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Literary criticism essay
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It has been said, From the hour of the invention of printing, books, and not kings, were to rule the world. Weapons forged in the mind, keen-edged, and brighter than a sunbeam, were to supplant the sword and battle-axe. Books! lighthouses built on the sea of time! Books! by whose sorcery the whole pageantry of the world's history moves in solemn procession before our eyes. From their pages great souls look down in all their grandeur, undimmed by the faults and follies of earthly existence, consecrated by time (Whipple 386). This particular description on the importance of books, fantastic as it is, can also easily be applied to the broader spectrum that books belong to, literature. Thus, it is easy to understand why such emphasis is placed on the “exegesis, interpretation, and evaluation, [of literature]” otherwise called literary criticism and/or theory (Groden , Kreiswirth and Szeman). The boundaries between the two, criticism and theory, blur according to Groden et al, however the boundary between their approaches is much more distinguishable. New Criticism and Marxist theory are examples of two different approaches to literary criticism. Both approaches share the same objective, in that they look to better understand literature, but their paths diverge on how exactly they go about this. It is the disparity between the ‘how’s’ that is so crucial to point out in literary criticism and if it is not made the entire subject becomes unorganized and much less effective. A perfect representative of this disparity can be seen with a comparison of the New Criticism and Marxist theories. A thorough understanding of the differences, similarities, strengths and weaknesses of the two approaches allows anyone studying literary criticism to... ... middle of paper ... ...pproaches and consequently literary criticism as a whole. Works Cited Barry, Peter. Beginning Theory: An Introduction To Literary And Cultural Theory Third Edition. Manchester: Manchester University Press, 2009. Groden , Michael, Martin Kreiswirth and Imre Szeman. "The Johns Hopkins Guide To Literary Theory And Criticism." 2005. The Johns Hopkins University Press. Website. 24 March 2012. . Lisman, C. David. "Marxist Literary Theory: A Critique." Journal of Aesthetic Education (1988): 73-85. Spurgin, Tim. "Contemporary Critical Theory." 3 October 1997. Lawrence University. Website. 27 March 2012. Wellek, Rene. "The New Criticism: Pro and Contra." Critical Inquiry (1978): 611-624. Whipple, Edwin Percy. Gilbert, Josiah Hotchkiss. Dictionary of Burning Words of Brilliant Writers. New York: W.B. Ketcham, 1895. 386.
Bressler, Charles E. Literary Criticism: An Introduction to Theory and Practice. 5th ed. New York: Longman, 2011. Print.
Heberle, Mark. "Contemporary Literary Criticism." O'Brien, Tim. The Things They Carried. Vol. 74. New York, 2001. 312.
Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
Twentieth-Century Literary Criticism, edited by Linda Pavlovski and Scott T. Darga, vol. 106, Gale, 2001. 20th Century Literature Criticism Online, http://link.galegroup.com/apps/doc/KSZNPN102098467/LCO?u=schaumburg_hs&sid=LCO. Accessed 14 Dec. 2017. Originally published in CLA Journal, vol. 31, June 1988, pp.
Staton, Shirley F. Literary Theories In Praxis. Philadelphia: University of Pennsylvania Press, 1987. eBook Collection (EBSCOhost). Web. 10 Feb. 2014.
Parker, Robert Dale. How to Interpret Literature: Critical Theory for Literary and Cultural Studies. New York: Oxford, 2011. Print.
Bressler, Charles E. Literary Criticism. (3rd ed.) Upper Saddle River New Jersey: Pearson Education, Inc. 2003
Guerin, Wilfred L., Earle Labor, Lee Morgan, Jeanne C. Reesman, and John R. Willingham. A Handbook of Critical Approaches to Literature. New York: Oxford University Press, 1999. 125-156.
" The Southern Literary Journal 17.2 (Spring 1985): 54-66. Rpt. in Contemporary Literary Criticism. Ed.
Forum 19.4 (Winter 1985): 160-162. Rpt. inTwentieth-Century Literary Criticism. Ed. Thomas J. Schoenberg and Lawrence J. Trudeau. Vol. 192. Detroit: Gale, 2008. Literature Resource Center. Web. 30 Nov. 2013.
Raman Selden, Peter Widdowson, and Peter Brooker. A Reader's Guide to Contemporary Literary Theory. 4th ed. London: Prentice Hall and Harvester Wheatrsheaf. 1997.
Bressler, Charles E. Literary Criticism: An Introduction to Theory and Practice. 5th ed. New York: Longman, 2011. Print.
Harmon, William, and C. Hugh Holman. A Handbook to Literature. New Jersey: Prentice Hall, 1996.
Literature is an intricate art form. In order to attempt to understand the meanings and ideas within literary work, there are many forms of criticism that propose different approaches to its interpretation. Each criticism is crucial to the understanding of how individuals interpret literary works. Since each criticism has a different approach to enrich the understanding literary works, the question is raised whether one criticism should be used over others, whether a certain combination of criticisms should be used, or whether all criticisms should be taken into account. This may all be dependent on the reader’s individual preference or opinion, but each criticism presented builds on the others to create a well-rounded and unique understanding
Barry, P. (2009) Beginning theory: An introduction to literary and cultural theory. 3rd edn. Manchester: Manchester University Press. pp. 216.