The Laramie Project Sparknotes

1416 Words3 Pages

What’s So Great About That? In one of the first mainstream documentary dramas, The Laramie Project seeks to uncover the truth behind the vicious murder of teenager Matthew Shepard, the victim of a homosexual hate crime in October of 1998. Written by Moisés Kaufman and members of the New York based Tectonic Theater Project, this piece is made up of a series of moments rather than scenes, and told in a series of interviews with the people surrounding the case, be they doctors, policemen, or average citizens of the college town of Laramie, Wyoming. However, amidst the claims of “live and let live” being the local mentality, it is prominent that the town is highly divided regarding its beliefs, with the educated students of University of and the …show more content…

¬Jay Baglia and Elissa Foster, two professors at DePaul University whom discuss the play within the Journal of Dramatic Theory and Criticism, state the “audience is able to purge its aggressive tendencies, finish off the bad guy and return to [their lives]” providing a “sense of closure [for] audience members” (Baglia 131, Charles 240). The Laramie Project provides this sense based upon the ending it takes up, essentially wrapping everything up with a great big bow: the murderers go to prison, and everything can go back to normal. Nothing else is pursued, and the audience can leave the theater with a sense of satisfaction, believing that everything that could possibly be done has been taken care of. “The Laramie Project confirms for liberal audiences what they already believe— that violence and hatred are wrong” and nothing has changed within them at all (Baglia …show more content…

Baglia and Foster describe the representation the text created as “captur[ing], through writing and acting brilliance, [the theatre company’s] interpretations of sixty individuals in crisis, perhaps providing a catharsis for themselves as actors, and for those of us in the audience who vicariously went along for the ride” (141). Essentially what they are indicating is that the script of Laramie is speculative, influenced by whatever best fit the story that the company was trying to tell. While all of the text used is from interviews, the presentation and order of them came down to the company. Casey Charles, in his essay “Panic in The Project: Critical Queer Studies and the Matthew Shepard Murder”, further shows the bias towards catharsis that the Company shows. The division that takes place between how Matthew and the perpetrators are represented in the text is immense, creating an irrefutable line between what is seen as the ‘good guy’ and the ‘bad guy’. “Matthew Shepard [is] portrayed as innocent, foolhardy, and amicable...[while] McKinney and Henderson, on the other hand...they are roofers from broken, trailer-park families who have gotten into trouble with drugs” (Charles

More about The Laramie Project Sparknotes

Open Document