Whenever Jack Worthing (Firth) wants to leave his boring country life behind, he travels to London pretending to be his fictitious ‘brother’ Earnest. In the city he falls in love with the beautiful Gwendolen (O’Connor). There are two things standing in the way of their true love: first there is Gwendolen's Mother (Dench), a matriarchal woman whom all potential suitors must pass. Secondly, Gwendolen believes that she could only ever love a man named Earnest: which is the name by which she knows Jack.
In Oscar Wilde’s play The Importance of Being Earnest, names hold a certain social significance. For example, the first name Ernest bears an arbitrary importance, at least in regards to the bachelorettes of the play. However, neither Jack nor Algernon was christened with this name, so, naturally, they masquerade as the imaginary character who owns the name in order to win the affections of the local bachelorettes. This act is surface level and merely changes the nomenclature of a body. Jack, in particular, has everything to gain from a union with the well-connected Gwendolyn, including all the benefits that come from being tied to a wealthy, established family. Jack’s lack of familial and social ties can be remedied through baptism and marriage,
“Cecily provides Wilde with an opportunity to discuss dull and boring education, Victorian values, money and security, and repression of passion” (Gwendolen). In the Victorian era, young girls were expected to stay at home, study literature and learn to become the perfect housewife. Miss Cardew acts like every other eighteen year old. She wants a “bad boy” and Cecily believes Algernon is the perfect “bad boy” to satisfy her needs. As any other naïve eighteen year old, she falls madly in love with Algernon before she ever meets him and her fantasies continue to run rampant. “She believes Jack’s brother is a wicked man, and though she has never met such a man, she thinks the idea sounds romantic. She toys with rebelliously and romantically pursuing the “wicked brother,” but she has full intentions of reforming him to the correct and appropriate appearance” (Gwendolen). Most teenage girls fantasize about dating a “bad boy” and changing him into a decent young man. Cecily fantasizes about Jack’s brother “Earnest” portraying himself as a rebellious young man with not a care in the world. She resembles the majority of teenage girls in the Victorian era and also the teenage girls in today’s society. Cecily Cardew expresses herself as the second most realistic character in The Importance of Being Earnest by displaying all of her undeniable qualities as
The Importance of Being Earnest is one of the most important plays written by Oscar Wilde. The setting takes place in London during the present time of its production, February 1895 in the Victorian Era. Both main characters, John Worthing and Algernon Moncrieff, find an escape from their everyday lives through a pseudonym or false identity. John, usually referred to as Jack, uses the name of Ernest to retreat into the city from his life in the country with his eighteen-year-old ward Cecily. The story begins with Jack informing his friend, Algernon, that he is planning to propose to his first cousin, Gwendolen. Upon hearing this news, Algernon confronts Jack, who he knows as Ernest, with his discover of Cecily. When Jack ultimately tells Algernon about his false identity in the city, Algernon also confesses to having a pseudonym for the country. The plot unravels after Gwendolen accepts Jack’s proposal, under the name of Ernest, and Algernon decides to also use the identity of Ernest to meet Cecily at Jack’s country home. The conflicts arise when everyone ends up at Jack’s home, each knowing each other by a separate name.
In his play, The Importance of Being Earnest, Oscar Wild satirizes the ethical values of the upper class in Victorian society. Especially, the title of the play is famous for Wild’s puns since it implies two different meanings. First, readers may draw a link between the adjective “earnest” to another adjective “honest.” Second, Earnest is the real name of Jack Worthing, who is the protagonist of this play. Additionally, another intriguing aspect of the word, “earnest” is mentioned by the British actor, Colin Firth. He says, "Earnest was Victorian slang for gay (Vogue).” This fact even makes the title seems more humorous since Wild’s fans are aware of the fact that the writer is notoriously known for a humiliating trial due to his homosexuality.
