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Lord Of The Rings Reserch Paper
The Fellowship of the Ring Analysis
The lord of the rings book analysis
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JRR Tolkien wrote The Lord of the Rings books in bits and pieces throughout many decades. Around 1917, it is predicted that he began working on The Silmarillion. The Hobbit, however, was published in 1937, and The Lord of the Rings in 1954. Originally, Tolkien intended on his son to become the first reader of his books. Perhaps, this is the reason Tolkien makes The Hobbit a children’s story; more specifically, it is a quest tale of dwarves and a hobbit looking for a dragon. We can quickly notice that women and a female voice are actually never included within The Hobbit. In the other books aforementioned, Tolkien includes minor female characters that we will be analyzing; The lack of women roles and voices in Tolkien’s books prove that he is actually a sexist author, and intended for his books to solely be for a male audience. After performing close readings and analyzing female roles that are found within Tolkien, readers will be able to note JRR Tolkien’s misogynistic views, which are demonstrated throughout all of his stories within The Lord of The Rings.
While working on The Lord of the Rings, it is noted that Tolkien had read completed parts of his novel aloud to several scholars whom he trusted to give him sensible criticism within this field. Specifically, these critics were men, perhaps his colleagues and close associates at the University of Oxford, with whom he felt comfortable sharing his work with (Carpenter, 12). Tolkien and other scholars discussed as intellectuals, medievalists, and as enthusiasts for imaginative literature. However, like Tolkien, they were traditional men of the late Victorian period where women were still considered second-class citizens, and it was not seen out of the norm to not include...
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... candles and pray for protection for her family as they go on their daily adventures. Belladonna is probably someone who has led a full life and is always looking out for others. Tolkien only gives us a glimpse of Belladonna in that she married, had a great home with her husband, and was most likely very satisfied in the by being a wife, mother and grandmother to her heirs.
In conclusion, the women in The Lord of the Rings and the Hobbit have no real place in the grand quest and adventure of the books. We will never know if Tolkien truly did this on purpose or if he was just writing to the customs of the 19th century. Even though there is little mention of the women in these books, they really do have a profound impact on the lives of those involved in the story just as women have a profound impact on the husbands and kids they raise in today’s society.
Gender plays a role in literature, often reflecting the culture at the time of their creation. In such cases, it is also easy to tell the expectations of men and women in society. Gender roles in the works The Odyssey and The Epic of Gilgamesh are similar to which there is an obscure line between the two genders. Although most women are presented as maternal figures in both works, they are mainly seen as tools at the disposal of men.
Much discrimination and misogyny still permeate our social stratosphere, but while reading written words one cannot help but to be placed in the author’s shoes, and therefore accept their words as our own. Cain writes, “Many of the texts written by women during this time reflect the idea that there are natural differences between the sexes. Usually a female narrator…privately addresses a mainly female audience about issues that might seem mainly to concern women” (825). Because the text is written in a female voice, the reading adapts themselves to that voice, and gives credit to the
Change can be shown in many different ways through objects and persons. So how is change shown in The Hobbit by J. R. R. Tolkien? It could be Bilbo, seen as it is, he is at first looked upon as a “cowardly” fellow who was scared to go ten feet from his hole. But as time grew throughout the adventure, it became noticeable how much Bilbo had change since the beginning of the trip. So overall, the theme of change in The Hobbit is, in fact, shown most through Bilbo because in the beginning of the story, he is hesitant and scared to go through with adventure, in the middle, he is starting to believe he can do it and risks himself, and by the end, he is showing bravery, and sometimes stupidity, above everything else. He had changed from an apprehensive Bilbo, to a courageous Bilbo by the end of the tale.
To the Anglo-Saxon’s, women did not serve as incredibly prominent figures. In a society where war was consistent in everyday life, the ability to fight, being powerful, and ultimately being warriors were treasured. Men were physically stronger and therefore were immediately given the roles of warriors and had higher expectations. Anglo-Saxon women were not considered warriors and especially not expected to fight. Women were then given “less significant” roles in society. Although women were exempt from the higher prized roles, they still managed to attain a certain propriety. The epic Beowulf has three women who play roles that vary yet, are symbolic for the culture. These women are Hildeburh, Wealtheow, and Grendel’s mother and they represent three varying roles that Anglo-Saxon women play: the peacemaker, the hostess, and the monster. (Mention last lady, Aethelflaed, somewhere in the intro)
The roles of women are seen as not as important as the role in which men play. Focussing on the roles of a lustful temptress and a trophy wife in the Miller’s Tale, the roles of a hostess and monster in Beowulf, and the role of being passive and a sex symbol in Sir Gawain and the Green Knight of which the roles women had to be condemned to play in society at the time of these two text.
One character that categorically comes to mind as responding to iniquity during the novel is Bilbo Baggins. The Hobbit, written by J. R. R. Tolkien, is a novel about Bilbo’s journey of self-discovery as he conquers challenges never faced before. Baggins search for injustice and problem solving helps the story evolve in the novel, as well as displays heroic efforts that no one expected from him in the beginning. Consequently, his substantial courageous actions, countless sacrifices, and unquestionable allegiance to the dwarves create a sense of justice that plays a vital role in the unity of characters in the novel.
