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Indian feminism in Indian English literature
Summary of mother daughter relationship in manju kapurs difficult daughters
Summary of mother daughter relationship in manju kapurs difficult daughters
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The status of women in India has not enhanced much even after six decades of Indian Independence. Repression and enslavement still compel her to lead a regulated life. However, education has come to the aid of women to move forward and they have endeavored to liberate themselves from the domination of men. In this context it is interesting to note that the last decade of the twentieth century witnessed a world of change in the literature produced in India in the English language. The novels of R.K.Narayan in 1930s presented Indian society in its traditional form. In his early works Narayan assigned man a predominant position to women. But in the recent past one finds feminine consciousness has led to a social change where search for an identity and independence for women took place. Women writers have presented the world in a different perspective, through which one can understand the aptitude of human accomplishment. They have discussed the role and status of women in Indian society and their issues and difficulties at different phases of time. In the process, they have examined social, cultural ethos against which they have been brought up and the image that has been carved for women in the society. Their works portray the conflict of women to assert their individuality. Moreover, education has assisted them to raise their voice against maltreatment and suppression. The first novel Difficult Daughters 1 by Manju Kapur was published in 1998 and it has been bagging many laurels since then. Difficult Daughters won the Commonwealth Writer’s Prize for the Best First Book Category in the Eurasia region and was also shortlisted for the Crossword Book Award in India... ... middle of paper ... ...that her rights are confiscated by Virmati. Virmati feels free only in the presence of Harish. She finds herself an untouchable in the house. Once Virmati ventures into the kitchen but that is followed by a hue and cry: “…..but there had been such weeping and wailing that day, such ritual rinsing of every pot and pan to wash away her polluted touch, that she felt intimated. It was clear that not an inch of that territory was going to be yielded. ” (230). Thus Harish says, “Poor thing, you have me, let her have the kitchen.”(230) REFERENCES 1. Manju Kapur, Difficult Daughters, 1998. London: Faber and Faber, 1999. (All textual citations in the article kept in parentheses are from this edition of the novel.) 2. Mehta, Sangeeta. “Women’s Odyssey of Liberation In Manju Kapur’s Difficult Daughters.” Contemporary Vibes 5. 17 (Oct – Dec 2009): 12 – 13.
In Nehru’s India, women were victims of a “passive revolution” that subtly advanced bourgeoisie men of higher castes under a guise of parliamentary democracy. Though women have presided over the Indian National Congress, served as a prime minister, and represent a large part of India’s la...
Families in poverty often have to make painful sacrifices in order to survive. Women in third world countries during the 1980s often had to put their families’ needs above their own. In the novel Secret Daughter by Shilpi Somaya Gowda, through the use of flashbacks, negative tone and painful diction, the author emphasizes the sacrifices and grief poverty forces Kavita to endure in order to ensure a better life for her family.
Against the backdrop of a brand-new liberalized world, Kapur sketches out Shagun’s boredom, Raman’s hurt and the confusion of their children, Roohi and Arjun, who are batted back and forth between parents and across chapters. The two new partners in the equation, boss man Ashok and divorcee Ishita, struggle to woo their step kids while supporting
Parents play a crucial role in the development of children, varying from culture to culture. Although imperative, the mother and daughter relationship can be trivial. Many women writers have exercised their knowledge and shared their feelings in their works to depict the importance and influence of mothers upon daughters. Jamaica Kincaid, Maxine Hong Kingston, and Kiana Davenport are only three of the many women writers who have included mother and daughter themes in their texts. These writers explore the journeys of women in search of spiritual, mental and individual knowledge. As explained by these authors, their mothers' words and actions often influence women both negatively and positively. These writers also show the effects of a mother's lesson on a daughter, while following women's paths to discovery of their own voice or identity. In Kincaid's poem, Girl; Hong Kingston's novel, Woman Warrior; and Davenport's short story, The Lipstick Tree, various themes are presented in contrasting views and contexts, including the influence of mothers upon daughters.
Nothing is more enduring than a mother- daughter relationship. This bond is specifically explored in the books, The Battle Hymn of a Tiger Mother by Amy Chua and The Joy Luck Club by Amy Tan. Authors of these books precisely show the complexity of this type of relationship. Chua and Tan show the reader how a mother and daughter can hurt one other but ultimately forgiveness finds its way through. The similarities in these books include the difficulty of communication between the mother and daughter and their sacrifices for love. The difference between these books is the mothers’ outlooks of the role women play in society.
the disabilities of women are social and economic; the woman writer can only survive despite great difficulties, and despite the prejudice and the economic selfishness of men; and the key to emancipation is to be found in the door of a room which a woman may call her own and which she can inhabit with the same freedom and independence as her brothers. (144)
The world before her is a film of hope and dreams for Indian women. We examine two girls with different paths but one goal in common, empowerment. This term conveys a wide range of interpretations and definitions one of them being power over oneself. Both Prachi and Ruhi manifest a will for female empowerment but both have distinct views on how this is achieved. Prachi believes the way to achieve empowerment is through her mind and strength, while she still confines to tradition views of Indian culture. Ruhi desires to achieve female empowerment by exposing her beauty in a non-conservative way while maintaining her Indian identity.
