Edgar Allan Poe's "The Facts in the Case of M. Valdemar" is a very interesting tale about a doctor who has become fascinated by mesmerism. The doctor is curious to see what would happen to an individual put under hypnosis while dying. Would it stave off death? Would dying make hypnosis impossible? A friend named by the narrator as M. Valdemar agrees to be the subject of this experiment. Seven months later, the doctor is called to the dying man's bedside. As the patient's breath and heartbeat slow, the doctor successfully hypnotizes him. The dying man feels no pain and responds to questions without rising from his trance. He asks the doctor not to wake him, but to let him die without pain. The next day, the patient's eyes roll upward, his cheeks lose their color, and his mouth falls open. The man is apparently dead, but as they prepare him for burial, however, the tongue begins to vibrate and a minute later, answers the question the doctor put to the patient just before his death. "Yes -- no -- I have been sleeping -- and now -- now - I am dead," says the corpse. The amazed doctors leave the patient in exactly the same state for seven months. Finally, they resolve to wake him. As he begins to wake, the doctor asks what the patient's wishes are. The dead man cries out that he is dead and must be awakened. The doctor wakes him and the corpse immediately falls apart into "a nearly liquid mass of loathsome - of detestable putrescence." As this story picks up seven paragraphs from the end of the story, the narrator states, "It was on Friday last that we finally resolve to make the experiment of awakening, or attempting to awaken him." Poe uses this line to show that although the experiment had thus far worked and M. ... ... middle of paper ... ...ay Valdemar is consumed by death and the way he "rotted away" into a "liquid mass of loathsome--detestable putrescence." The way Valdemar is consumed by death eventually happens to everyone regardless of any scientific processes that may explain otherwise. Poe also uses this story to show that death is a mystery to us all. Near the end of the passage Valdemar wakes and yells, "For God's sake!---quick!---quick!--put me to sleep---or, quick!---waken me!---quick!---I say to you that I am dead!" Valdemar's words can not be fully understood because we do not know explicitly what the horrors are that he is experiencing. The scariest part of this passage is that Valdemar wants to be either dead or awakened and by his words it is unclear which is better. The frightening part about dying may not be dying itself but perhaps the unknown of the dying and spiritual process.
Edgar Allen Poe, a mysterious man, died in a mysterious way. He could have been murdered. He could have died from a some type of disease. He was found dead outside of a public house laying on the ground in an alleyway. This essay will explain the ways that Edgar Allen poe could have died. I believe he was murdered. More people believe that he was killed by disease.
Edgar Allan Poe was setting out for Baltimore. On October third a man named Joseph Walker had found Poe lying outside by Gunners hall, not normally dressed and unconscious. Poe was unaware of surroundings and was fatigue. Joseph had made contact with a doctor and had sent Poe to the hospital. Four days later Poe had died in the hospital. No scientist had figured out the true reason why Poe died, and we will never actually know because no one had an autopsy for Poe after his death. Many people believed he died of alcoholism, rabies, brain tumor, and the flu, but all of these add up to meningitis and encephalitis.
In the United States and worldwide people have different culture, beliefs and attitude about death. Over the past years, death is an emotional and controversy topic that is not easy to talk about. Everyone have a different definition of what is death and when do you know that a person is really dead. In the book Death, Society, and Human Experiences by Robert J. Kastenbaum demonstrates that you are alive, even when doctors pronounce you dead.
Edgar Allen Poe, in the short story “The Masque of the Red Death”, shows how people may try to outsmart death and surpass it, but in the end they will die since death is inevitable. He reveals this in the book by showing all the people closed up in the abbey that belongs to Prince Prospero. They are trying to escape the “Red Death” and think that they can escape the death by hiding away in the abbey. They manage to stay safe for six months but in the end they all die after the stroke of midnight during the masquerade ball Prince Prospero puts on from the Red Death itself which appears after midnight and leaves no survivors in the end. Poe develops the theme of how no one can escape death through the use of the point of view, the setting, and symbolism.
“Within the space of a single minute, or even less, shrunk-crumbled-absolutely rotted away beneath my hands. Upon the bed, before that whole company, there lay a nearly liquid mass of loathsome-of detestable putrescence (Poe 309).” Death is inevitable, plain and simple – Poe proving just that in "The Facts in the Case of M. Valdemar". Not only did the narrator fail to prevent Valdemar’s death but this trance of sort, he caused the poor man to suffer longer than necessary. The graphic details that Poe provides about how Valdemar feels during the trance sheds light on the dangers behind scientific experiments and those horrifying results one may not expect. Valdemar’s final words of “dead! dead!” sums up the story, he no longer wanted to prolong his death, he simply wanted them to let him and his body die and remain at rest.
