Knowledge is defined as the body of truth or facts accumulated in the course of time. Knowledge is gained through school, peers, friends and family and oneself, but one gains the most knowledge through the community. A community is a group of people living in a particular location. The community helps individual see what is right from wrong, by pointing it out. In Tim O’Brien’s essay, “How to Tell a True War Story”, he mentions that individuals need a community to grow and learn. O’Brien states that as individual we need other people to lean on during hard and difficult times. In Selections from into the Wild, by Jon Krakauer, Chris McCandless embarked on a journey to find himself. At first, McCandless was all about an individual depending on them self to learn, but in the end he realized that one needs a community to help one learn. In Robert Thurman’s essay, “Wisdom”, he emphasizes that community is the best pathway to learning. In most levels of Buddhism, the authority and projection level of the mentor or teacher is de-emphasized because the burden is on the students to find things out for themselves, so the basic model of the spiritual teacher is that of a virtuous friend or auspicious friend by giving teachings helps you gain knowledge and experience. The community is one that does the teachings. The teaching would be telling the individual what is considered wrong or dishonest. The parent will tell the individual that stealing is wrong. Without the community, friend and family to tell an individual wrong from right, the individual will never know that perhaps stealing is wrong and telling lies are dishonest. With nobody correcting the individual, the individual will always think that whatever he/she is doing is always right...
... middle of paper ...
...flessness. To fully reach selflessness, one has to be able to let go of all labels such as “I” and “me”. The individual has to be able to see the true meaning in life, like the color of the sunset and how alive a tree looks. The individual does not have to change to reach selflessness. The individual has to able to open his/her mind to new ideas but at the same time doubt those ideas. The individual had to question the source and the credibility of the speaker. When an individual has learned the lesson of doubt, the individual is able to grow new knowledge.
Works Cited
Krakauer, Jon. Into the Wild. New York: Villard Books, Random House, 1996.
O’Brien, Tim. “How to Tell a True War Story.” The Things They Carried. New York: Broadway Books, 1998. 67-85.
Thurman, Robert. Infinite Life: Seven Virtues for Living Well. New York: Riverhead Books, 2004.
O’Brien writing “The Things They Carried” turned out to be a lot better than expected to both himself and others reading it. He became first novelist and National Book Award winner. Furthermore, his story was published awhile back and he still receives awards likes the Book’s highest honor, the $10,000 Fairfax Prize. Tim O’Brien has won lifetime achievement prizes for military writing and has many more stories besides this one to help him get to where he wanted to
A community is comprised of a group of goal oriented individuals with similar beliefs and expectations. Currently the term is used interchangeably with society, the town one lives in and even religion. A less shallow interpretation suggests that community embodies a lifestyle unique to its members. Similarities within the group establish bonds along with ideals, values, and strength in numbers unknown to an individual. Ideals and values ultimately impose the culture that the constituents abide by. By becoming part of a community, socialization...
‘The Things They Carried’ by Tim O’Brien provides a insider’s view of war and its distractions, both externally in dealing with combat and internally dealing with the reality of war and its effect on each solder. The story, while set in Vietnam, is as relevant today with the conflicts in Iraq and Afghanistan as it was in the 1960’s and 1970’s in Southeast Asia. With over one million soldiers having completed anywhere from one to three tours in combat in the last 10 years, the real conflict might just be inside the soldier. O’Brien reflects this in his writing technique, using a blend of fiction and autobiographical facts to present a series of short narratives about a small unit of soldiers. While a war story, it is also an unrequited love story too, opening with Jimmy Cross holding letters from a girl he hoped would fall in love with him. (O’Brien 1990).
Tim O'Brien's The Things They Carried is not a novel about the Vietnam War. “It is a story about the soldiers and their experiences and emotions that are brought about from the war” (King 182). O'Brien makes several statements about war through these dynamic characters. He shows the violent nature of soldiers under the pressures of war, he makes an effective antiwar statement, and he comments on the reversal of a social deviation into the norm. By skillfully employing the stylistic technique of specific, conscious detail selection and utilizing connotative diction, O'Brien thoroughly and convincingly makes each point.
O’Brien wrote The Things They Carried layering themes on top of themes, but what makes it amazing is the way he presents these themes. Every single one intertwined with another. Burdens. Truth. Death. The soldiers carried their burdens and the death of their friends and enemies, and they live on as storytellers telling their war stories, but can there really be a true war story?