Women’s rights are one of the most important issues modern society has to deal with. Nowadays, equal rights are claimed through literature, speeches and many artistic creations. However, this issue was not common talk between the 19th and 20th century. Women did not have any legal rights against their husband. Nevertheless, some female authors tried to claim their identity, as well as their freedom, by describing their feelings and struggles.
These highly regarded and well-respected female authors are showing that women can and do hold power in our society. These authors send the message to readers that women throughout time have been and still are fully capable of thinking for themselves. They can hold their own ground without having to subject themselves to the dominance of the males, be it in writing novels, raising a family, working in a factory, or pursuing a singing career. Thus, they as all women, deserve to be held in respect for their achievements and deserve equality.
Women play a key role in this novel in many ways. In the case of...
Recent years have witnessed a large number of Indian English fiction writers who have stunned the literary world with their works. The topics dealt with are contemporary and populist and the English is functional, communicative and unpretentious. Novels have always served as a guide, a beacon in a conflicting, chaotic world and continue to do so. A careful study of Indian English fiction writers show that there are two kinds of writers who contribute to the genre of novels: The first group of writers include those who are global Indians, the diasporic writers, who are Indians by birth but have lived abroad, so they see Indian problems and reality objectively. The second group of writers are those born and brought up in India, exposed to the attitudes, morale and values of the society. Hence their works focus on the various social problems of India like the plight of women, unemployment, poverty, class discrimination, social dogmas, rigid religious norms, inter caste marriages, breakdown of relationships etc.
Still to this day women struggle. It’s a part of life. In Khaled Hosseini's novel, A Thousand Splendid Suns, two young girls; Mariam and Laila live out unbearable lives as woman in Afghanistan. Women are often viewed as vulnerable, weak, and occasionally worthless. This is all perfectly shown by Mariam’s story. She grew up with a mother who told her she was a huge mistake and her little harami, meaning bastard. Not only did she live in a house where she was constantly put down, she also lived without a father. Her father would visit once a week sharing stories with Mariam and telling her that Nana, her mother, is wrong and constantly lies. Mariam was constantly fed lies by her mother. Once Nana died Mariam moved in with Jalil until it was time for her to be married off. Rasheed, her new husband did not make her life easy. Iit only got harder for Mariam when Laila, a young girl who lost her family, moves in and marries Rasheed. Their lives with Rasheed were tragic times. In order to survive women need to endure and persevere to make it through their struggle some lives.
Harish comes to meet her and furthermore to seek after her. He succeeds in convincing his adoration for Virmati. For the first time they enjoy physical joy. She conceives soon and has to abort the child by selling the gold bangles given to her by her grandfather. After this occurrence she again decides to cut her relationship with him. She goes to Siramaur, a hill station in Nahan to be a pricipal of Pratibha Kanya Vidyalaya. She teaches family household and English Literature to class IX and X. Virmati very much enjoys being in Nahan. It is most likely her best period. There she enjoys a free life like a honey bee and tastes honey of her life. Her Her search for identity ends here. She needs to manage everything by herself. Here she has no friends and family. She achieves the status of female autonomy. Virmati finds in Nahan a 'room of one's own'. Veena Singh states that, "in Virmati there struck the head and the heart, physical and moral, Virmati gives way to her heart and body" (Singh 168). But destiny has written something else for her as Harish comes here to meet her. She meets him secretly at nights. The trustee of the school finds out her guilty so she needs to abandon her job as she has lost employees' confidence. She decides to go to Shantiniketan , but on her way she meets a friend of Harish. He calls Harish at her home. She marries Harish and becomes
For thousands of centuries literature has been used as a clever device to show the negative outlook in which society has on women at that time. The common theme of men exploiting women for personal gain and using their heavy-handed power to make women feel inferior can be seen in writings from the ancient Greeks all the through authors of the 20th century. Writers and intellectual thinkers such as Plato, Peter Abelard, Fyodor Dostoevsky, Henrik Ibsen, and even women such as Virgina Wolfe, and Fatima Mernissi have all written about the struggles caused by domineering men which women have fought against for so long. It is not until the late twentieth century that we see a positive almost spiritual view of women from the stories told by Gao Xingjan in his book One Man’s Bible. The 1994 publication of Fatima Mernissi’s memoirs of her girlhood in a harem spoke powerfully in favor of women shedding prescribed gender roles in favor of embracing their own identities. It is books such as Fatima’s and Gao’s which will help carry out feminist movements into the 21st century.
Garg in ‘Hari Bindi’ discusses the story of a common woman and made it extraordinary by the active force she was experiencing in herself to live her life. The husband of the protagonist symbolises the power and control of patriarchy that had restricted her life in such a way