Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Monsters in literature essay
Monsters in modern culture
Monsters in modern culture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Monsters are the physical embodiment of fear. Monsters are the physical embodiment due to a wide variety of reasons. The most important being: Monsters’ apparent invulnerability/incredible strength, represent the bad part of society, most often look ugly, represent evil/nightmares itself, are intelligent, and some deviate from the norms are the reasons why monsters are the physical embodiment of fear. Monsters’ incredible characteristics are what strike fear into the hearts of others. In many myths, monsters are a weakness to societies. For instance, the heroes of Rome fight these monsters in order to overcome them which is the symbolic overcoming of weakness by the community. The fear monsters represent is primarily human fear as monsters are generally on good terms with animals and human fear is far deeper than animal fear.
A monster’s apparent invulnerability/incredible strength is what strikes fear into its opponents. Examples of this can be seen in numerous sources. One such example is “Eurytheus first commanded Heracles to bring him the skin of the lion of Nemea. Heracles knew that the beast could not be hurt by stone or bronze, so he would have to devise some other way to kill it. When he came upon the lion he learned that his arrows and his huge wooden club were also useless. The lion responded to Heracles attack by retracting into a cave that had two exits.” (Rosenberg 101). This quote shows the incredible strength the beast possesses which enable it free from death by normal weaponry. Many amateur heroes retreat when their trusted weaponry doesn’t work. This fear was ultimately caused by the monster’s sturdiness. Another powerful example is the fact that some monsters born from gods may prove more formidable than the ...
... middle of paper ...
...urs. According to Edith Hamilton, “Seeing as the combining of a horse and human was not degrading, the ‘Centaur’ is the only one of the fancied monster of antiquity to which any good traits are assigned”. Another example is some monsters are not exempt from human emotions. One monster who exemplifies this is Polyphemus who dearly loved the sea nymph Galatea.
Monsters are a representation of fear and are like nightmares. This is so because many of the monsters’ qualities strike fear thus, they are a representation of fear itself. Monsters are like nightmares is that one having the nightmare always awakes before the end, symbolizing the victory of good over evil. This is why monsters’ symbolize evil as well as fear. This was the case with Heracles and the snakes. Even danger was lurking, baby Heracles woke up before tragedy could strike and struck back at tragedy.
The Dangers of Fear Irish Playwright, George Bernard Shaw, once said, “The worst sin toward our fellow creatures is not to hate them, but to be indifferent to them; that's the essence of inhumanity.” Inhumanity is mankind’s worst attribute. Every so often, ordinary humans are driven to the point where they have no choice but to think of themselves. One of the most famous examples used today is the Holocaust. Elie Wiesel’s memoir Night demonstrates how fear is a debilitating force that causes people to lose sight of who they once were.
“At the University of California at Irvine, experiments in rats indicate that the brain’s hormonal reaction to fear can be inhibited, softening the formation of memories and the emotions they evoke” (Baard).
Across different works like Virgil’s Aeneid and Aeschylus’ Eumenides, In these representations of monsters, the initial relationship between gods and monsters is simple: all monsters derived from the gods. However, as soon as distinguishing features set the monsters apart, they prove Clay’s point that monsters are seen as threats who need to be contained and whose powers need to be exploited by the gods. The close reading of both texts reveal the relationship between gods and monsters along with the power structures between
According to Merriam Webster’s dictionary, a monster is a “strange or horrible imaginary creature”. But monsters don’t necessarily need to be fictional; even humans can be monsters. The only thing that distinguishes us from fictional monsters are our appearances, human-monsters are hard to detect. Therefore, it’s easy to treat people based on their appearances since the human mind gets deceived by looks.
Throughout history we see monsters taking many different shapes and sizes. Whether it be a ghoul in the midst of a cold nightly stroll or a mass genocide, monsters are lurking everywhere and our perception of what monsters truly are, is enhancing their growth as a force with which to be reckoned. Fear of the unknown is seen throughout time, but as humans progress we are finding that things we once were afraid of we are less frightening than they once were. Monsters can evoke fear in their targeted victims rather than physically harm their victims. For instance, every year a new horror film is released with the next scary beast, but why do we call something a monster even if we know it is not real? Even certain people and creatures are classified as monsters, but are they really monsters, or do their actions speak of monstrous doings? In his article and book chapter Monsters and the Moral Imagination and chapter 5 of On Monsters, Stephen Asma suggests that monstrosity, as we know it, is on the rise as humans progress, and how we perceive monsters can often define monstrosities in itself, providing evidence as to why monster cultures are on the rise, and showing how human progress has evolved our perception of how we think on the topic that is monsters.
middle of paper ... ... Overall, most monsters fit general guidelines, but there are a few exceptions. Works Cited Bulfinch, Thomas. A. A. Bulfinch's Mythology: the Age of Fables.
