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Factors influencing vernacular architecture
Factors influencing vernacular architecture
Essay on vernacular architecture
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are built in traditional ways, with traditional materials and use traditional ornaments. Secondly they are common within and peculiar to one more limited parts of the country. Thirdly they are small and mean in comparison with some of their neighbors. The concept of traditions but forward here is not in conflict with any of these and in a way implies all of them. It is this: traditional buildings are those which belong to a type that is common in a given area at a given time. It follows that a kind of building may at any one time be traditional in one area and non-traditional in another and in any one area may change in the course of time from non-traditional to traditional. In other words no building is, or isn’t traditional for its own qualities bur if so by virtue of those which it shares with many others and the identification of vernacular building is very much a matter of relative numbers.
(Source: British vernacular house)
When considering the buildings of folk society, were more closely related to the people and the tradition of the locality. It is a result of unselfconscious transition of human needs in to build forms and simply refers to that produce by people for in the locality of community of people for primitive man the relationship with the site was personal. There were no sharp distinction between the man and nature. The materials available were no simply objects but were full of life. Built according to own style and imagination, making was considered as a spiritual act.
“Primitive forms areas as results of process of gradual adaptions that over many centuries such forms have gradually been fitted to their culture by as intermittent through persistent series of corrections”
(Alexander, 1967) ...
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...rceivable centers of their existential world.
The importance of the Centre is further highlighted by the mythical concepts planed on this Centre area. Hence the rituals those were common to all members is been taken place at this Centre.
As the settlement has begun to involve the Centre still received a prime importance even in such evolutions. The “city” is the developed form of the primitive settlement.
The plan of any ancient city shows that it had a Centre which symbolized and reflected the wealth and the power of the whole state. The palace, council buildings which are the authorities for the defense of the city as well as the most sacred temples through which people believed to receive security form super natural powers were also located at the Centre of the city. This is seen in the ancient Sri Lankan cities such as Anuradhapura and Pollonnaruwa.
For this assignment I am going to investigate the main elements of the building. With these components I will try to identify the key elements that show and define the architecture. A history of a chosen element will also be investigated.
Tylor EB. Primitive Culture: Researches into the Development of Mythology, Philosophy, Religion, Art and Custom. New York: H. Holt and Company; 1874. p. 1. (check the date of pub.)
...e people began to settle in villages the beginning of social class and government were formed to maintain order and a sense of security as a community. Other technological advances were made as well including the making of bronze to form stronger weapons and permanent homes.
The paper tries to identify the techniques applied in postmodern architecture in the similarities to traditionalism that leads to the revision of old knowledge and revival of traditional forms through tangible or intangible activities. The
The reason for this piece is to attempt a comparison between two architectural examples that employ classical design from different stylistic eras of architectural history. The two styles I've chosen to discuss are the Renaissance and Baroque periods. An understanding of classical architecture needs to be made, as it is the fundamental style of any period that developed architecturally
In China, urbanization is at dramatic pace but in static patterns. This leads to the Chinese cities losing their own styles, and being built in the static architecture modes which are introduced from developed countries. Moreover, the traditional architecture cultures are being eroded by the static modern architecture patterns. Some of them are even on the boundary of extinction. Recently, architects in China have shown an increasing interest in the issue of traditional architecture in the modern era. This paper studies on the causes and effects of the erosion of the modernity to the traditional architecture and the possible solutions. It will be divided into three parts: the first part focuses on the causes and effects; the second part presents the combination of modern architecture and traditional culture; the third part concerns the cultivation enhancement of Chinese architects.
...re that was most unique to the Early Dynastic period was the oval enclosure with a centralized platform to lend stability to the shrine. Storage were found near the enclosure. The Temple Oval at Khafaje best exemplifies the unique formation of the oval enclosure in the temples. This enclosure had a double perimeter wall present which was highly unusual for enclosures. Another oval temple was found that Tell al Ubaid, which had a rectangular platform in the center. In the front of this platform there were elaborate decorations, which were belived to have fallen from the façade of the temple which had stood on the platform. Besides these oval temples there were also plans of temples with a number of single or double roomed shrines, one noteworthy temple is from Tell Chuera in North Syria. This design plan yields a closer resemblance to the west and megaron buildings.
Architecture is the concept of bringing structure, materiality, form and space together as a whole, provide people with enclosed atmosphere to experience. Considering this, it is important to identify that materiality and the purpose of details has been a key methodology to bringing architectural intentions into the design in an affective manner, more over producing an architectural expression. However, this position is rather declining in architecture, reducing tectonics and materiality to being secondary to form and space. With the start of modernism, the attempt to achieve minimalistic style has caused detailing to increasingly develop into a decorative aspect of a building, neglecting its individual contribution to architecture.
Cities are the central feature of a civilization. The first cities emerged shortly after farmers began cultivating fertile lands along river valleys and producing surplus foods. These surpluses allowed the population to expand. As population grew, some villages expanded into cities. These cities rose independently in the valleys of the Tigris and Euphrates rivers.
The objective is to make us realize that why traditional architecture is so important and how can we make full use of it. Also how the traditional indian architectural element be used in a modern way . Integration of vernacular elements and modern architecture can make an interesting designing when both of them are integrated
With the interaction between the development of computational approaches in architecture and the contemporary forms of spatial design intelligence, some new architectural design theories emerged to make differences between architects and control designing processes. These theories are almost employed in all designing realms, from architecture to urban design to provide fields of ideas and solutions that privilege by complexity. Most of these theories are oriented to relay on understanding and using computational methods to generate exotic and complex geometries. In this respect, three of these theories will discussed and tested against three buildings. The theories are: parametric design, genetic architecture and emergence, which characterize some of the contemporary architectural design approaches.
Abstract: Contemporary architects have a wide variety of sources to gain inspiration from, but this has not always been the case. How did modernism effect sources of inspiration? What did post-modernism do to liberate the choice of influences? Now that Contemporary architects have the freedom of choice, how are they using “traditional” styles and materials to inspire them? Even after modernism why are traditional styles still around?
Charles Jencks in his book “The Language of Post-Modern Architecture “shows various similarities architecture shares with language, reflecting about the semiotic rules of architecture and wanting to communicate architecture to a broader public. The book differentiates post-modern architecture from architectural modernism in terms of cultural and architectural history by transferring the term post-modernism from the study of literature to architecture.
Human beings are susceptible to the force of nature. They had to make shelter for themselves. Material was one of the most basic tools to create shelter. By development of building construction, selection and use of materials also developed. The relationship between the architecture and the materials before invention of modern materials was simple and generally naturally [1]; in the past, architects always use tradition materials according their experimental skills. For choosing structural materials, they had attention to important factors such as availability (local materials) and harmony with climate and culture [2], although this way was forward with feedback. But this relationship was not continuing simply.
What makes modern architecture? Before answering this, one would need to understand what the term “modern” exactly describes. In architecture, modernism is the movement or transition from one period to another, and it is caused by cultural, territorial, and technological changes happening in the world. In Kenneth Frampton’s Modern Architecture: A Critical History, he details these three major societal changes that impact and create modern architecture.