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t.s. eliot's love song of j. alfred prufrock
loss and disillusionment in t.s. eliot's "the love song of j alfred prufrock"
the love song of j. alfred prufrock by t.s. eliot analysis
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The Love Song of J. Alfred Prufrock by T.S. Eliot
The Love Song of J. Alfred Prufrock was written by T.S. Eliot in 1917. When looking at the title, one can immediately assume that this poem is a love story or even an actual love song. Actually, after reading one will find a great struggle and in fact no love song will be sung.
The poem begins with a short passage from Dante’s INFERNO. With this reference, it immediately gives an eerie feeling of something evil or possibly something related to the devil. Reading the translation of this passage though, it leads you into feelings of sympathy for the man. It concerns a man and his identity, much like the actual poem. This passage and its entire translation implies that in the poem Prufrock is only speaking because he is sure no one will stop and listen to him.
Because we are reading the thoughts of the narrator in the first stanza the entire thing is very incoherent and it does not really make sense. As the poem progresses though, Prufrock continues to repeat ideas and phrases which brings a little more concreteness as to the path of the story. For instance, the usage of the phrase “you and I”. This line includes the reader into the poem, suggesting that by following along with him, one would better be able to understand his problems.
The images of the opening lines portray a dreary neighborhood with cheap hotels and restaurants. This is where Prufrock calls home. He invites the reader along on his journey. Specifically, in line 12 he is making a visit somewhere. Immediately this conjures images of the places that he and the reader will go together. He gives ideas about occasions like an afternoon tea party where women talk about Michelangelo. The correlation betw...
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...t his love to this woman. Many people have experienced situations in life where felt they wanted to speak out and speak up, but were fearful of the consequences therefore leaving nothing said at all.
T. S. Eliot also was able to create a wide array of feelings for Prufrock. A more dominant feeling was that of sympathy for Prufrock. The great use of language encouraged the reader to want for Prufrock to sing to this woman. It involves the reader in the story. You feel as though you need to give him encouragement, or maybe a cheering section so he will go ahead and express himself to her. At the end of the story, I experienced anger towards this man because he put so much time and effort into planning his big approach, he completely quit. He decided that he would give up completely on this girl. Now he is old and does not have anyone to share his love with.
The first two lines of the poem set the mood of fear and gloom which is constant throughout the remainder of the poem. The word choice of "black" to describe the speaker's face can convey several messages (502). The most obvious meaning ...
T.S. Eliot would later remark, “I’m afraid that J. Alfred Prufrock didn’t have much of a love life” (Southam 47). That is what makes this “love song” so brutal and caustic. For even when change doesn’t matter (FINISH quite atypical of standard romance. a man caught in stasis when (???). ). Even in his fantasies, Prufrock is Prufrock. (LEAD UP TO PINNED TO THE WALL) “, then how should I begin?” (line). The answer is that he can begin in any way he chooses—but it will not matter in the end. No matter his speech and no matter his wardrobe, he will forever be J. Alfred Prufrock—with a love song yet unsung that he believes the world would never want to hear.
...all tell you all."(94-95) Unfortunately for Prufrock, he pessimistically assumes that even if his dream came true, he still wouldn't know what to tell them all, or how. Eliot doesn't give any sense of hope for Prufrock in the poem. He remains a doomed character until the very end. Prufrock even admits that he has "seen the moment of my greatness flicker,"(84) He is a victim of time and natural selection.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” tells the speaker’s story through several literary devices, allowing the reader to analyze the poem through symbolism, character qualities, and allusions that the work displays. In this way, the reader clearly sees the hopelessness and apathy that the speaker has towards his future. John Steven Childs sums it up well in saying Prufrock’s “chronic indecision blocks him from some important action” (Childs). Each literary device- symbolism, character, and allusion- supports this description. Ultimately, the premise of the poem is Prufrock second guessing himself to no end over talking to a woman, but this issue represents all forms of insecurity and inactivity.
Prufrocks next thoughts tell of his old age and his lack of will to say what is on his mind. He mentions his bald spot in his hair and his thin arms and legs. This suggests that he knows he is growing old, and therefore contradicts what he had mentioned earlier in the poem about having plenty of time. Throughout the poem he is indecisive and somewhat aloof from the self-involved group of women. One part of him would like to startle them out of their frustratingly polite conversations and express his love for her, but to accomplish this he would have to risk disturbing their ?universe? and being rejected. He also mentions ?sprawling on a pin?, as though he pictures himself being pinned in place and viciously analyzed like that of an insect being literally pinned in place. The latter part of the poem captures his sense of overwhelming lack of willpower for failing to act daringly, not only at that tea party, but throughout his life.
