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The Horror Genre in Stories of Stevenson and Greene
R.L Stevenson's 'The Body-Snatcher' and Graham Greene's 'The End Of
The party' are both short stories that are a part of the horror genre,
despite differing in many ways. Throughout this essay, I am going to
compare the differences and the similarities between the two horror
stories. I will assess the way the writers use certain aspects that
are part of the horror genre to make their story have an impact on the
reader and have the ability to captivate their reader and keep them
engrossed in the story. I will be focusing on specific areas within
each story including, setting, structure, atmosphere, suspense,
endings and also the different types of fear explored within each
story.
There are many qualities that are common amongst all horror stories,
which make the horror genre so popular. These specific components of
horror stories include things such as murders, with a clear motive,
and 'The Body-Snatcher' is no exception to this with many murders for
a clear purpose, which is to supply the medical school with bodies.
Tension and suspense are perhaps the most common generic elements in a
horror story. Both 'The Body-Snatcher' and 'The End Of The Party'
contain these elements in a very effective way which, build up to a
climax at the end of the story and have a significant impact on the
reader. Fear and phobias are commonly used in horror stories and 'The
End Of The Party' contains a main theme of a young boy's fear of the
dark. Darkness is also often used in horror stories and 'The
Body-snatcher' and 'The End Of The Party' both contain elements of
darkness, which create uneasin...
... middle of paper ...
...e 'The Body-Snatcher', with more typical
horror elements, like graveyards, weather, dead bodies as are involved
in 'The Body-Snatcher.' I think this is why I prefer 'The End Of The
Party', because it is still a horror story, but without many of the
typical horror components.
Overall, horror is very popular. A successful horror story has the
ability to scare the reader and keep them in anticipation through
parts of the story. It also should be able to keep the reader
captivated and reading to the end. A good horror story combines
tension. Suspense, atmosphere, the unexpected and fear effectively to
have an impact on the reader. A good horror story also contains a good
structure, an effective setting, the use of fear and vocabulary, these
are what make successful horror stories and make the horror genre so
popular.
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
Another form of fear that is later introduced is the concept of the boys humanity slowly becoming strayed. In the novel there is a great amount of foreshadowing towards this topic. An example coul...
Picture yourself walking into your home from a good night spending, you put your stuff down and lay on the couch. Suddenly you hear footsteps upstairs and a big thump. Curiosity gets to you, so you go upstairs to check on what it was; no one could be in the house, you live alone. You walk into your room and start examining every corner, nothing. Once you’re about to leave the door slams shut, the light turns off, and the window shatters; trying to reach for the switch the light turns back on and in front of you a black figure stands and whispers your name slowly. This type of story is designed to make your heart beat as fast as a buzzer, they are known as horror stories. A writer tries to scare the reader by trying to relate to relate to everyone’s fear, or by using suspense. Suspense is needed for a good horror story; writers would use reversal or foreshadowing.
The Fulfillment of the Definition of Gothic Horror by Chapters 5 and 4 of Mary Shelley's Frankenstein
In a society where watching horror movies is considered a social norm, it is less than surprising that the horror industry makes approximately 500 million dollars with the haunted attractions and 400 million dollars at the box office each year, according to Sonya Chudgar’s article “Blood Money: How the Horror Industry Makes a Killing.” Stephen King, a best-selling writer, screenwriter, columnist, producer and director, who is also well-known as a writer of horror fiction, describes the role that horror movies play in the world. He refers to this role as a “dirty job” (King), and suggests that the job is favorable in that horror movies expose us to malevolence and immorality or tense situations in order to suppress our primal instincts of demanding
"Great Works in Dialogue." Great Works in Dialogue. Great Works in Dialogue. Web. 8 Dec. 2015.
Reflecting back on the most iconic figures in the history of horror cinema, characters like Michael Myers, Freddy Krueger, and Jason Voorhees still shine brighter than all the rest – even despite their current lack of utilization. In the meantime, an array of other “big bads,” ranging from Ghostface, Jigsaw, and Annabelle, has attempted to climb the proverbial ladder into the (imaginary) horror hall of fame.
Stephen King believes that we are naturally attracted to the horror genre because we can identify with it to some degree and it is also considered a challenge by some to be able to withstand horror. I find it slightly unsettling that to some degree we are all insane according to King, however, I find this to be very believable.
The first stage of the genre cycle is called the primitive stage. During this stage of the cycle, the genre of horror is very new. Filmmakers are trying to decide what makes a horror film a horror film, while audience are figuring out what they should expect every time they see this kind of film. For example, Todd Browning’s Dracula is the basic, stripped down blueprint for many monster-horror films today. It features the “bad guy” accompanied by the “good guy”. After several horrifying events, Van Helsing kills the vampire, Dracula, and good prevails, again. Thus, establishing that in horror films no matter how grue...
How W.W. Jacobs, H.G. Wells and Charles Dickens Create Suspense in their Gothic Horror Stories
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
The theme of the novel is the collapse of the society. The friendships among the boys are destructive because they do not realize the beast inside of them. They show their ego to each other. The beast is something evil within themselves and it is not a savage animal that is caved ‘Lord of the Flies’.
...e the horror genre might not have become as popular as it is now. Poe thought that he was just writing to express his thoughts and feelings, but what he did not realize that his works would change American Literature forever.
The genre of horror when associated to film, it reflects on a vast variety of issues but when examined for the cultural significance it is narrower to what the aim is. This review surveys multiple scholarly sources from different aspects of the purpose of horror films. This literature review justifies that horror is derived from the fear and guilt within our psychological minds. I will argue that the cultural significance of this genre relates back to the emotional appeals that are conjured up when viewing these films.
Most of us can easily picture a typical child's party, loud and hyper boys running about, noise and fun and screaming kids and chaos, but this party seems to be viewed differently by the mother. It is a more serious and quiet event. She sees the boys as "short men" gathering in the living room, not as children having fun. The children seems subdued to us, with "hands in pockets". It is almost as if they are waiting, as the readers are, for something of imp...