“The Invisible Music of Ralph Ellison” Summary-Reaction

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In “The Invisible Music of Ralph Ellison”, Andrew Radford presents a compelling evidence, in the Raritan (Summer 2003(Vol. 23 Issue 1)), that in Invisible man, Ralph Ellison uses musical terms to argue that survival is dependent on the invention of your own person. As Ellison scholars we must also remember that Ellison was originally a jazz player, and went to school to become a musician. Radford enforces his point brilliantly with quotes from multiple books and interviews with Ellison to enforce that Jazz and musical references show that survival is dependent on the invention of your own person.
Radford starts his argument by pointing out how in the story the “skewed sense of time” (p. 40) is like how Jazz players have a skewed sense of tempo. Radford, brilliantly, then points out how this ability to feel the music and tempo of life adds a special dynamic to the protagonist, “compelling yet mysterious” (p. 40). Radford then leads us to the fact that Jazz musicians use improvisation with, for example tempo, which Ellison said once in an interview that Invisible man is “an endless improvisation upon traditional materials”. (p.41) As Ellison scholars we must remember that music, like books gain meaning through personal experiences, and that many of the things Ellison wrote about were very close to things he experienced.
Radford then continues his great argument by talking about the invisible man’s distinct strategy to distinguish between the overt and the convert. He also brings up how the invisible man’s process in naming himself, “Jack-The-Bear” (p. 42) after a “Covert” improviser in 1930’s Harlem, but his name later served as the title for one Duke Ellington's greatest “Overt” successes” (p.42). Then Radford speaks about how the...

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...he invention of your own person by illuminating the many parallels used throughout the prologue and epilogue. We must remember that Ralph Ellison uses jazz, one of the things he knows best in his stories along with past experiences to create an “improvised” feeling in the Invisible Man and many of his other stories. We must remember that it is hard to become attached to something without a name. Ralph Ellison created a well crafted book through his ability to pull from his past experiences and craft this unnamed character that everyone can relate to, that is trying to create his identity, and Radford illuminates this directly.

Works Cited
Radford, Andrew. "The Invisible Music Of Ralph Ellison." Raritan 23.1 (2003): 39-62. OmniFile
Full Text Select (H.W. Wilson). Web. 17 Mar. 2014.

Ellison, Ralph. Invisible Man. New York: Vintage International, 1995. Print.

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