J.R.R Tolkien's action packed, fantasy driven, inspiring novel The Hobbit shows the message that everyone must know, that you should never give up even if all hope seems to be lost. It shows setting of evergreen forests with villages scattered along the paths of which they must take and mountains just on the horizon. The read must go along with bilbo baggins a hobbit that does not realize there is more to him than just being a baggins and that he will live up to his family's name. Even after gandalf tells him that he will embark on a great adventure he still doesn’t believe he is anymore than just bilbo. Therefor this story is inspiring and shows that with the setting, character, and theme combined make this story a great read.
As in the case of Mary Shelley and Oscar Wilde, it is the social attitudes of the time at which the works are written, rather than the author’s personal viewpoints on gender and representation, that shape the female forms of the works. Both Mary Shelley and Oscar Wilde had experiences that shaped how they viewed the gender, sexuality, and the popular social response to these subjects; however, neither Frankenstein’s or The Importance of Being Earnest’s female characters reflect the personal beliefs of the authors in terms of gender and sexuality. The relationship between perceived gender stereotypes and the age in which a work is written is something that can never be severed as literature is inherently the product of the cultural attitudes of the time that it was produced. As different the author’s personal viewpoints are, there is always the pushback of the ‘traditional social attitudes’ against personal beliefs. Mary Shelley and Oscar Wilde were not exempt from the prejudices of their time periods, the Romanticism Era and the Victorian Age respectively, and had to alter their viewpoints in order to be accepted as
Empathy is one of the great mysteries of life. Why do people feel empathy? Do others deserve empathy? Is feeling empathy a strength or weakness? These questions may forever go unanswered, or they may not even have an answer. Even if they are answered, they may only be speculation. One author shows his take on the matter with one of his books. In The Hobbit, J.R.R. Tolkien uses Gollum and Thorin to show that people do deserve empathy, no matter how horrible they may be.
The position that women have in religious scripture has given them a lesser spot in society. When God created a man it made sense to create his partner, the female. Because the man is created first and then the women from his rib, the female gender in religious scripture has been discriminated on. This is shown in the various books of the Old and New Testaments, teachings of Jesus Christ, and the Qur’an. First, the Old Testament illustrates women as the corrupter of men. Next, the teachings of Jesus show more equality among genders even though the New Testament does not. Finally, the Qur’an depicts women as having a subservient role to men allowing men to take advantage.
Escaping poverty was one of the themes of “A Raisin in the Sun.” The family’s chance of escape becomes a reality when a $10,000 check arrives in the mail. Everyone is wanting to spend their money for their own dream, each with their own way of escaping poverty. Walter believes that investing all the money into the liquor store will put the family higher in the ranks while earning them more income, therefore they would no longer be poverty-stricken. He believes money is everything and wants his family to have the best. This can be seen when he tells his son, “[without even looking at his son, still staring hard at his wife] In fact, here’s another fifty cents…Buy yourself some fruit today – or take a taxicab to school or something!” (pg 1.1.59).
In the movie, A Knight 's Tale, women were treated very poorly. Men were held to higher standards. The men would do mostly everything that was important or popular. Women were held back behind men doing nothing but being support to the men. You could tell the respect held for the men over women. For example when Jocelyn and William argued in the church, the priest came to yell at them but only told Jocelyn to stop. He said no word to William even though he was apart of it. Jocelyn was blamed for having such commotion even though William was very much part of the scene. The priest not once said anything to him but did say it all to her. They didn 't think so much about the role of the women but seen only as an object men had. William and Adhemar show it when they fight for her. Adhemar speaks of her as a prized possession. No woman was taken seriously or cared about. Women were only a big role when the men took interest in her. That 's all the men showed in the movie as they fought for Jocelyn. This was the time that a women was talked
Throughout The Hobbit by J.R.R tolkien, themes are portrayed and are necessary for the story line. The three main themes in the novel are the prevalence of greed, how Bilbo changes throughout the story and transforms into a hero and the conflict between good and evil. Greed can change anybody, no matter how heroic or brave they are. In the beginning bilbo is portrayed as quiet hobbit that likes to stay home but that all changes with a knock on the door.
This critique is about the film “The Hobbit: Battle of the Five Armies”. It is a heavy designed film that definitely had a long research and design process. There is more than one designer in each area of the following; scenery, costume, lighting and sound. Instead of talking about each designer’s accomplishment in the film. I will be talking only about their work. There were so many participants in the creating of the film it would be hard to reference each design element to an artist. The following are the mentioned artist, The Art Directors Simon Bright and Andy Mclaren, Set decoration by Myktya Brazhnyk, Simon Bright, and Ra Vincent, Costume design by Bob Buck, Ann Maskrey, and Richard Taylor, Music by Howard Shore, and many more creators
Throughout literature, authors employ a variety of strategies to highlight the central message being conveyed to the audience. Analyzing pieces of literature through the gender critics lens accentuates what the author believes to be masculine or feminine and that society and culture determines the gender responsibility of an individual. In the classic fairytale Little Red Riding Hood, the gender strategies appear through the typical fragile women of the mother and the grandmother, the heartless and clever male wolf, and the naïve and vulnerable girl as little red riding hood.