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In the Victorian era where vanity was the main attraction, Oscar Wilde’s
The Picture of Dorian Gray gave insight into the true horrors that came of
this sinful nature. Wilde was a very controversial figure and he meant to
stir the pot when he wrote this disputed story. He believed that literature
was not only meant for the imagination, but for the moral mind as well. In
The Picture of Dorian Gray he depicts the importance of becoming a well
rounded individual and also explains himself. In one of his many letters he
states “Basil Hallward is what I think I am: Lord Henry what the world
thinks me: Dorian what I would like to be- in other ages, perhaps.” He was
a man before his time and he exposed the reality that every person is a
sinner, including himself. Wilde used the world around him to portrait the
distorted view of the Victorian era he had come to know. (Shuman 1-2)
This wonderful story takes place in the glorious setting of London,
England, where we are introduced immediately to Basil Hallward and Dorian
Gray. Basil, an amateur artist, is stunned by Dorian’s appearance and is
compelled to paint him; he continually attempts to protect him from the
dangers of negative influences such as Lord Henry Wotton. Although, Basil
and Lord Henry are a choice pair of friends, Basil refuses to allow him
meet Dorian. As luck would have it, Lord Henry first meets Dorian while
he’s eloquently playing the piano and is immediately intrigued by his
youthful innocence. Dorian, being the naive young man he is, listens to all
of Lord Henry’s “quality” advice and from there on in he starts to
transform.
Dorian Gray had only returned to London because of the death of his uncle,
Lord Kelso, who left him all his affluence....
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...liver Park. Perf. Ben Barnes and Colin Firth. Prescience, 2009. DVD.
Fellner, Richard L. “Forever Young? The Dorian Gray Syndrome.” Pattaya Mail. Pattaya Mail Media Group, 09 Sept. 2011. Web.
Mustafa, Jamil M. “Literary Contexts In Novels: Oscar Wilde’s “The Picture of Dorian Gray.” Literary Contexts In Novels: Oscar Wilde’s ‘The Picture of Dorian Gray’ (2006): 1. Literary Reference Center.
Shuman, Baird R. “The Picture of Dorian Gray.” Mcgill’s Survery of World Literature. By Steven G. Kellman and Frank N. Mcgill. Pasadena, CA: Salem, 2009. 1-2.
Stableford, Brian. “The Picture of Dorian Gray.” Cyclopedia Of Library Places (2003): 1, Literary Referance Center.
Wilde, Oscar, and Richard Ellmann. The Picture of Dorian Gray and Other Writing. New York: Bantam, 1982.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Ruddick, Nicholas. "'The Peculiar Quality of My Genius': Degeneration, Decadence, and Dorian Gray in 1890-91." Oscar Wilde: The Man, His Writings, and His World. New York: AMS, 2003. 125-37. Rpt. in Nineteenth-Century Literature Criticism. Ed. Jessica Bomarito and Russel Whitaker. Vol. 164. Detroit: Gale, 2006. Artemis Literary Sources. Web. 27 Apr. 2014.
Smith, Emily Esfahani. Wilde in an hour. 1st ed. Hanover: In an Hour, 2009. Print.
and rich people in his town as well. His beauty charmed the world. Basil was
Wilde, Oscar. The Picture of Dorian Gray; For Love of the King. London: Routledge/Thoemmes Press, 1993.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
Wilde, Oscar. The Picture of Dorian Gray. Michael Patrick Gillespie, Editor. Norton Critical Edition. New York: W.W. Norton & Company, Inc., 2007.
---. The Picture of Dorian Gray. The Picture of Dorian Gray and Other Writings. Ed. Richard Ellman. New York: Bantam Dell, 1982.
In The Picture of Dorian Gray by Oscar Wilde, Dorian Gray slowly becomes more influenced by things and people around him. Eventually, Lord Henry gifts him with a book describing a wealthy man’s pursuit of aesthetically and sensually pleasing items. “The yellow book” has a much stronger effect on Dorian Gray’s perception of beauty than Lord Henry Wotton does. Although it can be argued that Lord Henry introduced Dorian to the idea of aestheticism, the “yellow book” drives Dorian to live a life full of it, and changes his focus. Dorian shows the fact that he is not strongly influenced by Lord Henry through his interactions with Sibyl. Contrary to this, Oscar Wilde illustrates the substantial influence the yellow book has on Dorian by one, the
Wilde, Oscar, and Michael Patrick. Gillespie. The Picture of Dorian Gray: Authoritative Texts, Backgrounds, Reviews and Reactions, Criticism. New York: W. W. Norton &, 2007. Print.
Woodcock, George. The Paradox of Oscar Wilde. London-New York: T.V. Boardman and Co., Ltd., 1950.
Set in the late 19th Century, Oscar Wilde wrote his only novel The Picture of Dorian Gray, which is a story about debauchery and corruption of innocence and well known as a "Gothic melodrama." Violent twists and a sneaky plot make this novel a distinct reflection of human pride and corrupt nature.
Wilde, O. (1945). The picture of Dorian Gray. The Electronic Classics Series, The Pennsylvania State University. p. 3/ Retrieved January 3, 2014 from http://www2.hn.psu.edu/faculty/jmanis/oscar-wilde/dorian-gray.pdf