The writing style of Edgar Allan Poe shows the writer to be of a dark nature. In this story, he focuses on his fascination of being buried alive. He quotes, “To be buried alive is, beyond question, the most terrific of these [ghastly] extremes which has ever fallen to the lot of mere mortality.” page 58 paragraph 3. The dark nature is reflected in this quote, showing the supernatural side of Poe which is reflected in his writing and is also a characteristic of Romanticism. Poe uses much detail, as shown in this passage, “The face assumed the usual pinched and sunken outline. The lips were of the usual marble pallor. The eyes were lusterless. There was no warmth. Pulsation had ceased. For three days the body was preserved unburied, during which it had acquired a stony rigidity.” page 59 paragraph 2. The descriptive nature of this writing paints a vivid picture that intrigues the reader to use their imagination and visualize the scene presented in the text. This use of imagery ties with aspects of Romanticism because of the nature of the descriptions Poe uses. Describing the physical features of one who seems dead is a horrifying perspective as not many people thing about the aspects of death.
Poe chooses plague as his tool of death. He takes his time to perfectly describe how enormous threat such a plague can be: “No pestilence had ever been so fatal, or so hideous.” Another terrifying fact is that the plague is incredibly quick and therefore there is practically no chance to be cured: “At the whole seizure, progress and termination of the disease, were the incidents of half and hour.” To support the idea of dread, Poe is also describing the process of the horrible and painful dying: “There were sharp pains, and sudden dizziness and the profuse bleeding at the pores, with dissolution.” Moreover we can feel a certain respect to it. The author even calls it by a name “The Red Death” and uses capital letters. He is animating it this way and the reader realises it is not so easy to escape from it.
The. 15 March 2014. http://xroads.virginia.edu/drbr/wf_rose.html> Poe, Edgar Allan. The "Tell-Tale Heart." Skwire, David and Harvey S. Wiener.
...scarlet stained windows, the images are “ghastly in the extreme” (Poe 517). Normally, a room would not be decorated in a way that everyone is to frightened to enter. Therefore, the fear of the space mimics man’s fear of death. Poe’s life had been shaped by death and perhaps this influenced his writing. His mother had passed away when he was just three years old. His foster mother also passed away, after a long illness. Then, Poe’s wife passed away from illness. These occurrences in his life may have taught him that time is precious and life is not everlasting. No matter how hard a man tries to ignore death, we will all die eventually. Tragically, Poe himself died under mysterious circumstances just as he was turning his life around and becoming successful. The way Poe set the story and the symbolism used throughout clearly drove home the point that life is fleeting.
I was never kinder to the old man than during the whole week before I killed him. ” Poe seduces the reader with the narrator’s eerie implication of his sanity. The author allows the reader to recognize the raconteur’s ability to rationally confess his behavior as sane.
"Edgar Allan Poe Mystery." University of Maryland Medical News. Sept 24, 1996. May 21, 2003 www.umm.edu/news/releases/news-releases-17.html
Death is tragic and one of the most finite things on Earth. It can turn an average human being insane and change his/her life forever. Losing someone close and dear is incredibly painful and an experience one will not forget. Death can cause numerous emotions to bubble up, like sorrow, and grief. In “The Raven” Poe utilizes imagery, diction, and figurative language along with symbolism to illustrate how isolation can cause madness when one comes to terms with the finite consequences of death.
The use of metaphor is essential to my thesis. Throughout the story particularly through pages 4, 5, and 6 the term “sleep-waker” is used six times. This term is defined as a state of mesmeric sleep; a state of altered consciousness. In Valdemar’s case his state was between life and death. However, I argue that when Valdemar was “successfully” placed in a “perfect state of mesmeric trance,” Valdemar was still dying (Poe 4). When questioned several times by P, Valdemar states, “Yes; - asleep now. Do not wake me! – let me die so!...no pain – I am dying…yes; still asleep – dying” (Poe 4,5). At one point after being placed in the mesmeric state P describes the appearance of Valdemar; his eyes rolling, “the pupils disappearing upward...and the circular hectic spots which, hitherto, had been strongly defined in the centre of each cheek, went out at once. I use this expression, because the suddenness of their departure put me in mind of nothing so much as the extinguishment of a candle by a puff of the breath” (Poe 5). In lights of Poe’s choice of words, I ask, but what is death but the extinguishment of life? An extinguished candle is a metaphor of death. Poe’s words create the metaphorical image of a person who transitions from the dying state to the state of death with a “breath,” death is a moment, a
Edgar Allen Poe’s tone of the story is delusional and uneasy. The tone is of an insane mind. The story has mystery, death and the possibility of the supernatural, this short story is a work of Gothic writing. The setting is dark and shadowy which leads the reader to connect with the narrator.
Throughout Edgar Allan Poe’s life, death was a frequent visitor to those he loved around him. When Poe was only 3 years old, his loving mother died of Tuberculosis. Because Poe’s father left when he was an infant, he was now an orphan and went to live with the Allan’s. His stepmother was very affectionate towards Edgar and was a very prominent figure in his life. However, years later she also died from Tuberculosis, leaving Poe lonely and forlorn. Also, later on, when Poe was 26, he married his cousin 13-year-old Virginia, whom he adored. But, his happiness did not last long, and Virginia also died of Tuberculosis, otherwise known as the Red Death, a few years later. After Virginia’s death, Poe turned to alcohol and became isolated and reckless. Due to Edgar Allan Poe’s loss of those he cared for throughout his life, Poe’s obsession with death is evident in his works of “The Tell-Tale Heart”, “The Black Cat”, and “The Fall of the House of Usher”, in which in all three death is used to produce guilt.