Jeffery Cohen's first thesis states “the monster's body is a cultural body”. Monsters give meaning to culture. A monsters characteristics come from a culture's most deep-seated fears and fantasies. Monsters are metaphors and pure representative allegories. What a society chooses to make monstrous says a lot about that society’s people. Monsters help us express and find our darkest places, deepest fears, or creepiest thoughts. Monsters that scare us,vampires, zombies, witches, help us cope with what we dread most in life. Fear of the monstrous has brought communities and cultures together. Society is made up of different beliefs, ideas, and cultural actions. Within society there are always outcasts, people that do not fit into the norm or do not follow the status quo. Those people that do not fit in become monsters that are feared almost unanimously by the people who stick to the status quo.
Gilmore, David D. "Why Study Monsters?" Gilmore, David D. Monsters: Evil Beings, Mythical Beasts, and All Manner of Imaginary Terrors. Philadelphia: University of Pennsylvania Press, 2003. 210.
A monster is not a monster unless he intentionally wants to hurt many and his plans are to hurt many. In Frankenstein, by Mary Shelley, the monster is portrayed as an evil, hideous creature through everyone’s eyes. Victor Frankenstein creates a monster and once he brings him to life he abandoned him, leaving him to learn and discover the world by himself. The monster has to learn his way around society while being rejected by society because of this looks. Frankenstein’s monster is seen as evil because the way people treated him caused him to act out. The monster is not inherently evil because he helps others, has emotions, and does not fight back when he is attacked.
...so much that anything that they see in the dark, they imagine it as the beast. Therefore, the fear of the beast is the most dangerous and destructive force on the island.
"You gain strength, courage and confidence by every experience in which you really stop and look fear in the face. You are able to say to yourself, '...I can take the next thing that comes along.'...You must do the thing you think you cannot do (Eleanor Roosevelt)." Every time I read these words, I am able to see the truth in them. College to me is the next step that I must take in life. Although this next step comes with much trepidation and apprehension, it is a necessary step that I must take to forever better and prepare myself for the life that I wish to lead. State University would be one of the best institutions for this, just as the choice of high school I made four years ago, Good Counsel, was the next step for me then. During high school, I have grown and changed through not only the education I have gained, but also through the activities I participated in. I have gained a lot of strengths from my time spent in high school. Although every weakness has not been erased, the next step in life will ease their numbers even more.
Monsters are creatures that don’t fit in society. Some don’t try to hide themselves, but some on the other hand do. Since society doesn’t except them, they try to find a way to fit in societies image. Even when monsters try to hide their true identity, society makes them who they actually are by pushing them back to their monstrous state. Several monsters that go through this are Frankenstein’s Monster, Dr. Jekyll and Mr. Hyde, and Edward Cullen.
A common way to describe a modern day monster can be described within the soul and mind. Many people have a complex and confused mind. Stephen King states, “ I think that we’re all mentally ill; those of us outside asylums only hide it a little better- and maybe not all that much better, after all.” Monsters can overpower the mind. Many people struggle to listen to themselves, and they let their monstrous conscience take over their actions which will cause harm to them or people around them. It is common for people to battle monsters within their souls. Many people feel too weak to stand up and be free from
We live in a world where creatures have abilities that can blow our minds, however we are ignorant of this. We live in a world where a constant power struggle is occurring between these secret species, a struggle that most human beings have no inclination of. We live in a world where people who know the truth are sworn to secrecy, and those proclaim this truth are considered crazy and locked away; to be sane is to be ignorant. Well, that is what I would love to be true. In actuality, I am fascinated with the topic of monsters; I love them all: lycanthropes, Frankenstein’s monster, witches, fae, necromancers, zombies, demons, mummies, and my favorite: vampires. This fetish has been manifested in the movies I view, the televisions shows I watch, and the books I read. When my obsession with reading is crossed with my obsession with monsters the result is a bookshelf containing more vampire novels than most people would consider healthy. I have discovered that every vampire novel varies vastly; no two books are ever alike. For example, the Twilight Series, the Anita Blake Series and the Vampire Chronicles Series have different legends and lore, different relationships between vampires and society, and different genres, theme, and purpose; this array of novels display most clearly the range of audience for vampire genre can cater.
However repugnant he was on the outside, when Frankenstein’s creature begins to tell his tale of sorrow and rejection the creature does not seem to be monstrous. Although rejected multiple times by the humans around him when he finds a family in poverty and “suffering the pangs ...