The Little Fourteen-Year-Old Dancer

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Subsequently, as Degas was playing with the concept of the identity and his representations of a young female ballerina. Many of Degas’s ballerina sculpture artworks were explored by the study of ballet figures at the Opéra. As he first studied and did countless sketches of Marie van Goethem, where he later created a wax figure of her in a ballet pose. Degas’s The Little Fourteen-Year-Old Dancer, (Figure 1) immediately calls to mind Preziosi’s book, which calls out the “draughtsmanship” to maintain what he later refers to in what makes art history important. Although Preziosi doesn’t express his feeling about sculpture artworks, he does address the “manner then attained to the greatest beauty from the practice which a rose of constantly

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