O’Brien begins The Things They Carried with a story of the same title, and in this memory O’Brien lists all of the things that the members of the squadron carry. In the description of what each person carries, the reader can get some image of what each character is like in appearance and personality. Also in this story, O’Brien describes one instance of destroying enemy tunnels which ends with one of their company, Ted Lavender, dying. “Love,” the second story is about Lieutenant Cross visiting O’Brien after the war has ended and discussing his love Martha. The next story, “Spin,” is a bit more relaxed and less violent in remembering fragmented memories of days when no battles are fought. O’Brien received his draft notice in “On the Rainy River,” and with this new information he runs away to Canada, but not before stopping at Tip Top Lodge to think about his decision; he decides to go and fight in the war. “Enemies,” and “Friends,” are the next two stories that tell the story of how Lee Strunk and Dave Jensen were foes that became friends. O’Brien prefaces “How to Tell a True War Story” saying that it is true. This story is the only one that has this proclamation. This story is more of a love story than a war story because after Curt Lemon dies, Rat Kiley writes his sister including in the letter all the great stuff that Lemon did. In “Dentist,” Curt Lemon’s story and fears are expanded. O’Brien tells a story Rat Kiley told him about the Song Tra
Tim O’Brien wrote the novel The Things They Carried in 1990, twenty years after the war in Vietnam.In the novel,Obrien takes us through the life of many soliders by telling stories that do not go in chronical order. In doing so we get to see the physical and mental things the soldiers carry throughout the war in Vietnam.Yet the novel is more than just a description of a particular war. In the things they carried Tim O’Brien develops the characters in the book slowly, to show the gradual effect war has on a person. O’Brien shows this by exploring the life of Henry Dobbins, and Norman Bowker.
Tim O’Brien’s novel The Things They Carried challenges the reader to question what they are reading. In the chapter “How to Tell a True War Story”, O’Brien claims that the story is true, and then continues to tell the story of Curt’s death and Rat Kiley’s struggle to cope with the loss of his best friend. As O’Brien is telling the story, he breaks up the story and adds in fragments about how the reader should challenge the validity of every war story. For example, O’Brien writes “you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil” (69), “in many cases a true war story cannot be believed” (71), “almost everything is true. Almost nothing is true” (81), and “a thing may happen and be a total lie; another thing may not happen and be truer than the truth (83). All of those examples are ways in which O’Brien hinted that his novel is a work of fiction, and even though the events never actually happened – their effects are much more meaningful. When O’Brien says that true war stories are never about war, he means that true war stories are about all the factors that contribute to the life of the soldiers like “love and memory” (85) rather than the actual war. Happening truth is the current time in which the story was being told, when O’Brien’s daughter asked him if he ever killed anyone, he answered no in happening truth because it has been 22 years since he was in war and he is a different person when his daughter asked him. Story truth
“War is nasty; war is fun. War is thrilling; war is drudgery. War makes you a man; war makes you dead,” (80). In the fiction novel The Things They Carried, the author Tim O’Brien reminisces fighting in the Vietnam War and the aftermath of the war with his platoon mates through short stories and memories. He goes in depth about the emotional trauma and physical battles they face, what they carry, and how Vietnam and war has changed them forever. O’Brien’s stories describe the harsh nature of the Vietnam War, and how it causes soldiers to lose their innocence, to become guilt-ridden and regretful, and to transform into a paranoid shell of who they were before the war.
Through The Things They Carried, Tim O’Brien moves beyond the horror of fighting in the Vietnam War to examine with sensitivity and insight the nature of courage and fear. Included, is a collection of interrelated stories. A few of the stories are brutal, while others are flawed, blurring the distinction between fact and fiction. All the stories, however, deal with one platoon. Some are about the wartime experiences of soldiers, and others are about a 43-year-old writer reminiscing about his platoon’s experiences. In the beginning chapter, O’Brien rambles about the items the soldiers carry into battle, ranging from can openers, pocketknives, and mosquito repellent o Kool-Aid, sewing kits, and M-16 assault rifles. Yet, the story is truly about the intangible things the soldiers “carry”: “grief, terror, love, longing… shameful memories (and) the common secret of cowardice” (Harris & O’Brien 21).
King, Rosemary. "O'Brien's 'How to Tell a True War Story.'" The Explicator. 57.3 (1999): 182. Expanded Academic ASAP.
Several stories into the novel, in the section, “How to tell a true war story”, O’Brien begins to warn readers of the lies and exaggerations that may occur when veterans tell war stories.
In Tim O’Brien’s novel, “The Things They Carried,” imaginations can be both beneficial and corrosive. This novel consists of story, truth and real truth. Throughout the novel, imagination plays a big role. Tim O’Brien wrote his book about the war, mainly based on his memory of the war. He did not remember every detail of the war, thus he made up some false details to the stories to make it seem more interesting.
Tim O’Brien, author of The Things They Carried, expresses his journey throughout the Vietnam War via a series of short stories. The novel uses storytelling to express the emotional toll the men encountered, as well as elucidate their intense experiences faced during the war. The literary theory, postmodernism, looks at these war experiences and questions their subjectivity, objectivity, and truth in a literary setting. It allows the reader to look through a lens that deepens the meaning of a work by looking past what is written and discovering the various truths. O’Brien used the storytelling process to illustrate the bleeding frame of truth. Through his unique writing style, he articulates the central idea of postmodernism to demonstrate the
Selfless Service When one sees the word selfless service, he/she literally sees the words selfless and less, followed by service. Self refers to an individual (in this case, it refers to one’s own interests) and less indicates a lack of, or without. Service can be a synonym for the word volunteering or duty. Therefore, the term selfless service must literally mean the lack of the pursuit of one’s own interests for the betterment of others.