T.S. Eliot’s breakthrough poem “The Love Song of J. Alfred Prufrock” is expertly crafted to have a complex structure with various hidden themes. The poem acts as an inner monologue for the titular character, appearing as lyric-narrative poetry. However, it does appear to lean towards a lyric poem, with the hazy plot consisting of Prufrock describing what his life has been like, in retrospect to speculating on what is to come next. The monologue throughout is melancholy in nature, with Prufrock dwelling on issues such as unrequited love, his frail body, his looming demise, and a dissatisfaction with the modernist world. Eliot uses a variety of metaphor within the poem to showcase Prufrock’s indecision, between being unable to fully live, while
Eliot, T. S. "The Love Song of J. Alfred Prufrock" in An Introduction to Literature. Ed Sylvan Barnet et al. 13 ed. New York: Longman. 2004. 937-940.
...urface giddiness of "mermaids singing, each to each." Our paralysis in reading "Prufrock," from stanzaic symmetries ("And would it have been worth it, after all"/"That is not is, at all," used twice with minor variations) that indicate Prufrock¹s stalled action to the anatomization of pluralized body parts ("eyes"/"arms") that rest heavily on a local item while emphasizing its multitude and power, "Disturb[s] the universe" as much as Prufrock¹s own perambulations do, that is, not at all. He only sinks further down, drowning not only in other "human voices" but, more importantly, in his own constipation.
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
In "The Love Song of J. Alfred Prufrock", written by T. S. Elliot in 1917, J. Alfred Prufrock makes the reader privy to his innermost thoughts on an evening out. Prufrock wants to lead the reader to an overwhelming question, raising expectations, but he is a bitterly disappointing man; he never asks the question. He lacks self-esteem, women are intimidating to him, and he is too much of a coward to ever be successful with women. The title is "The Love Song,", not "A Love Song." So whenever Prufrock is around women, he behaves the same way. He always has and always will. Because of his inability to change he will die a lonely man.
...ing line the eloquently depicts the act of daydreaming and having a quiet fantasy abruptly disturbed by reality (131-133). It is only in his ruminations that Prufrock can escape the demands of society and the expectation of rejection.
The speaker from the first stanza is the observer, someone who pays closer attention to the entire piece of work, noticing all the details and able to understand the painting as a fluid story and not a snapshot. He is a man with fishing experience. He knows violent the seas and the power nature holds, strong and unforgiving to any individual. The second speaker in the poem is the observer, his voice is heard in the second stanza. He describes the individual looking at the painting as an innocent bystander embracing the art in a museum. The man views the painting, not fully immersing oneself in the complete story of the painting. Instead, he just looks on as a spectator, not fully appreciating the intensity of what he is looking at. Breaking the poem into two stanzas not only allows Finkel to voice two speakers, but also allows him to alternate the tone. The tone of the first stanza with the observer is dark, the speaker describes the events in the painting with a terror, making the painting more realistic with hints of personal experiences. The second stanza is divided into two parts: the first is calm, the onlooker is innocent, gazing at the still image on the canvas, describing the painting at face-value. The latter half of the stanza brings the painting to life. Similar to the first stanza, it transitions back into darkness, a contrast of what the observer views on the
In conclusion, after exploring the theme of this poem and reading it for myself, Eliot has created this persona, in industrialised England or somewhere else. A man of low self-esteem, you embark his journey as he struggles with a rational fear of being rejected by a woman. Which gives the reader sympathy to Prufrock, as he lives within his own personal
T. S. Eliot's poem "The Love Song of J. Alfred Prufrock" reveals the unvoiced inner thoughts of a disillusioned, lonely, insecure, and self-loathing middle-aged man. The thoughts are presented in a free association, or stream of consciousness style, creating images from which the reader can gain insight into Mr. Prufrock's character. Mr. Prufrock is disillusioned and disassociated with society, yet he is filled with longing for love, comfort, and companionship. He is self-conscious and fearful of his image as viewed through the world's eye, a perspective from which he develops his own feelings of insignificance and disgust. T. S. Eliot uses very specific imagery to build a portrait of Mr. Prufrock, believing that mental images provide insight where words fail.
In this passage, it's clear that Prufrock desires a woman's attention but doesn't think he will ever have it. This pessimistic outlook gives no hope at all and is just depressing.