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Recommended: Greek mythology
Cyclopes are members of a primordial race of giants, each with a single eye in the middle of its forehead; they are mainly seen in Greek mythology. Whenever people hear the word “Cyclops,” it is always associated with humongous 20-foot tall cannibal with a big stick roaming the forest and mountains. However, Cyclopes are one of the oldest Greek mythological creatures; they are children of gods and nature spirits who came out wrong. Poseidon was the most common father. Hesiod was one of the first Greek scholars to describe them as three brothers who were primordial giants. Today Cyclopes the media perceptions of Cyclopes has not changed. They are still viewed as rugged human-like monsters with one eye in the middle of their head. Cyclopes are the least favorite of Greek mythological creatures; they are seen as brute, vile, and disgusting creatures with a thirst for blood. Even though Cyclopes are mythological creatures, they make us question our existence because they are so similar to us. They make us question whether we share an ancestral trait or if we will one day turn into them. Cyclopes are gigantic one-eye monsters that live a lawless life in the middle of the forest or in the mountains; they possess no social manner or fear of gods. They work for Hephaestus in the heart of volcanic mountain Aetna. Society perceives Cyclopes as monsters because of the way they are portrayed in films and books.
Hollywood depicts Cyclopes to be giant beasts incapable of love and emotion or have any social etiquette. Their only role in civilization is to be savages. In today’s media, every monster has evolved into a loveable character. Count Dracula in Hotel Transylvania strayed away from his usual path of a vicious vampire to being a single d...
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...ever changes from the barbaric brutes, whose hell bent on destroying everyone and everything it its path. Hollywood now give Cyclops the Tornado effect they wreck everything in their path just for the fun of it. Another similarity is they give a powerful visual representation of Cyclops. For example, the height of the Cyclops tends to be the same in all three media. Furthermore, the appearance of the Cyclops in The Odyssey and Wrath of the Titians is very similar because they are all very ugly creatures and that does not help that they are portrayed as monsters. The three different media that I picked have no bearing on how people view Cyclopes, because the monsters weren’t given enough screen time, and when they got time on screen their battled weren’t memorable, because they were easily outsmarted and defeated even though they are bigger and have the advantage.
After ignoring the Greek value respect for the body, Cyclops is tricked and blinded by Odysseus. Odysseus describes the monster when trapped in his cave: "in one stride he clutched at
The cyclops encounter is represented in both the movie and the epic. The cyclops is represented in the movie by Big Dan Teague, the bible seller, and has an obvious connection because of his eyepatch and large size. In the Epic, the cyclops is described as, a prodigious man and knowing none but savage ways. “...but in one stride he clutched at my companions and caught two on his hands like squirming puppies to beat their brains out, spattering the floor.”(p1050) Big Dan also can be connected to this quote because he beat Everett and Delmer and then stole their wallets. Both Everett and Odysseus are taken from a state of wellness and then beaten savagely. “We lit a fire, burnt an offering, and took some cheese to e...
The realm of myths and magic have captivated the attention of masses for decades. Most of the myths and creatures originated from folklore from diverse cultures around the world. The mythological world usually contains myths and stories about fantastic beasts, immortal gods and goddesses, unearthly beings, and bizarre creatures that rule or roam the depths of the earth. Since the rise of the internet, classic myths like mermaids, vampires, dragons, werewolves, zombies, and unicorns continue to have a certain appeal to the public. Due to this advancement of technology, myths like vampires and zombies can tap into people’s needs or yearnings. Either by filling a psychological need, symbolizing the rejected and inexpungable or by creating an
...urs. According to Edith Hamilton, “Seeing as the combining of a horse and human was not degrading, the ‘Centaur’ is the only one of the fancied monster of antiquity to which any good traits are assigned”. Another example is some monsters are not exempt from human emotions. One monster who exemplifies this is Polyphemus who dearly loved the sea nymph Galatea.
These beings can be part human or completely mythical and tend to mess with the lives of the humans. They usually have the magical capability of disguising themselves, as Athena does throughout the story.
