to the equality of the races, and yet cannot empathize with the races they are trying to help. In another chapter they discuss how Pecola Breedlove undergoes racial deformation through biopower mechanisms occurring throughout the characters life. In another chapter an author discusses how racial excoriation cannot be the focus any longer if we wish to make progress in the realm of race. Instead he suggests we need to focus on the rehabilitation of racial whiteness. He argues that in order to accomplish this we must address the fears and greediness of whites.
Chopin’s use of symbolism throughout the text establishes a method of conveying the opposition of structural gender roles in Victorian society to readers in a magnificent way.
“Desiree Baby” by Kate Chopin is a very thought provoking short story that deals with racism, prejudice, and love. The story takes place in southern Louisiana, where Armand, a prominent landowner, marries a girl of unknown origin named Desiree. The story has a twist when their baby is born and is discovered to be of mixed race. Armand knew all along that he was OF mixed race, and I will prove it by analyzing characterization, diction, and imagery.
Growing up within a household full of women, writer Kate Chopin could attest to the extreme difference it is to be considered independent vs dependent, as a woman. Accordingly, a theme of feminism and independence was apparent within her writings. However, in her short story, Desiree’s baby, she chooses to do something different. Instead of using independence as a theme, in the favor of women, Kate Chopin greets readers with a socioeconomic difference between main characters, Desiree and Armand. When considering this short story, with the Marxist criticism, a reader may even notice that Kate Chopin’s characters demonstrate economical differences (i.e. class and status) to overall argue how ones social status and economic class leads to mental illness of the lowly and the elite.
In the story of “Desiree’s Baby” by Kate Chopin, there are many literary themes that can be analyzed such as love, racism, gender inequality, and miscegenation. What this analysis will focus on is primarily on the central male character, Armand Aubigny, and on his views towards racism. More specifically, what this essay will aim to prove is that Armand Aubigny looked down upon the African race to the point where he hated them. One of the biggest driving points to aid this idea is how his family name shaped his behavior and actions according to the societal normalities of his time period. Another important aspect that will be considered is his very relationship towards his slaves in how he treated them cruelly even to the point where he is described as “having the spirit of Satan” (Chopin 3). In addition to this, the reader will also see Armand’s negative reaction to being aware of the implications of his son and wife having mixed blood in where he practically disowns them. With all this culminating to Armand finding out the ugly truth that the race he had treated so horribly is actually a part of his very own blood as well.
Pauline Hopkins’ novel “Of One Blood” was originally published serially in a magazine called Colored American, from 1902-03. Within this novel Hopkins discusses some of the prominent racial and gender oppressions suffered by African Americans during this time. Following the Emancipation Proclamation of 1849 which resulted in African American freedom from slavery, but unfortunately not freedom from oppression and suffering. One of the minor characters, and the only dominant female role, within the novel is Dianthe Lusk. Within the novel Dianthe has many identifiers, which limits not only the readers but Dianthe’s understanding of her identity. Some of these identifiers include: women or ghost, black or white, sister or wife, princess or slave, and African or American. However, the most prominent of these juxtapositions in the novel is the racial identity. This paper will argue that the suffrage of Dianthe through her experiences with racial identity and rape serve to locate racial identity as an agent of politics, rather than of one’s color.
Through interpretations of the “Twilight of the White Races in 1926” written by Muret, race is seen as something that determines one’s ability to certain rights, privileges and social status. Being ‘negro’ is seen as something negative, and something that creates a devastating problem for Whites and more specifically Anglo Saxons inhibiting American society. “This is a critical moment for the western peoples; if they allow themselves to be submerged by the colored races, it is the end of their glory and of their role, and this western civilization of which we are so ...
In the novel, the author proposes that the African American female slave’s need to overcome three obstacles was what unavoidably separated her from the rest of society; she was black, female, and a slave, in a white male dominating society. The novel “locates black women at the intersection of racial and sexual ideologies and politics (12).” White begins by illustrating the Europeans’ two major stereotypes o...
During the nineteenth century, Chopin’s era, women were not allowed to vote, attend school or even hold some jobs. A woman’s role was to get married, have children
Throughout the years many variations of the ideas on race, class, and culture have been presented based upon different factors. In earlier times people’s views were not nearly the same as they are presented today. Ideas that women belong in the kitchen or that African-American’s were an inferior race were common. Those views were very popular during the time of Kate Chopin’s book “Desiree’s Baby.” Chopin’s book explores the controversial areas of race and class as well as touching on the subject of culture. “Desiree’s Baby” shows the life of Desiree from a young child through adulthood. The young Desiree was found by a rich family alone on the streets. Even in a time where race and social class was important the wealthy, a rich couple took in young Desiree without knowing her ancestral background. Desiree lived a good life with the family. The story then switches to when Desiree was a young adult and falls in love with Armand Aubigny. Armand also comes from a wealthy background and still falls for Desiree without knowing her racial background. Eventually, the young couple has a baby but to their surprise the baby comes out with African traits. Armand is not happy and rethinks whether she has African in her background or if maybe she had an affair with a slave. Desiree’s mother offers to have her and the baby come back and stay with them but when Desiree leaves she disappears and is never seen again. Later, Armand finds out that it may not have been Desiree that carries African roots but himself, from his mother’s side. Overall, Chopin’s work looks into the controversial issues of race, class, gender and culture using ironies and the story-line to infer the views of these topics.
In 'Desiree?s Baby,' Chopin illustrates her idea of the relationship between men and women by portraying Desiree as vulnerable and easily affected, whereas Armand is presented as superior and oppressive. Throughout ?Desiree?s Baby,? Kate Chopin investigates the concept of Armand's immense power over Desiree. At first, Desiree tries to conform to the traditional female role by striving to be an obedient wife. Later in the story, this conformity changes after Desiree gives birth to her part-black son.