Gwendolen Fairfax and Cecily Cardew offer representation of the ideas of the woman toward the turn of the century. They happen to be similar in many ways but still have their differences. Gwendolen and Cecily are insistent and take initiative in search of their own aspirations. Gwendolen follows Jack to the country, a place most likely very unfamiliar to her, and Cecily pursues Algernon as soon as she sees him. They are also both capable of escaping those who intend to keep them from their goals. Gwendolen is able to flee her overbearing mother, Lady Bracknell; Cecily outsmarts Jack by organizing Algernon to stay, and also avoids Miss Prism to continue on a rendezvous with her lover. For both women, material and small things are most important. Gwendolen insist on marrying a man with the name Ernest merely based on the name's connotations. Cecily also craves the same as she believes Jack's brother is an immoral man and ever though she has never met him, the thought of him sounds idealistic. She rebelliously and romantically toys with pursing the "immoral brother," but clearly she will shape him into the man she wants him to be. The name of Ernest is also important to her. Both Gwendolen and Cecily are products of the Victorian concept in which how one accomplishes is more important than why. Though seeming very similar Cecily and Gwendolen are divergent in certain aspects, Gwendolen is confident and knowing, while her mother has taught her to be short-range. She is also raised in the only traditional family in the entire play. On the other hand, Cecily is more sheltered, and more primitive. She doesn’t really experience motherly love other than her governess. The character of Gwendolen is tool used to confer marriage and give Wild...
Kaba 3
Saran D. Kaba
Cristin Thomas
Drama 1310-86007
12 December 2015
The importance of being Earnest Review
The Importance of Being Earnest was performed for the first time on February 1895, is considered to be Oscar Wilde’s masterpiece. The play is about two men, Jack Worthing and Algernon Moncrief, who are living in England in the 1890’s. These men have dual identities in both the town and the country in order to escape their normal lives and both choosing the name of Earnest. Oscar Wilde’s play is a Victorian melodrama and a classical marriage comedy where couples fall in love buy cannot get married for various reasons.
Subtitled "A Trivial Comedy for Serious People," The Importance of Being Earnest jokingly criticized Victorian manners and morals and attacking the society of the rich and luxurious. Oscar Wilde incorporated his own beliefs and ideology into the play by alluding to Victorian society "lets duplicity led to happiness." It is this "happiness" Wilde's play focuses on by concentrating the theme of the play on marriage.
Jack invents his brother “Ernest” so that he can excuse himself from the country, where he serves as Cecily’s guardian. Under such pretense he can escape to town, where he can court Gwendolen and entertain himself with extravagant dinners. Similarly, Algernon invents his invalid friend “Bunbury,” so that he has an excuse to escape from the city when he does not care to dine with his relations. Fact and fiction collide when Algernon arrives at Jack’s country estate, pretending to the elusive “Ernest”. His arrival upsets Jack’s plan to kill off his fictional brother and nearly derails Jack’s real engagement to Gwendolen. That Algernon coins the terms “Bunburying” and “Bunburyist” after his imaginary invalid to describe such impersonations highlights
Maxims and Masks: The Epigram in "The Importance of Being Earnest"
Oscar Wilde frames "The Importance of Being Earnest" around the paradoxical epigram, a skewering metaphor for the play's central theme of division of truth and identity that hints at a homosexual subtext. Other targets of Wilde's absurd yet grounded wit are the social conventions of his stuffy Victorian society, which are exposed as a "shallow mask of manners" (1655). Aided by clever wordplay, frantic misunderstanding, and dissonance of knowledge between the characters and the audience, devices that are now staples of contemporary theater and situation comedy, "Earnest" suggests that, especially in "civilized" society, we all lead double lives that force upon us a variety of postures, an idea with which the closeted (until his public charge for sodomy) homosexual Wilde was understandably obsessed.
The play's initial thrust is in its exploration of bisexual identities. Algernon's and Jack's "Bunburys" initially function as separate geographic personas for the city and country, simple escapes from nagging social obligations.