As of late, society has stolen the traditional idea of a vampire. These undead creatures are manipulated in countless genres and media, ranging from comedic reliefs and complex villains to sparkly heartthrobs. Songs, video games, movies, books, and TV shows all are guilty of this. Movies in particular have done the most with vampires, and clearly show their evolution in society’s eyes. In the earliest movies such as Nosferatu; directed by F. W. Murnau, and Dracula; directed by Todd Browning and Karl Freund, vampires are used as devices of horror. They are meant to be unhuman and terrifying. As time passes, they become portrayed in sympathetic lights and with more human traits. Emotions such as love, guilt, and fear were added to vampire vocabulary,
The creature who has been leading a solitary existence by observing the Delacey family, exclaims “The more I saw of them, the greater my desire to claim their protection and kindness; my heart yearned to be known and loved by these amiable creatures” (Shelley 112). Being isolated from most of society, the creature’s only contact with mankind is through observing the Delaceys. Unlike any base monster, the creature has “yearning” that originates in his heart. Because the creature relates with the Delaceys as “amiable creatures” his desire for companionship with them is brought forth, further distinguishing him as distinctly human. Miserable and lonely, the creature desires to also “claim their protection and kindness” which demonstrates how the creature desires even more than just mere companionship but also to be loved. Most importantly, the creature desires acceptance into their family as one of their own. Although he observed the family, the creature took a radical and somewhat desperate choice to abduct Victor’s younger brother: “If I could therefore seize him, and educate him as my companion and friend, I should not be so desolate”. (Shelley 121). Such extremes show to what lengths the creature was willing to go to gain companionship and acceptance. Without companionship, the creature cannot survive in happiness, but he yearns for it and cannot do without it. Once again, the human need for companionship comes to the forefront of the creature’s purpose and endeavors and he is not fulfilled without it. Far from being an emotionless, brutish monster, the creature need for a friend aligns it to mankind’s basic
There are three signs in the Odyssey which are quite significant to the epic and are symbolic of different things. The first sign is the scar, the second sign is the bow and the third sign is the bed.
In the diverse categories of monsters, there are specific types of monsters which are “cursed by a bite”—Vampires, Zombies and Werewolves (Kaplan 2012: 136). Perhaps vampires are the most interesting of all. They have been around for centuries. From Dracula (Stoker 1897) to Twilight (Meyer 2005), vampire culture has seduced fiction lovers all over the world. Before vampire`s otherness in the 19th century renders vampirism a terrifying threat, but late 20th century America finds itself in a mood to perceive otherness as attractive. (Milly 2005).
In most novel and movies monsters are known to be evil, committing numerous crimes against humanity and are normally the ones that we don’t sympathize with. However, this novel carefully shows the reader that monsters can be good creatures, with a decent heart and act based on the actions of others. The novel shows how the monster should be pitied, rather than criticised. Mary Shelley's “Frankenstein” manages to create sympathy for the creature through speech, actions and mistreatment the creature suffers.
Mellor, Anne. Abandonment and Lack of Proper Nurture Shape the Monster's Nature. N.p.: Copyright Methuen, Inc., 1988.
In Homer’s The Odyssey there is another mention of Zeus, the god of hospitality and when Odysseus reaches the cave of the Cyclopes, he tells Polyphemus, “Zeus protects all suppliants and strangers—as god of guests, he cares for all respected visitors “(Bauschatz, 31). The Cyclopes reply expresses that he can care less about the Gods because he believes the Cyclopes hold more power. Towards the end, Polyphemus prays to Poseidon and he throws in Odysseus way but this demonstrates how much interaction the Gods have with the
The Odyssey relates to the poem “Ithaka” through symbolism. Poseidon and the cyclops represent obstacles to overcome in life. When Odysseus first arrives to the island of the cyclops, he is curious to see this beast so he takes 12 of his best fighters and leaves. This is how he prepares for his obstacles. To achieve your goals you must overcome obstacles and try to prepare your best for them. At first he was curious to see this beast but only to be trapped by it in a cave with his men. Two of Odysseus’s men are eaten by the beast, but Odysseus recognizes that the beast is all outward power, meaning strong but stupid. Odysseus and his men are then trapped in the beast's cave and Odysseus plots his escape. Homer demonstrates how clever he is because he knows not to kill the beast in the cave otherwise him and his men would be trapped there forever. So when the cyclops had returned to the cave and removed the boulder blocking it that set the plan into place. Odysseus at first tells the cyclops that he has no name he now tells the beast that his name is Nobody. Odyssey then proceeds to offer the best wine and they catch him off guard and him and his men stab him in the eye. As the beast screams for help other beasts
In William Shakespeare’s play “Othello” the use of animal imagery was evident throughout the telling of the story of the.. Shakespeare explained several characters actions by comparing them to similarities in animals. The characters in “Othello” were often depicted as having animal-like characteristics. Some characters were even compared to animals by other characters in the play. By defining characters in terms of these characteristics one can get a clear description of what the character is doing or saying as compared to certain animals.
In the movie, Clash of Titans, and the book Medusa's Head there are couple of similarities and differences. In the written story, Perseus is given flying sandals, but in the movie is given Pegasus. In the movie, he is also given an owl that helps him but also causes some trouble. Another difference is that Acrisios dies in the beginning of the movie and in the book Acrisios is killed by Perseus at the end. Some of the similarities are characters, such as, Andromeda, Zeus, Medusa and of course